{"id":139611,"date":"2025-11-17T14:42:11","date_gmt":"2025-11-17T14:42:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/139611\/"},"modified":"2025-11-17T14:42:11","modified_gmt":"2025-11-17T14:42:11","slug":"the-silent-pavilion-carlo-scarpa-and-the-giardino-delle-sculture-at-the-venice-biennale","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/139611\/","title":{"rendered":"The Silent Pavilion: Carlo Scarpa and the Giardino delle Sculture at the Venice Biennale"},"content":{"rendered":"

\"The<\/a>Giardino delle Sculture \/ Carlo Scarpa. Image by Jean-Pierre Dalbe\u0301ra [Flickr under license CC BY-NC 2.0]<\/p>\n

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https:\/\/www.archdaily.com\/1035891\/the-silent-pavilion-carlo-scarpa-and-the-giardino-delle-sculture-at-the-venice-biennale<\/p>\n

When we think of Venice<\/a>, familiar images come to mind: Piazza San Marco<\/a>, winding canals, and the reflection of Byzantine domes on still waters. Few, however, imagine that among those reflections lies a discreet chapter of Italian modernity<\/a> \u2014 the architecture of Carlo Scarpa<\/a>.<\/p>\n

More than an architect, Scarpa was a craftsman of light and matter, a poet of detail<\/a> who knew how to listen to the Venetian tradition and respond to it with gestures of surprising delicacy. The city where he was born and worked is now an open-air museum of his legacy, including projects such as the Fondazione Querini Stampalia<\/a>, the Venezuelan Pavilion<\/a>, the Olivetti Showroom<\/a>, and, more quietly, the Giardino delle Sculture \u2014 a small courtyard hidden in the heart of the Giardini della Biennale<\/a>.<\/p>\n

\"The<\/a>\"The<\/a>\"The<\/a>\"The<\/a>\"The+ 4<\/a><\/p>\n

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