Nvidia CEO Jensen Huang is conceding to backlash, following comments the executive made at GTC 2026 where he said gamers were “completely wrong” about their criticisms of DLSS 5, as first reported by Tom’s Hardware. During a recent appearance on the Lex Fridman podcast, Huang seemed more sympathetic to the vocal crowd that has framed DLSS 5 as “AI slop.”
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Although Huang is striking a more conciliatory tone, much of his response is similar to what we heard at GTC. “The artist determines the geometry, we are completely truthful to the geometry… so every single frame, it enhances, but it doesn’t change anything.”
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There was some confusion about how DLSS 5 worked when it was first announced, and although the inner workings of it still aren’t clear on a technical level, Huang has said that it isn’t a general-purpose generative AI model. He describes it as “content-controlled generative AI.” On the other end of the spectrum, Huang also said that it isn’t a post-processing filter. The technical details of DLSS 5 live somewhere between that space, and we likely won’t know them until later this year when the feature is set to release.
“The question about enhancing, DLSS 5… in the future, you could even prompt it. You know, I want it to be a toon shader. I want it to look like this, kind of. You could even give it an example and it would generate in the style of that, all consistent with the artistry, the style, the intent of the artist,” Huang continued. “All of that is done for the artist so they can create something that is more beautiful but still in the style that they want.”
Jensen Huang: NVIDIA – The $4 Trillion Company & the AI Revolution | Lex Fridman Podcast #494 – YouTube
Although the talking points about DLSS 5 remain unchanged, it seems that Huang has at least heard the criticism. “I think that they got the impression that the games are going to come out the way the games are… and then we’re going to post-process it. That’s not what DLSS is intended to do.”
Huang also made assertions that DLSS is “integrated” with the artist, and suggested that it would put the power of generative AI in the hands of artists working in game development; although, we’ve already seen generative AI show up in shipping releases, from Clair Obscur: Expedition 33 to the recently-launched Crimson Desert. Up to this point, DLSS hasn’t been a tool developers have much interaction with. It’s not post-processing, either, but it comes late in the rendering chain and is largely governed by Nvidia’s models and various DLSS presets.
Although DLSS 5 looks like it’s doing a lot, Huang said that it’s just another tool, not an essential feature. “The gamers might also appreciate that, in the last couple of years, we introduced skin shaders to game developers, and many of those games have skin shaders that include sub-surface scattering that makes skin look more skin-like… [DLSS 5] is just one more tool. They can decide what to use,” Huang ended the conversation about DLSS 5. Immediately after, without missing a beat, he said 1993’s Doom was the most influential video game ever made.
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