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November 2025 Round-Up: The 9 Best Hip Hop Albums Of The Month: For this piece, we selected our 9 favorite Hip Hop albums released this November, plus honorable mentions. Did we miss any albums you feel need to be mentioned? Let us know in the comments!<\/p>\n
Also read:\u00a0The Best Hip Hop Albums Of 2025<\/a><\/p>\n 1. De La Soul – Cabin In The Sky<\/p>\n Cabin in the Sky is a rare kind of Hip Hop album: reflective without drifting into sentimentality, steady in its craft, and shaped by the absence of David \u201cTrugoy the Dove\u201d Jolicoeur. This is De La Soul\u2019s first release since 2016 and the first made after Dave\u2019s passing, though his voice, humor, and creative rhythm stay present throughout. Posdnuos and Maseo treat the album with care, but they also allow it to move with the curiosity that defined the trio from the start.<\/p>\n De La Soul\u2019s history hangs quietly in the background. From the free-spirited experiments of 3 Feet High and Rising and the gravitas of De La Soul is Dead, to the musicality of Buhloone Mindstate and the sharpened writing of Stakes Is High, to the conceptual arcs of the AOI series and the Hip Hop core of The Grind Date, the group built a catalog that expanded the space Hip Hop allowed for imagination and emotional range. Their independence, samples, storytelling, and internal chemistry shaped the foundation of alternative Hip Hop long before the term had a fixed meaning. That history informs Cabin in the Sky without turning it into a retrospective; the album works as a continuation rather than a summary.<\/p>\n The title points to transition and spirit, taking its cue from the 1943 film. Giancarlo Esposito\u2019s narration builds that atmosphere, guiding the listener into a space that shifts between celebration and reflection. The album feels like a gathering that spans eras, where guests step in to contribute to a shared moment rather than steal attention.<\/p>\n The features\u2014Nas, Q-Tip, Slick Rick, Common, Black Thought, Killer Mike, Bilal, Yukimi Nagano, Busta Rhymes, and others\u2014fit naturally into De La\u2019s cadence. These artists enter with intention, adding color without disrupting the album\u2019s internal rhythm. The production lineup\u2014DJ Premier, Pete Rock, Supa Dave West, Nottz, Jake One, Just Wazzx3, and Trugoy\u2014creates warm, layered beats grounded in soul, jazz, and subtle grit. The sound feels lived-in and patient, built to hold verses that sit close to the heart.<\/p>\n Trugoy\u2019s presence is woven in with clarity. His appearance on \u201cGood Health\u201d brings an easy warmth, and other moments built from past recordings feel integrated rather than patched in. His last verse on \u201cDon\u2019t Push Me\u201d closes the record in his own voice, giving the album a calm, grounded finish.<\/p>\n Cabin in the Sky impacts with the confidence of artists who understand their history and refuse to flatten it. It honors a long partnership without turning grief into spectacle. It is warm, honest, and steady\u2014an album built on a bond that continues to hold shape, even after life has taken one of its architects from the room. (Full review here<\/a>.)<\/p>\n Release date: November 21, 2025.<\/p>\n 2. Armand Hammer – Mercy <\/p>\n Mercy, the new collaboration between Armand Hammer<\/a> (billy woods and Elucid) and The Alchemist, is a focused, restrained record that trades chaos for precision. Following Haram (2021), their second collaborative joint project finds The Alchemist tightening his palette\u2014warm basslines, muted drums, and fractured loops that leave air for the duo\u2019s dense lyricism. The result is sharp and deliberate, a record built on tension rather than explosion.<\/p>\n Across its lean runtime, Mercy sounds patient, almost suspended. The opener \u201cLaraaji\u201d sets the tone with faint guitar, slow drums, and two emcees moving like chess players. woods writes in clipped, vivid fragments; Elucid threads abstract thought through vivid street language. The production never overwhelms\u2014it hovers, creating small rooms for reflection and unease.<\/p>\n Themes of violence, faith, and survival repeat across the record. On \u201cNil by Mouth,\u201d the drums drag while the rappers circle moral decay and desensitization. \u201cScandinavia\u201d tightens the walls further\u2014drums like distant detonations, verses gasping for space. The tension breaks briefly on \u201cCalypso Gene,\u201d where Cleo Reed\u2019s gospel-tinted vocals echo over dusty organ and subdued funk.