{"id":113897,"date":"2025-11-02T10:38:12","date_gmt":"2025-11-02T10:38:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/113897\/"},"modified":"2025-11-02T10:38:12","modified_gmt":"2025-11-02T10:38:12","slug":"polish-director-natalia-koniarz-wins-ji-hlava-with-documentary-silver","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/113897\/","title":{"rendered":"Polish Director Natalia Koniarz Wins Ji.hlava with Documentary &#8216;Silver&#8217;"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/variety.com\/t\/natalia-koniarz\/\" id=\"auto-tag_natalia-koniarz\" data-tag=\"natalia-koniarz\" rel=\"nofollow noopener\" target=\"_blank\">Natalia Koniarz<\/a>\u2019s \u201c<a href=\"https:\/\/variety.com\/t\/silver\/\" id=\"auto-tag_silver\" data-tag=\"silver\" rel=\"nofollow noopener\" target=\"_blank\">Silver<\/a>\u201d has been named the winner of the Opus Bonum section at <a href=\"https:\/\/variety.com\/t\/ji-hlava-documentary-film-festival\/\" id=\"auto-tag_ji-hlava-documentary-film-festival\" data-tag=\"ji-hlava-documentary-film-festival\" rel=\"nofollow noopener\" target=\"_blank\">Ji.hlava Documentary Film Festival<\/a>. The film also picked up the award for the best documentary film in the Visegrad region and best cinematography recognition for Stanis\u0142aw Cuske.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cSilver\u201d boasts the acclaimed filmmaker Pawe\u0142 Pawlikowski (\u201cIda,\u201d \u201cCold War\u201d) as an executive producer. \u201cIt\u2019s a sensory and poetic experience. It brings images from the depths with remarkable clarity,\u201d he said, calling the film \u201cbrutal, hypnotic and profoundly humane.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt portrays Bolivia\u2019s highest silver mine and the locals who live according to its brutal rules. Danger is ever-present, not just underground, and sometimes the only recourse is to pray to the devil, who\u2019s supposed to keep them safe.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cYou live with these people, you become friends with them, you witness their suffering and violence, but you can\u2019t change it or react. My reaction to someone else\u2019s suffering could have consequences when I\u2019m no longer there,\u201d <a href=\"https:\/\/variety.com\/2025\/film\/global\/pawel-pawlikowski-silver-natalia-koniarz-clip-1236562193\/\" rel=\"nofollow noopener\" target=\"_blank\">Koniarz told\u00a0Variety.<\/a>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI constantly confronted my own beliefs and prejudices in order to find an insider\u2019s perspective.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tYudi Zhu won the top prize in the First Lights section for \u201cSo Close, So Far,\u201d while Sammy Baloji\u2019s \u201cThe Tree of Authenticity\u201d dominated the Testimonies category. Fredj Moussa was given the Fascinations\u2019 main award for \u201cLand of Barbar.\u201d Finally, acclaimed director <a href=\"https:\/\/variety.com\/t\/vitaly-mansky\/\" id=\"auto-tag_vitaly-mansky\" data-tag=\"vitaly-mansky\" rel=\"nofollow noopener\" target=\"_blank\">Vitaly Mansky<\/a> was the Czech Joy winner with \u201cTime to the Target.\u201d A co-production between Latvia, Czech Republic and Ukraine, it depicts Mansky\u2019s hometown of Lviv, disrupted by war. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tUnsurprisingly, the warmly received \u201cMr. Nobody Against Putin\u201d by David Borenstein and Pavel \u201cPasha\u201d Talankin walked away with the audience award.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAlready noticed at Sundance, the film has been selected by Denmark as its entry for the best international feature film Oscar. It shows Talankin, a small-town teacher, quietly resisting \u2013 and filming \u2013 propaganda and militarization sweeping over his school after the Russian invasion of Ukraine. He\u2019s since fled Russia.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDuring a Q&amp;A with the audience, Talankin reveled at its success. \u201cI got a call from the kids I used to teach when Denmark decided to submit the film. They said: \u2018Just imagine if the best actor award goes to our teacher\u2019!\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe said: \u201cI was born in Russia; I grew up in it and grew up with my eyes open. I knew what was happening. Everything that comes out of Putin\u2019s mouth when he\u2019s on TV is a lie. It\u2019s always a lie.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis year\u2019s edition also welcomed <a href=\"https:\/\/variety.com\/2025\/film\/asia\/tsai-ming-liang-walker-film-jihlava-film-festival-1236521068\/\" rel=\"nofollow noopener\" target=\"_blank\">Tsai Ming-liang<\/a>, back to present \u201cNight Journey.\u201d\u00a0Last year, he picked up a Lifetime Achievement Award at Ji.hlava.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI was immediately drawn to the quiet atmosphere of the small town and the fog that shrouds its nights. The idea came to me to shoot a new \u2018Walker\u2019 film there,\u201d he explained. Shortly afterwards, he was invited by FAMU to serve as a guest professor for the autumn semester.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMy producer began planning a new project: to return to Ji.hlava a year later, filming\u00a0with FAMU students before the next edition of the festival, complete post-production in Prague and hold its world premiere at Ji.hlava.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Walker\u201d series began in 2012 and has continued for 13 years, with 12 films completed so far: \u201cWalker in Spain\u201d is still in post-production.