Tate Britain and Turner Contemporary take their eco-missions beyond the gallery walls – The Art Newspaper
It is now standard practice for public institutions to consider the environment within their buildings and across their…
James McNeill Whistler was more than just a combative ‘coxcomb’ – The Art Newspaper
“Some artists get put in a place that you can’t get them out of,” says Carol Jacobi, the…
Tate Britain previews new garden at RHS Chelsea Flower Show – The Art Newspaper
Visitors to the Royal Horticultural Society (RHS) Chelsea Flower Show in west London can get a sneak preview…
When the Tate claimed a pile of bricks as modern art, Britain pushed back
Within weeks of the sculpture going on display, Peter Stowell-Phillips, a chef and amateur artist from Clapham, south…
Hurvin Anderson Tate Britain exhibition review
There’s a diffident quality to the art of Hurvin Anderson: a cool, introspective streak, summoning feelings of estrangement.…
Comment | Tate Britain’s Turner and Constable show got me thinking about Marxist art history – The Art Newspaper
I hesitated about going to London to see the Old Master sales. A £400 train from Scotland was…
Frenemies or rivals? Tate Britain show explores Turner and Constable’s turbulent relationship – The Art Newspaper
Born within a year of each other, it is hard to think of two more emblematic British artists…
‘Out on a damn limb’: the daredevil photography of Lee Miller – in pictures | Art and design
Fire Masks, Downshire Hill, London, 1941Miller was born in 1907 in Poughkeepsie, New York State. She initially studied…
National Gallery’s modern art push is a disaster for the Tate
This week, the National Gallery made an eye-popping announcement that it has secured £375 million of philanthropic funding…