But he hasn’t been wasting any time while at Cannes.
The Adventures of Tintin directed by Steven Spielberg and produced by Peter Jackson. Photo / Paramount
In between galas and picking up his prize, “I’ve been working with Fran [Walsh, his partner] on another Tintin script. I’m in the hotel room down the road writing the script and sending pages to New Zealand,” he told AFP.
While he refused to say which of the Tintin albums he was drawing on, he hinted strongly that it will begin where Spielberg’s film finished, with Red Rackham’s Treasure.
“It’s not the way that it carries on, but it begins exactly where the last film ends,” he told AFP.
‘Old fat rebel’
Jackson said he makes “films that I really want to see myself”, and the Tintin movie will be no different.
“When we get a draft done, we will send it to Steven [Spielberg] … and he might say that he doesn’t like it, and maybe we should do it with different books. But I don’t think he will.”
Jackson, who turned J.R.R. Tolkien’s The Lord of the Rings trilogy into one of the biggest box office franchises ever, said he loved Tintin, whose adventurous japes in comics like Tintin in Tibet and The Blue Lotus have been a staple of European children’s bookshelves since the 1930s.
Jackson, who owns Weta FX, one of the world’s most important special effects companies, which has worked on Avatar as well as The Lord of the Rings trilogy, also weighed into the debate on artificial intelligence that has been raging at Cannes.
Peter Jackson receives the Honorary Palme d’Or on stage during the opening ceremony of the 79th annual Cannes Film Festival. Photo / Getty Images
He said that while he thought AI is “going to destroy the world”, when it comes to its use in film, “I don’t dislike it at all”.
“I mean, to me, it’s just a special effect. It’s no different from other special effects.”
While he later played down his remarks “about the robots taking over”, he said he could not see AI going much further than the “cowboyland” of short videos on Instagram and YouTube.
“To make feature films the rights have all to be authorised and lawyers have to go through things with a toothcomb,” something that would limit AI’s use.
Jackson, 64, said he still sees himself as the rebel who was kicked out of the Palais des Festivals in Cannes for wearing shorts when he premiered his debut film, Bad Taste in 1987, but was now an “old fat rebel”.
And he said he still hopes to make a movie inspired by the British Dambusters raid on the Ruhr dams in Germany during World War II if “I live long enough”.
– AFP