Stations throughout the exhibition will use sound, text and objects to allow visitors to the Glasgow Life venue to explore their creativity and take part in collaborative encounters examining what the coming years could bring.
The project will revisit concepts the artist explored in The Mothership Collective in 2006, which saw Offeh invite fellow artists, dancers and musicians to create work with members of the public inspired by Afrofuturist mythology in the music and performances of George Clinton and Sun Ra.
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For two decades, Offeh has produced work spanning performance, video, photography, learning and social arts practice. His playful and often provocative pieces employ humour as a means of confronting viewers with historical narratives and contemporary culture.
Glasgow Life said in a statement: “The exhibition will encourage exploration of future possibilities for play and interaction.
“Inspired by repurposed and recycled materials, the space will be shaped by themed areas investigating landscape and habitats, identity through costume, patterns through sound and sensory experience, as well as prophecy and prediction through writing.”
Visitors will be encouraged to make noise, interact with the installation and explore the exhibition through play.