<\/p>\n The guest list\u2014Earl Sweatshirt, Pink Siifu, and others\u2014adds texture without diluting the core identity. \u201cCalifornia Games\u201d glides with sun-bleached flutes and fading horns, while \u201cCrisis Phone\u201d slips into haunted stillness. The closer, \u201cSuper Nintendo,\u201d loops a nostalgic synth figure that softens nothing; the lyrics remain heavy with history and fatigue.<\/p>\n Compared to We Buy Diabetic Test Strips\u2019 restless energy, Mercy feels grounded, less chaotic but equally demanding. The Alchemist\u2019s production is clean and deliberate, sometimes sparse to the point of unease. That restraint gives woods and Elucid\u2019s writing sharper definition\u2014their verses cut quietly but deeply.<\/p>\n Mercy isn\u2019t designed for immediate reward. It asks for close listening, pulling the listener into small sonic chambers where language and silence trade weight. The record\u2019s strength lies in its control: every sound feels placed with care, every word heavy with purpose. In 2025, few rap groups maintain this level of clarity and craft. Mercy is not flashy, but it\u2019s precise, disciplined, and deeply human.<\/p>\n Release date: November 7, 2025.<\/p>\n 3. Navy Blue – The Sword & The Soaring<\/p>\n Navy Blue\u2019s The Sword & The Soaring is his most balanced and deliberate work to date. The Los Angeles-born, New York-based artist, also known as Sage Elsesser, navigates sixteen tracks with patience and precision, transforming years of introspection into grounded reflection. His earlier projects\u2014\u00c0d\u00e1 Irin, Song of Sage: Post Panic!, and Memoirs in Armour\u2014built the foundation for this sound: warm, dusty production, meditative pacing, and language that treats healing as daily labor.<\/p>\n The record opens with \u201cThe Bloodletter,\u201d where soft percussion and faint bass create a steady rhythm for Navy\u2019s unhurried delivery. Each song grows naturally from the last. \u201cOrchards,\u201d produced by Child Actor, carries delicate piano lines and quiet vocal textures that underline his sense of gratitude and calm. \u201cSunlight of The Spirit\u201d continues the focus on discipline and spiritual clarity, his cadence steady, the words measured. The restraint in his phrasing shows an artist who no longer chases transcendence but practices it.<\/p>\n Midway through, tracks like \u201cGod\u2019s Kingdom\u201d and \u201cIf Only\u2026\u201d open space for reflection on family, accountability, and reconciliation. The production remains minimal\u2014often no more than piano, subtle drums, and air. The vulnerability is clear but never dramatized; he treats grief as process, not spectacle.<\/p>\n \u201cSoul Investments\u201d and \u201cSharing Life\u201d expand that sense of continuity, bringing warmth to the record\u2019s final stretch. \u201c24 Gospel,\u201d featuring Earl Sweatshirt, turns into a dialogue about endurance and purpose, the two voices weaving through an Animoss-produced soul loop without competition. The closing track, \u201cThe Phoenix,\u201d ties the album\u2019s title together with quiet acceptance rather than mythic grandeur.<\/p>\n Across the album, Navy Blue and his collaborators\u2014Child Actor, Chris Keys, Graymatter, Sebb Bash, and others\u2014maintain a cohesive tone: sparse, soulful, and human. The Sword & The Soaring adds another stellar record to his catalog and confirms him as one of the defining voices in contemporary avant garde Hip Hop<\/a>.<\/p>\n Release date: November 11, 2025.<\/p>\n 4. Apollo Brown & Ty Farris – Run Toward The Monster<\/p>\n Run Toward the Monster brings together Detroit<\/a> producer Apollo Brown and veteran MC Ty Farris for a full-length record rooted in cold truth, hard-earned wisdom, and sharp technical focus. We\u2019ve always been fans of Apollo Brown\u2019s stylish boom-bap production, and we\u2019ve appreciated much of Farris\u2019s catalog\u2014especially the No Cosign Just Cocaine series\u2014so this combination promised a strong result. The album delivers that and more. This is our favorite Ty Farris project to date, the sound of an artist stepping into a higher level under the guidance of one of Hip Hop\u2019s most consistent producers.<\/p>\n From the opening moments of \u201cRun\u201d and into \u201cFollow My Soul,\u201d Brown\u2019s production brings dusty soul loops, thick drums, and a steady, cold-weather mood. Farris uses that space with intent, moving through themes of discipline, pressure, and survival with a clipped, controlled delivery. \u201cNo Celebrations\u201d continues the focus on work and sacrifice, while \u201cDetails\u201d pushes back against street mythology with direct shots and grounded self-assurance.