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAs long as Lee Kang-sheng and I are both still here, I believe the series will continue. I look forward to seeing how Lee might keep walking slowly into his sixties and seventies. Future plans include a \u2018Walker\u2019 in Jeonju [in Korea] and others in different cities,\u201d said <a href=\"https:\/\/variety.com\/t\/tsai-ming-liang\/\" id=\"auto-tag_tsai-ming-liang\" data-tag=\"tsai-ming-liang\" rel=\"nofollow noopener\" target=\"_blank\">Tsai Ming-liang<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWhenever there\u2019s an invitation and some funding, I will make another one.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cJi.hlava proved to be the perfect place for\u00a0\u2018Night Journey\u2019: it offered the right timing, strong institutional collaboration and external partnerships. I don\u2019t think such a project could have happened this smoothly, or this quickly, anywhere else \u2013 even in Prague.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/MixCollage-01-Nov-2025-05-16-PM-4490.jpg\" alt=\"\" data-lazy- data-lazy- height=\"569\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\t\u2018Time to the Target\u2019<\/p>\n<p>\t\t\t\t\t\t\t\t\tCourtesy of Ji.hlava Intl. Documentary Film Festival<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFull list of winners:<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOpus Bonum<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMain Award: Natalia Koniarz, \u201cSilver\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI. Special Mention: Jean Boiron-Lajous, \u201cAbysses and Wonders\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tII. Special Mention: Hilary Powell, Dan Edelstyn, \u201cPower Station\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBest Central and Eastern European Documentary\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLisa Polster, \u201cB\u00fcrglkopf\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAward for the Best Documentary Film in the Visegrad Region 2025\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNatalia Koniarz, \u201cSilver\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAward for Original Approach<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDiego Hern\u00e1ndez, \u201cSkyless Roof\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBest Editing<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tXavier Sirven, \u201cAbysses and Wonders\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBest Cinematography<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tStanis\u0142aw Cuske, \u201cSilver\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAward for the Best Sound Design<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHenry Sims, \u201cThe Beauty of the Donkey\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tStudent Jury Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPeter Mettler, \u201cWhile the Green Grass Grows: A Diary in Seven Parts\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFirst Lights<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMain Award: Yudi Zhu, \u201cSo Close, So Far\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpecial Mention: Karel Malkoun, \u201cThe Cats, the Sea, and Everything Between\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBest Cinematography: Ludmila Cimb\u016frkov\u00e1, Maja Pen\u010di\u010d, \u201cMinimum Love\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAward for Original Approach: Raaed Al Kour, \u201cTaste of Salt\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTestimonies<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMain Award: Sammy Baloji, \u201cThe Tree of Authenticity\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpecial Mention: Amber Fares, \u201cCoexistence, My Ass!\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpecial Mention for Best Film on Politics: Joanna Grudzinska, \u201cPoland versus History\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpecial Mention for Best Film on Knowledge: \u00c5se Svenheim Drivenes, \u201cTeenage Life Interrupted\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFascinations<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMain Award: Fredj Moussa, \u201cLand of Barbar\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI. Special mention: Mario Blacon\u00e0, \u201cTransparencies\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tII. Special mention: Paula Malinowska, \u201cBranching Light and Flickers of a Dawn\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tExprmntl.cz<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMain Award: Nebe Mot\u00fdlov\u00e1, \u201cTiny Film about Rape\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI. Special mention: Zbyn\u011bk Baladr\u00e1n, \u201cThe Totalitarian Society of the Image\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAudience Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMr. Nobody Against Putin\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCzech Joy<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMain Award: Vitaly Mansky, \u201cTime to the Target\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpecial Mention: Martin Trabal\u00edk, \u201cWhat About Petey?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBest Editing: Michal B\u00f6hm, \u201cUnborn Father\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBest Sound Design: Martin St\u00fdblo, \u201cKapralova\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBest Cinematography: Martin Koll\u00e1r, \u201cChronicle\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAward for Original Approach: Jan Strejcovsk\u00fd, \u201cIs It Worth It!?