The NIKKOR Z 28-135mm f/4 PZ has received the Good Design Award 2025, recognizing Nikon’s ongoing effort to refine its cinema-oriented lens lineup. The award celebrates a combination of optical performance, mechanical reliability, and user-centered design tailored for filmmakers working with compact Z-mount systems.

The NIKKOR Z 28-135mm f/4 PZ is a standard zoom lens aimed at professional video creators. With a focal range of 28 to 135 mm and a constant f/4 aperture, it maintains consistent exposure throughout the zoom range. The power zoom system offers smooth, electronically controlled transitions that can be operated from the camera body, remote grip, or software: a valuable feature for solo operators and small crews. The lens exhibits minimal focus breathing, controlled parfocal performance, and precise linear manual focus response, making it suitable for high-end productions and documentary work. Its balanced weight and internal zoom design also improve gimbal stability, ensuring predictable handling in dynamic shooting conditions. 📦 See on Amazon: NIKKOR Z 28-135mm f/4 PZ

The Good Design Award committee emphasized usability, intuitive operation, and form-factor balance. The three control rings for zoom, focus, and iris are optimized for tactile feedback and placed for comfortable operation in handheld or rig-mounted setups. This recognition aligns with Nikon’s strategic move toward cinematic applications, as discussed in Nikon in the Cinema World. Nikon’s design priorities are clearly evolving from photography to motion-oriented performance, blending traditional craftsmanship with modern video engineering.

Industry reviewers have described the NIKKOR Z 28-135 mm f/4 PZ as a well-balanced and highly practical zoom for filmmakers who prefer controlled, repeatable performance over ultra-fast aperture designs. Many have praised the optical consistency across the frame, noting that chromatic aberrations and distortion are impressively low for a zoom of this range. Hands-on tests highlight the smooth and natural power-zoom response, which provides gradual speed control ideal for cinematic moves. Several reviewers pointed out that Nikon’s power-zoom implementation feels refined, with quiet motors and minimal lag, even during fast zoom pulls. Color rendering has been described as neutral and accurate, matching Nikon’s modern Z-mount optics, which helps maintain continuity between different NIKKOR lenses in multi-camera environments. Reviewers also appreciated the weather-sealed construction and overall mechanical stability, making it reliable for field production. In short, the general consensus positions the 28-135 mm f/4 PZ as a versatile workhorse lens, one that bridges the gap between photo and cine applications while maintaining optical integrity suitable for professional use.

This lens fits within Nikon’s expanding cinema roadmap, as detailed in NIKKOR Z Cinema Lenses: Speculative Roadmap. The direction reflects Nikon’s intent to provide creators with dedicated tools for motion work rather than adapting photography-centric designs. Its introduction also follows the Cine-NIKKOR Lenses Revived initiative, which reintroduced Nikon’s cinema heritage to a new generation of filmmakers using digital workflows. The 2025 Good Design Award for the NIKKOR Z 28-135 mm f/4 PZ highlights Nikon’s progress in designing tools that merge technical reliability with cinematic functionality. For documentary shooters, small production crews, and solo cinematographers, it represents a dependable lens that prioritizes control, smooth operation, and consistent image quality.
📦 See on Amazon: NIKKOR Z 28-135 mm f/4 PZ
Nikon NIKKOR Z 28-135mm f/4 PZ