Serpent Lord – The Once Forgotten Ways of Old Review
After reviewing Crotaline in April and Dimmu Borgir’s Grand Serpent Rising earlier this month, 2026 is shaping up…
Goreworm – Miasmic Solitude Review
After releasing debut LP Prodigy of the Grotesque in 2020, Canada’s Goreworm re-emerges from their burrow with follow-up…
Graveir – The Festering Triad Review
Previously, I have banged on about my relationship with black metal being a slightly strange one, and rarely…
Hecate Enthroned – The Corpse of a Titan, a Lament Long Buried Review
Black metal veterans Hecate Enthroned have spent decades trying to step out of Cradle of Filth’s shadow—and not…
Periphery – A Pale White Dot Review
Over a decade removed from the djent boom of the early 2010s, stylistic flagbearers Periphery have settled into…
Gus G. – Steel Burner Review
Gus G. is a busy man. For some odd 25 years and counting, the Greek guitarist has not…
Six Feet Under – Next to Die Review
Here in the hall, we have a tradition called “Squatter’s Rights”. This ensures that if you had the…
Sicarius – Nex Review | Angry Metal Guy
Sicarius hit the ground raging in 2017 when the Californian black metal upstarts released their scathingly vicious debut…
Mirror of Deception – Transience Review
As much as metal is a niche interest (at least in my part of the world), it is…
Këkht Aräkh – Morning Star Review
Somehow, Këkht Aräkh is one of the most popular black metal artists in the game right now. Since…
Angus McSix – Angus McSix and the All-Seeing Astral Eye Review
When last we saw the mighty power metal heroes of Angus McSix, they were a fledgling group with…
Xenobiotic – Dante Review | Angry Metal Guy
You haven’t lived until you’ve heard an Australian recite Dante. Once a niche ritual available only to the…