{"id":156638,"date":"2025-11-27T17:06:11","date_gmt":"2025-11-27T17:06:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/156638\/"},"modified":"2025-11-27T17:06:11","modified_gmt":"2025-11-27T17:06:11","slug":"the-beatles-anthology-2025-review","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/156638\/","title":{"rendered":"The Beatles Anthology 2025 Review"},"content":{"rendered":"<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">The Beatles Anthology 2025 is available on Disney+ now. <\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Fans of the Beatles have been well enabled by Disney+ since it launched in 2019 with a steady release of exclusive Fab Four documentaries, including Peter Jackson\u2019s The Beatles: Get Back (2021), Let It Be &#8211; Restored (2024), Beatles \u201964 (2025), and now the remastered The Beatles Anthology 2025.<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">It\u2019s staggering to consider that it\u2019s been 30 years since the ABC network first broadcast the original eight episodes of The Beatles Anthology in the US as a three-night event. Directed by Geoff Wonfor and Bob Smeaton, the series marked the first time that the surviving Beatles \u2014 Paul McCartney, George Harrison, and Ringo Starr \u2014 and Yoko Ono and Sean Lennon (representing the late John Lennon estate) worked together to tell their story in their own words. The docuseries also utilized the massive collection of unused Beatles footage curated and cataloged in 1971 by Neil Aspinall, their longtime friend and manager of Apple Corps, and their own individual personal archives. The result was an exhaustive, insightful, and very personal record of their shared history, starting from their childhoods in Liverpool through to the dissolution of the band in 1969. <\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">While that iteration of The Beatles Anthology was accepted as the definitive source for the band\u2019s history, <a class=\"link jsx-1337145738 jsx-3925284146 underlined\" data-cy=\"styled-link\" href=\"https:\/\/www.ign.com\/articles\/2003\/04\/03\/the-beatles-anthology\" rel=\"nofollow noopener\" target=\"_blank\">it was limited<\/a> by what could be accomplished with the video and audio mastering of the time, as well as broadcast standards in 1995 (HDTV wouldn\u2019t be introduced until 1998). With this updated version, not only is a worthy ninth episode added to the whole, but the overall footage restoration and upscaling is pristinely done by Peter Jackson\u2019s WingNut Films &amp; Park Road Post, who were responsible for the Beatles: Get Back and Let It Be restorations. That\u2019s matched by the stellar audio remastering and remixing by Giles Martin, son of legendary Beatles producer George Martin. He utilized \u2018MAL\u2019 AI de-mixing technology to do what good AI does, achieving digital separation of audio layers to get maximum clarity with voice, instruments, and background noise. That means crisp song fidelity throughout the new episode, as well as in Lennon\u2019s voice in the \u201cnew\u201d Beatles songs that came from this project.<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">Even if you aren\u2019t a Beatles fan, the Anthology series stands apart from most band docs because of its contextual value as a historical time capsule of the post-war global music scene. Told primarily through interviews recorded from 1991-1994 with the surviving members, and using archival interviews of Lennon, the docuseries isn\u2019t concerned with how the outside world perceived them. This was their opportunity to reflect on the magic of their intersected lives, how they applied their working class values of non-stop gigging to evolve into a cracking little band, and their remembrances of how they weathered the global obsession of them and their music that started with &#8220;Please Please Me&#8221; in 1963 and never really stopped. <\/p>\n<p>There\u2019s warmth, rapport, and truth that blooms before our eyes, and it\u2019s emotional to watch.\u00a0<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">The only new material in The Beatles Anthology 2025 comes in episode nine, which is a more formal edit of the special features footage from the extras disc on the original Anthology\u2019s DVD box set, and some unused material from the original edit. Director Oliver Murray (Now and Then &#8211; The Last Beatles Song) takes his storytelling cues from Peter Jackson and allows the band\u2019s candid moments to speak volumes about band dynamics, from their waning days right up through the sessions for the doc in the early \u201990s. Murray also constructs a timeline for the creation process behind the Lennon demos that inspired their creation of &#8220;Free as a Bird,&#8221; &#8220;Real Love,&#8221; and what eventually would become 2023\u2019s &#8220;Now and Then.\u201d As they relearn to create in a space together, there\u2019s a lot of joy in just witnessing them collaborating and writing as a unit again. There\u2019s warmth, rapport, and truth that blooms before our eyes, and it\u2019s emotional to watch. <\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">In keeping with that, episodes one through eight remain a fascinating watch, not only because of the documentation of their meteoric rise, but because of how distance from \u201cThe Beatles\u201d informs the unique mood each brings to the interviews that assess their memories of that crazy decade of their lives. While the great Beatles experiment only lasted a decade, the music they made and the accelerated rate in which they matured musically remains singular to modern pop music. In turn, they inspired countless musicians that came after, while continuing their own musical journeys. Not many bands hit a pinnacle of success like the Beatles did, then get to reunite to set the record straight while still wrestling with their legacy in real time on camera. The Anthology remains infinitely watchable because it\u2019s not just documenting a timeline; it captures the evolving, complicated relationships of its existing members, who on one hand can be united in mourning the loss of Lennon, yet still bristle with their memories of one another.<\/p>\n<p><a href=\"https:\/\/assets-prd.ignimgs.com\/2025\/11\/25\/anth-ep09-still-1-460-2-1764029306157.jpg\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><img alt=\"\" aria-hidden=\"true\" decoding=\"async\" role=\"presentation\" class=\"progressive-image article-image article-image-full-size jsx-1809694635 jsx-2338608387\" loading=\"lazy\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" data-cy=\"progressive-image\"\/><\/a>The Fab Three, plus producer George Martin.<\/p>\n<p data-cy=\"paragraph\" class=\"paragraph jsx-2269604527\">There\u2019s also the journey of the viewer. If you\u2019ve watched Jackson\u2019s The Beatles: Get Back and Let It Be &#8211; Restored, and then rewatch The Beatles Anthology 2025 or watch it for the first time, together they present the clearest picture of each man\u2019s patience and enthusiasm for the Beatles over time. McCartney and Starr have obviously had the benefit of more years on the planet than Lennon or Harrison were afforded and there is the mellowing that inherently comes with time. But those three projects, when watched together, do an extraordinary job of capturing the journey of what they all weathered personally and professionally, good and bad, and the choices they made to make peace with their Beatles legacy. As George Harrison says so sagely in closing, &#8220;The Beatles live in a different universe, regardless whether we&#8217;re around or not. It&#8217;s no longer us, it&#8217;s whatever anyone takes from it.&#8221; It\u2019s especially bittersweet to have him acknowledge that truth when only six years later, he too would be gone\u2026 but that just reinforces what an incredible project this remains.<\/p>\n","protected":false},"excerpt":{"rendered":"The Beatles Anthology 2025 is available on Disney+ now. Fans of the Beatles have been well enabled by&hellip;\n","protected":false},"author":2,"featured_media":156639,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[156,157,111,139,69],"class_list":["post-156638","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-music","tag-new-zealand","tag-newzealand","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/156638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=156638"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/156638\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/156639"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=156638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=156638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=156638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}