Ain Sof Aur – Theos-Vel-Samael Review
Be honest: what do you expect experimental blackened death metal steeped in Left-Hand-Path Occultism to sound like? Dissonant?…
Mother Crone – Embrace the Death Review
Lately, I’ve been listening to quite a bit of depressing music. Between Meadowlands, Qroba, and Exequiae, the themes…
Vanta – Perpetual Selection Review
The harsh environs of Australia are the perfect breeding grounds for brutal music. Xenobiotic based their latest on…
Ravenspell – Obsidian King Review
When old-school Traditional Heavy Metal looks fondly upon its family tree, it sees that it has birthed a…
In Ruins – We Are All to Perish Review
I think most people who meet me, either online or in meatspace, would not imagine I enjoy a…
The Mountain King – Pike Dreams Review
My general lack of awareness and the fact that The Mountain King themselves submitted the album via contact…
Borrower – Killerdemons Review | Angry Metal Guy
Unlike some of our staff, I’ve never been in a band. However, I can imagine the feeling of…
Erbeet Azhak – Only the Vile Will Remain Review
I’ll take “Global Notables” for $600, please, Ken—The clue: Country famous for its waffles, chocolate, beer, and castles.…
Post Luctum – Timor Lucis Review
Even with someone as infinitely absorbent as this sponge, things slip through the cracks sometimes. In 2019, I…
Unmother – State Dependent Memory Review
Independent U.K. undergrounder’s, Unmother, have been holding a mirror up to urban dystopian dehumanization since forming in 2019.…
Necrofier – Transcend into Oblivion Review
Houston’s Necrofier first came on my radar when they played the 2024 Decibel Magazine Tour with Hulder, Devil…
Desoration – NON Review | Angry Metal Guy
Self-releasing an album is a monumental effort. Between production, distribution, artwork, press, yadda yadda yadda, the logistical weight…