{"id":135828,"date":"2025-11-15T05:09:44","date_gmt":"2025-11-15T05:09:44","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/135828\/"},"modified":"2025-11-15T05:09:44","modified_gmt":"2025-11-15T05:09:44","slug":"art-gallery-of-ontario-scores-major-prints-and-photography-donation","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/135828\/","title":{"rendered":"Art Gallery of Ontario Scores Major Prints and Photography Donation"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe Art Gallery of Ontario (AGO) has received a donation of more than 450 works from the collection of the late Torontonians Carol and Morton Rapp. The trove includes examples by a murderer\u2019s row of 20th- and 21st-century artists, including Lee Bontecou, David Hockney, Jasper Johns, William Kentridge, Roy Lichtenstein, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, Yinka Shonibare, Kara Walker, Andy Warhol, and Rachel Whiteread.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe Rapps began collecting prints in the 1960s and expanded their purview to contemporary photography in the 1990s. The new gift comes atop 474 works the couple had already donated. Some 203 artists are represented in the donation, which the museum will use to tell the story of printmaking from its growth in the 1960s and \u201970s through the early 21st century. A number of the works include the artists\u2019 textbook imagery.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t\u201cMore than collectors, Carol and Morton Rapp were stewards of great art, eager to share and preserve the things that brought them pleasure, beauty, and insight,\u201d Stephan Jost, AGO director and CEO, said in a statement. \u201cDuring their lifetimes they contributed immensely to the cultural fabric of Toronto and to the AGO, and this gift by their family is a heartfelt expression of their enduring commitment to this place.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tMorton Rapp was a mechanical engineer by training and headed up Smith Belting, which he grew into a chain of machinery parts and distribution centers across Canada. Carol Rapp was an accomplished model, actress, and singer who performed alongside figures such as Nat King Cole and Robert Goulet. The couple also donated many works to the Museum of Modern Art in New York, and his collecting extended to areas such as antique dictionaries and corkscrews. The couple also endowed a curatorial post at the AGO in 2015.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tHere are 11 highlights from the gift.<\/p>\n<p>\tLee Bontecou, Fifth Stone, 1964<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"552\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"An abstract artwork in black and yellow consists of several concentric vertical ovals.\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/Lee-Bontecou.-Fifth-Stone-1964.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a92025 Lee Bontecou\/Courtesy Art Gallery of Ontario\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThree prints and a portfolio of etchings and poems by Bontecou, all produced at the legendary Universal Limiated Art Editions, are among the gift, including Fifth Stone (1964).<\/p>\n<p>\tDavid Hockney, One Night, 1966<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"599\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"A line drawing shows two young men standing next to a bed, both wearing only their underwear, one of them with his arm thrown around the shoulder of the other, who seems to be holding him up\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/David-Hockney-One-Night.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9David Hockney\/Courtesy Art Gallery of Ontario\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThree early works by the British artist are included, among them two etchings from a suite inspired by Greek poet Constantine Cavafy: One Night (1966) and Two boys aged 23 or 24 (1966). Their subject, gay love, is significant in that the UK Parliament decriminalized homosexuality only in 1967, the year they were published.<\/p>\n<p>\tJasper Johns, Savarin, 1982<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"540\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"An artwork shows a Savarin coffee can holding a number of paintbrushes in front of an abstract geometrical background.\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/Jasper-Johns-Savarin-1982.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Jasper Johns\/Licensed by VAGA at Artists Rights Society<br \/>\n(ARS), NY\/CARCC, Ottawa 2025\/Courtesy Art Gallery of Ontario.\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe gift includes nine pieces by Johns, including his lithograph Savarin (1982), showing a coffee can full of paintbrushes in front of a characteristic gemoetric background.<\/p>\n<p>\tWilliam Kentridge, Telephone Lady, 2000<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"362\" height=\"700\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"An artwork in shades of black and gray shows a woman in a flowing dress whose upper body merges with an old-fashioned rotary telephone.\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/William-Kentridge-Telephone-Lady-2000.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9William Kentridge\/Courtesy Art Gallery of Ontario.