<\/p>\n Mickey Diamond joins Farris on \u201cAuthenticity,\u201d building a firm midpoint anchored by Brown\u2019s grainy, slow-burn loop. \u201cCtrl Alt Delete\u201d shifts into a slightly psychedelic tone, its murky atmosphere giving Farris room to reflect on awareness and vigilance. On \u201cBeautiful Struggle,\u201d he takes stock of the long road behind him without drifting into sentimentality. The steady tone continues on \u201cSacred,\u201d where he describes the rush and responsibility of touching the mic.<\/p>\n The final stretch\u2014\u201cCold Is the Gun,\u201d \u201cStreet Patriots,\u201d \u201cTraffic,\u201d and \u201cFlawless Victory\u201d\u2014moves like a series of snapshots from Detroit streets, each one delivered with a level head and a precise pen. The closer, \u201cYoung Rebels,\u201d lands as a clear-eyed look at the next generation facing the same storms.<\/p>\n The album is tight, cold, and built with purpose. Brown\u2019s production keeps every track anchored, and Farris uses that foundation to deliver some of the most focused writing of his career. Run Toward the Monster is a grounded, forceful record from two Detroit artists who know exactly what they want to make and execute it with discipline.<\/p>\n Release date: November 14, 2025.<\/p>\n 5. Anti-Lilly & Phoniks – All Good Things<\/p>\n All Good Things is a calm, clear-headed record shaped by Anti-Lilly\u2019s period of isolation and recovery. His delivery stays close to spoken rhythm, as if he\u2019s sorting through pressure, sobriety, and self-repair in real time. The writing keeps its weight in ordinary details and steady reflection, avoiding grand gestures in favor of direct, grounded insight.<\/p>\n Phoniks builds an atmosphere of warm jazz loops, soft Rhodes chords, and crisp drums with a relaxed, open feel. The pacing gives Anti-Lilly space to think without losing direction, and the tone stays consistent from track to track. Contributions from ScienZe, Devante, and Awon fall naturally into place, expanding the emotional range without breaking the album\u2019s quiet focus.<\/p>\n The project arrives six years after That\u2019s The World, following the duo\u2019s earlier collabos Stories From the Brass Section and It\u2019s Nice Outside<\/a>. Their rapport remains easy and intuitive: Anti-Lilly brings thoughtful, unvarnished writing rooted in lived experience, while Phoniks supplies a signature blend of jazz and soul that has become central to the Don\u2019t Sleep Records<\/a> identity. We pretty much love everything the label releases, and this album fits right into that tradition.<\/p>\n Across fourteen compact tracks, All Good Things stays centered on clarity and emotional honesty. Songs like \u201cToo Late,\u201d \u201cSwim in Fire,\u201d and \u201cWindow\u201d trace burnout, doubt, and cautious renewal with direct language and steady control. The record never slips into sentimentality; its impact comes from its calm tone, its patience, and its attention to the small shifts that define recovery.<\/p>\n It\u2019s reflective, warm, and grounded, without any need for dramatic framing or oversized statements. If chilled-out, mature, thoughtful, jazz-soaked Hip Hop is your bag, All Good Things is a must.<\/p>\n Release date: November 28, 2025.<\/p>\n 6. Hus Kingpin – Portishus 2<\/p>\n With Portishus 2 Hus Kingpin returns to the fogged-out world he built on the first Portishus, and this follow-up is just as strong. The Long Island veteran leans into a slow, shadowy mood shaped by his long-running fascination with iconic UK trip-hop band Portishead. Their influence is clear in the dusty drums, eerie samples, and looping melodies that echo the tension and melancholy of Dummy and Portishead. Instead of imitating the band, Hus filters that mood through his own voice, turning trip-hop\u2019s cold haze into a street-level noir.<\/p>\n Producers like Doza the Drum Dealer, Def Language, Manny Megz, and Dani build murky, stretched-out beats that move with a hypnotic pulse. The atmosphere is thick and unhurried, giving Hus\u2019 clipped delivery room to drift between paranoia, luxury, and quiet menace. Tracks nod directly to Portishead\u2019s catalog\u2014titles, textures, and pacing all point back to that lineage\u2014but the core is still heavy East Coast Hip Hop.<\/p>\n Conway the Machine, MF Grimm, SmooVth, P.U.R.E., and others slide in, their verses add grit while keeping the album locked inside its smoky, late-night tone. We really liked the first Portishus, and this second chapter holds the same weight. It is atmospheric Hip Hop with a distinctive twist, guided by Hus Kingpin\u2019s deep connection to Portishead\u2019s haunting aesthetic.<\/p>\n Release date: November 18, 2025.