Xenobiotic – Dante Review | Angry Metal Guy
You haven’t lived until you’ve heard an Australian recite Dante. Once a niche ritual available only to the…
Malefic – Impermanence Review | Angry Metal Guy
A tabby cat is what you get when you let nature take its course. Nearly every stray is…
Exhumed – Red Asphalt Review
Unfortunately, the mighty Relapse stable now floats down the shitty stream for promos. As such, we are slow…
Review: Overtoun – Death Drive Anthropology
Published by Vince on February 28, 2026February 28, 2026 Artwork by: Paolo Girardi Style: Progressive Metal, Death Metal…
Post Luctum – Timor Lucis Review
Even with someone as infinitely absorbent as this sponge, things slip through the cracks sometimes. In 2019, I…
Harrowed – The Eternal Hunger Review
I’ve kicked off this year with a good old-fashioned death binge. My putrid immersion has taken me around…
Desoration – NON Review | Angry Metal Guy
Self-releasing an album is a monumental effort. Between production, distribution, artwork, press, yadda yadda yadda, the logistical weight…
Shine – Wrathcult Review | Angry Metal Guy
Something must be in the water over in Poland, because the country churns out quality death metal like…
Dyed in Grey – Harbinger Review
For progressive death metal acts, the shadow of the masters, Opeth, looms large. Yet some recent progressive death…
Invictus – Nocturnal Visions Review
Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death…
The Ruins of Beverast – Tempelschlaf Review
The Ruins of Beverast has never released a bad album. Its architect, Nagelfar alum Alexander von Meilenwald, has…
Oraculum – Hybris Divina Review
New year, new beginnings. And just as my resolutions refresh and my word count resets to zero, Chilean…