{"id":72133,"date":"2025-10-13T16:37:08","date_gmt":"2025-10-13T16:37:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/72133\/"},"modified":"2025-10-13T16:37:08","modified_gmt":"2025-10-13T16:37:08","slug":"no-one-wants-to-see-the-inbetweeners-as-adults-why-must-we-keep-rehashing-old-shows","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/72133\/","title":{"rendered":"No one wants to see The Inbetweeners as adults \u2013 why must we keep rehashing old shows?"},"content":{"rendered":"<p>Your support helps us to tell the story<\/p>\n<p class=\"sc-1uza6dc-0 jEZjIj\">From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it&#8217;s investigating the financials of Elon Musk&#8217;s pro-Trump PAC or producing our latest documentary, &#8216;The A Word&#8217;, which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.<\/p>\n<p class=\"sc-1uza6dc-0 jEZjIj\">At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.<\/p>\n<p class=\"sc-1uza6dc-0 jEZjIj\">The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.<\/p>\n<p>Your support makes all the difference.Read more<\/p>\n<p>Ooh, friend!\u201d \u201cFrieeeend!\u201d \u201cFootball friend!\u201d<\/p>\n<p>There was a certain period in the late 2000s when, if you happened to be a teenager in Great Britain, it felt like you couldn\u2019t go 24 hours without hearing these words. Like the ubiquitous \u201cWhassup?\u201d Budweiser advert before it and the strangely permeating <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/life-style\/skibidi-delulu-tradwife-new-words-cambridge-dictionary-b2809663.html\">\u201cSkibidi\u201d that came long after<\/a> (so popular it has now entered the <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/news\/uk\/home-news\/cambridge-dictionary-new-words-skibidi-tradwife-delulu-b2809392.html\">Cambridge English Dictionary<\/a>), this specific set of syllables, delivered in a mocking, high-pitched voice, seemed to somehow transcend its humble origins and become emblematic of an entire era.<\/p>\n<p>If you\u2019re unfamiliar, this line of dialogue originates from an episode of <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/topic\/the-inbetweeners\">The Inbetweeners<\/a>, the hit E4 comedy show that aired between 2008 and 2010 and has <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/news\/the-inbetweeners-comedy-return-cast-reunion-b2844128.html\">just been confirmed to return for a reboot<\/a>. The coming-of-age series followed four teenage boys as they attended a mixed state secondary school in England in the Noughties, awkwardly navigating the complex social hierarchies of teenagedom (and trying to convince girls to w*** them off in the process). The show ran for three series and proved wildly popular, spawning two <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/films\/reviews\/culture-club-the-inbetweeners-movie-2343214.html\">subsequent films<\/a>, released in 2011 and 2014 respectively.<\/p>\n<p>Like many a British sitcom before it, from <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/features\/fawlty-towers-john-cleese-woke-b2279626.html\">Fawlty Towers<\/a> to <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/news\/peep-show-reboot-david-mitchell-robert-webb-b2698344.html\">Peep Show<\/a>, The Inbetweeners specialised in that specific brand of toe-curling cringe humour that seems to be one of our most successful exports. The exploits of the four main characters \u2013 Will McKenzie (<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/features\/simon-bird-everyone-else-burns-inbetweeners-b2265132.html\">Simon Bird<\/a>), Simon Cooper (Joe Thomas), Jay Cartwright (James Buckley) and Neil Sutherland (<a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/theatre-dance\/features\/blake-harrison-interview-inbetweeners-waitress-b1934027.html\">Blake Harrison<\/a>) \u2013 struck a cultural chord because they painted a fairly accurate, if exaggerated, portrait of the specific nuances and humiliations required to make it through adolescence in this country. It was the <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/news\/nicholas-hoult-skins-the-inbetweeners-b2319163.html\">perfect foil to Skins<\/a>, another E4 creation and arguably the forerunner to <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/tv\/news\/euphoria-season-3-spring-hbo-zendaya-2026-b2827314.html\">Euphoria<\/a>, in which teens were all presented as beautiful yet permanently angst-ridden; their glossy brand of trauma, intense romantic relationships and drug-fuelled tragedies were a world away from the realities of key stage 4 as we knew it. By contrast, The Inbetweeners\u2019 depiction of puberty as an endurance sport, marked by gross-out humour, foul language and a string of embarrassing incidents, was painfully familiar.