\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe gift includes three Kentridge works, among them the linocut Telephone Lady (2000), which stands some seven feet high. Also included is Learning the Flute (2003), composed of 110 individually printed sheets, printed on unbound pages from a 1950 edition of Chambers\u2019s Encyclopedia.<\/p>\n<p>\tRoy Lichtenstein, Sweet Dreams, Baby, 1965<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"550\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"An artwork that resembles a comic book shows a fist punching a man's face with a speech bubble saying sweet dreams baby and the word pow! punctuating the blow\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/Roy-Lichtenstein-Pow-Sweet-Dreams-Baby-1965.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a92025 Estate of Roy Lichtenstein\/DACS, London\/Courtesy Art Gallery of Ontario\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tSweet Dreams, Baby (1965) is a classic example of Lichtenstein\u2019s comic book\u2013inspired imagery.<\/p>\n<p>\tClaes Oldenburg, Teabag, 1966<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"549\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"A sculpture depicts a used teabag, with several drops of tea surrounding it.\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/Claes-Oldenburg.-Teabag-From-4-on-Plexiglas-1966.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Estate of Claes Oldenburg\/Courtesy Art Gallery of Ontario.\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThree Oldenburg works figure among the gift, including Teabag (1966), a sculptural print of screenprinted vinyl and felt on Plexiglas, humorously immortalizing the humblest subject imaginable.<\/p>\n<p>\tRobert Rauschenberg, Passport, 1967<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"560\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"A photo shows a large sculpture in which a plastic disk printed with various colored images is propped up in a stand on the floor\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/Robert-Rauschenberg.-Passport-from-Ten-for-Leo-C.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Robert Rauschenberg Foundation\/Courtesy Art Gallery of Ontario.\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tEight Rauschenberg pieces are entering the museum, including his first illustrated book, Shades (1964) and Passport (1967), a screenprint on a Plexiglas sculpture.<\/p>\n<p>\tYinka Shonibare, Diary Of A Victorian Dandy, 19:00 Hours, 1998<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"263\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"A photograph shows actors and actresses in formal 18th-century clothing in a grand parlor with gold-framed portraits on the walls.\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/Yinka-Shonibare-Diary-of-a-Victorian-Dandy-1900-Hours-1998.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Yinka Shonibare\/DACS, London\/CARCC, Ottawa 2025\/Courtesy Art Gallery of Ontario.\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tShonibare\u2019s photograph Diary of a Victorian Dandy: 19.00 hours (1998) is a satirical take on the famed caricatures of 18th-century English satirist William Hogarth.<\/p>\n<p>\tKara Walker, Testimony, 2005<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"288\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"An artwork shows two hands in silhouette manipulating paper cutouts of a horse and a figure riding it\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/Kara-Walker.-Testimony-2005.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Kara Walker\/Courtesy Art Gallery of Ontario.\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tWalker began making her shadow-puppet animations in 2004, and her first film, Testimony: Narrative of a Negress Burdened by Good Intentions, from that year, depicted an enslaved young woman who murders her plantation-owning enslaver.<\/p>\n<p>\tAndy Warhol, Marilyn Monroe, 1967<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"An artwork shows the head of Marilyn Monroe, her hair an exaggerated shade of yellow, with heightened coloring of her lips and eyeshadow, on a pink background\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/Andy-Warhol.-Marilyn-Monroe-Yellow-Red-FS31-1967.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a92025 The Andy Warhol Foundation for the Visual Arts, Inc\/Licensed by Artists Rights Society (ARS), New York\/CARCC, Ottawa\/Courtesy Art Gallery of Ontario. \t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe gift holds 13 screenprints by Warhol, including four showing screen icon Marilyn Monroe, one of his most recognizable subjects.<\/p>\n<p>\tRachel Whiteread, Secondhand, 2004<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"304\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"A photo shows a small sculpture or a number of pieces of furniture tightly arranged in a room, including a loveseat, a refrigerator, and two chairs sitting atop a round table.\" data-lazy-src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/Rachel-Whiteread.-Secondhand-2004.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Rachel Whiteread\/Courtesy Art Gallery of Ontario. \t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tWhiteread\u2019s sculpture Secondhand (2004) is an example of stereolithography, created using a 3D scan of vintage doll house furniture.<\/p>\n","protected":false},"excerpt":{"rendered":"The Art Gallery of Ontario (AGO) has received a donation of more than 450 works from the 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