Modest Mouse: An Eraser and a Maze Album Review
Earlier this year, Isaac Brock brought about 2,400 of his disciples aboard the inaugural Ice Cream Floats, a…
Kim Petras: Detour Album Review
For as long as we’ve known Kim Petras, we’ve known just how badly she wanted to be a…
From Herbs to Head Like a Hole: MPs on their favourite local albums
On the final day of New Zealand Music Month, MPs from across the political spectrum tell The Spinoff…
Jennifer Lopez on being single: ‘I should have done it sooner’ – Music News
Jennifer Lopez has admitted that she’s been “doing it all wrong” by being in relationships for most of…
aja monet: the color of rain Album Review
“Say it with your chest,” aja monet commands in the opening seconds of the color of rain. The…
Blod: Förlorarnas Natt Album Review
Ramshackle Swedish folk, medieval jam sessions, home-spun hymns recorded straight to tape, and albums named after revolutionary communist…
Porches: MASK Album Review | Pitchfork
In a recent column for the New Yorker, writer Kyle Chayka details a “lo-fi rebellion” against the aesthetics…
Salem: Red Dragon Album Review
In so many ways, the mid-2020s have just been a speedrun of the late aughts. A looming recession,…
Lykke Li: The Afterparty Album Review
It’s getting harder to surrender yourself—to the music, the moment—without noticing a bitter aftertaste. On her sixth and…
Fire-Toolz: Lavender Networks Album Review
Every fan has a different way of describing the absolutely bonkers music that Angel Marcloid makes as Fire-Toolz.…
Broken Social Scene: Remember the Humans Album Review
After completing the promotional run for their last album, 2017’s Hug of Thunder, Broken Social Scene locked into…
Asake: M$NEY Album Review | Pitchfork
After three years under Olamide’s YBNL Nation, the label that catapulted Asake into global stardom, the Nigerian pop…