<\/p>\n<p>Characters were sick in nightclubs and <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/life-style\/house-party-stormzy-gen-z-nightlife-b2574080.html\">house parties<\/a> after overenthusiastic bouts of underage drinking; they lied about their sexual conquests, tried unsuccessfully to use fake IDs, got infected after piercing their own ears and casually joked about one of their teachers being a paedophile (and what school didn\u2019t have a notorious incident involving a staff member and a student hooking up in those days?). There were gags about fingering, copious amounts of vomit, urine and semen and every episode ended in some kind of ritual humiliation for the main quartet. Whenever they managed, by some miracle, to get a girl, they very quickly ballsed things up.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/10\/inbetweeners.jpg\"  loading=\"lazy\" alt=\"James Buckley, Blake Harrison, Joe Thomas and Simon Bird starred in Noughties sitcom \u2018The Inbetweeners\u2019\" class=\"sc-1mc30lb-0 ggpMaE\"\/>James Buckley, Blake Harrison, Joe Thomas and Simon Bird starred in Noughties sitcom \u2018The Inbetweeners\u2019 (Rex)<\/p>\n<p>It was completely and utterly of its time \u2013 a cultural moment preserved in amber (or, knowing The Inbetweeners, something far more disgusting). Which is why the news that the show is set to make a comeback brings me no pleasure whatsoever. More than a decade after its finale aired, creators Damon Beesley and Iain Morris have confirmed that the comedy will return in some guise, after their production company, Fudge Park, signed a new partnership with Banijay UK. The contract \u201cpaves the way for the return of the hit comedy title\u201d, apparently; while few details have been released, Beesley and Morris said in a statement: \u201cIncredibly exciting to be plotting more adventures for our four favourite friends (ooh friends).\u201d<\/p>\n<p>It was completely and utterly of its time \u2013 a cultural moment preserved in amber<\/p>\n<p>I want to be supportive of British comedy, really I do. But there is not one single atom of me that wants to see those characters all grown up, nor that particular brand of toilet humour translated to adult life. I can only imagine the kind of scenarios the writers are dreaming up for us right now. Are we going to see Will mess up an important presentation at work because he has a jizz stain on his trousers? Laugh as Jay\u2019s compulsive lying leads to catfishing dates on Tinder? Watch as Simon\u2019s marriage unravels because he has a porn addiction? Discover that dim-witted Neil wound up being a cabinet member? Spare us, I beg of you.<\/p>\n<p>To be fair, it\u2019s nothing new, merely the latest in a long line of examples of existing intellectual property being milked until the creativity teat is bone dry. Gossip Girl, Cruel Intentions, Twin Peaks, Frasier, Sex and the City \u2013 all have been rehashed in one form or another, the decomposing corpses of previously great ideas and characters given CPR and jolted back to life when they arguably should have been left to rest in peace.<\/p>\n<p>The issue isn\u2019t just that you risk forever damaging the original legacy with a botched job \u2013 <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/life-style\/house-party-stormzy-gen-z-nightlife-b2574080.html\">I\u2019m looking at you, And Just Like That&#8230; <\/a>\u2013 it\u2019s that these grasping attempts to cash in on the nostalgia wave mean there\u2019s less room and money for truly innovative and groundbreaking ideas to get made. And yet, when you look at this year\u2019s properly brilliant shows, they have been, well, new: take the agenda-setting miniseries <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/life-style\/health-and-families\/adolescence-andrew-tate-manosphere-how-to-talk-to-children-teens-b2726073.html\">Adolescence<\/a> or Sally Wainwright\u2019s <a rel=\"nofollow noopener\" target=\"_blank\" href=\"https:\/\/www.independent.co.uk\/life-style\/riot-women-sally-wainwright-menopause-b2843300.html\">brilliant and thought-provoking Riot Women<\/a>.<\/p>\n<p>Much as those four silly, disgusting boys will always hold a weird place in my formerly teenage heart, I wish we could leave the past in the past. Part of growing up is surely growing out of believing that an unsatisfying reboot can ever hold a candle to the original.<\/p>\n","protected":false},"excerpt":{"rendered":"Your support helps us to tell the story From reproductive rights to climate change to Big Tech, The&hellip;\n","protected":false},"author":2,"featured_media":72134,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[146,85,46,411],"class_list":["post-72133","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tv","tag-entertainment","tag-il","tag-israel","tag-tv"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/72133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=72133"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/72133\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/72134"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=72133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=72133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=72133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}