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tStudent Jury Award: Martin Trabal\u00edk, \u201cWhat About Petey?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tVirtual Reality Film<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAward for the Best Virtual Reality Film: Caroline Poggi, Jonathan Vinel, \u201cThe Exploding Girl\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpecial Mention: Sjors Swierstra, Ivanna Khitsinska, \u201cShelter\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpecial Mention: Shiuan Yan, \u201cTrans-Composition\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShort Joy<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGabriele Neudecker, \u201cwedLOCK tradWIFE\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tContribution to World Cinema Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFundaci\u00f3n Grupo Ukamau\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJi.hlava Industry Winners\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJi.hlava New Visions Award for the Most Promising European Project in Cooperation with UPP<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAdam\u2019s Tooth\u201d (United Kingdom, Georgia)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirectors: Mariam Chachia, Nik Voigt<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducers: Tekla Machavariani, Mariam Chachia<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJi.hlava New Visions Award for the Most Promising European Project in Cooperation with Soundsquare<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cSuperhumans\u201d (Austria)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirector: Inna Shevchenko<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducers: Arash T. Riahi<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJi.hlava New Visions Award 2025 for the Most Promising U.S. Project in Partnership with AmDocs<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cNewville\u201d (United States, Uganda, Switzerland)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirectors and producers: Pisie Hochheim, Tony Oswald<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCannes Docs \u2013 March\u00e9 Du Film Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cCorrespondances to Inhabit the World\u201d (Uruguay, Switzerland, Spain)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirector: Laura Gabay<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducer: Vania Jaikin<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDAE Award\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cLaura Zahirah: Just a Regular Muslim\u201d (Saudi Arabia, Indonesia, Finland)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirector: Karoliina Lahti<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducer: Serj Rimma<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t#Docs Connect Taskovski Training Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cSuperhumans\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSheffield Docfest Networking Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Pylon and Lake\u201d (France)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirector: Sylvain Yonnet<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducers: C\u00e9cile Lestrade, Elise Hug<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLightdox Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cDear You\u201d (United States)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirector: Aurora Brachman<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducers: Khaula Malik, Lo Heimer<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDocs By the Sea Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cDrifting by the River Rhythm\u201d (Cambodia)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirector: Polen Ly<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducer: Daniel Mattes<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMeditalents Residency Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMomtski Kamen \u2013 The Girl\u2019s Rock\u201d (Greece)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirectors: Maria Sidiropoulou, Chloe Bruhat<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducer: Maria Sidiropoulou<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJacob Burns Film Center Award<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cNewville\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Natalia Koniarz\u2019s \u201cSilver\u201d has been named the winner of the Opus Bonum section at Ji.hlava Documentary Film Festival.&hellip;\n","protected":false},"author":2,"featured_media":113898,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[156,72769,409,81209,111,139,69,7457,81210,81211],"class_list":["post-113897","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-ji-hlava-documentary-film-festival","tag-movies","tag-natalia-koniarz","tag-new-zealand","tag-newzealand","tag-nz","tag-silver","tag-tsai-ming-liang","tag-vitaly-mansky"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/113897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=113897"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/113897\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/113898"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=113897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=113897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=113897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}