<\/p>\n 7. Che Noir & 7xvethegenius – Desired Crowns<\/p>\n Desired Crowns is a sharp, concentrated record powered by two of Buffalo\u2019s strongest writers. Che Noir and 7xvethegenius dominate this short project with focus and authority, shaping a project built on detail, pressure, and personal conviction. The album is packed with strong production from Conductor Williams, V Don, Khrysis, Lord Sear, Chup, C For, Kevin Spears, and Che Noir herself, giving the record a consistent boom-bap core. The only drawback is the length; at 33 minutes, the album ends quickly, and its brief runtime leaves you wanting more. What we do get is tight, skillful Hip Hop from two top-tier female MCs working at a high level.<\/p>\n The intro \u201cTrapped in the Silicone\u201d sets up a cold, minimal atmosphere, and \u201cTopanga\u201d steps in with warm soul loops from Lord Sear. Che and 7xve trade verses with clean intent, moving bar to bar with confidence. \u201cNot Me,\u201d produced by Chup, hits harder, driven by sharp drums and a direct approach to ambition and accountability. Conductor Williams brings a heavy, crooning loop to \u201cSum of Two Evils,\u201d and the two MCs slide into the pocket with a steady rhythm. Their writing stays grounded in real-life strategy, survival, and financial pressure.<\/p>\n \u201cAmina\u201d turns inward with a smoother tone, while \u201cFlight,\u201d produced by V Don, opens into a reflective space. Reason\u2019s verse fits naturally between their reflections on guidance and discipline. \u201cConquer,\u201d produced by Che Noir, is one of the album\u2019s strongest tracks, built on a grainy soul sample and a clear statement of self-direction. Khrysis adds grit to \u201cTown Ballroom,\u201d a track anchored in ambition and seriousness under the surface of success.<\/p>\n \u201cBreaker\u201d and the alternate version of \u201cBlackGirl\u201d close the record with focus and emotional clarity. The writing stays tight, and the production remains consistent through the final stretch.<\/p>\n Desired Crowns moves quickly, maybe too quickly, but every track lands. Che Noir and 7xvethegenius operate with precision, turning a short runtime into a potent display of craft and presence.<\/p>\n Release date: November 14, 2025.<\/p>\n 8. Body Bag Ben & Daniel Son – Brown Body Bags<\/p>\n Body Bag Ben\u2019s dark, pressure-filled production and Daniel Son\u2019s cold, deliberate delivery combine in a heavy, smoke-thick record that lingers. The beats on Brown Body Bags hit with weight: dusty drums, warped soul fragments, and a low, eerie pulse that gives the whole project a late-night tension. Body Bag Ben has been one of our favorite producers in underground Hip Hop for a good while, and he brings his rugged consistency here.<\/p>\n Daniel Son commands these tracks with icy focus, packing each verse with sharp detail and tight phrasing. His tone suits the production without succumbing to monotony, keeping the project steady and direct. Guests like RJ Payne, Jay Royale, Eto, and Kobe Honeycutt slide into the album\u2019s dim, heavy mood, adding value to a well-rounded project.<\/p>\n This collab had to be good, and it is. Atmospheric beats hit hard, and the rhymes lock into them with precision\u2014top-tier underground Hip Hop in a crowded lane.<\/p>\n Release date: November 28, 2025.<\/p>\n 9. Kofi Stone – All The Flowers Have Bloomed<\/p>\n Kofi Stone\u2019s All The Flowers Have Bloomed delivers UK jazz rap that is both intimate and meticulously constructed. The album opens with \u201cSeeds,\u201d grounding listeners in his Birmingham upbringing and the early struggles that shaped his perspective. Stone moves through themes of family, faith, and self-reflection with a sincerity that feels lived-in rather than performative. On \u201cVenice\u201d (feat. Maverick Sabre), he explores love and vulnerability with delicate phrasing, while \u201cThorns\u201d (feat. Jacob Banks) confronts depression, guilt, and self-harm with an emotional weight that lingers. Tracks like \u201cCactus\u201d hit with kinetic intensity, his delivery sharp and urgent, making every line feel essential.<\/p>\n Production plays a central role in the album\u2019s impact. Stone blends jazz-inflected chords, soulful samples, and live instrumentation into tracks that are lush yet understated, providing space for his lyrics to breathe. The beats shift from mellow and introspective to tense and driving, reflecting the emotional arc of the record. Vocal features\u2014Maverick Sabre, Jacob Banks, Ady Suleiman, and Tyler Daley\u2014enhance the songs without overshadowing Stone\u2019s narrative voice, contributing texture and depth.<\/p>\n After experimenting with new sounds and vocal chops, Stone\u2019s storytelling feels more confident and versatile than ever. All The Flowers Have Bloomed is immersive, thoughtful, and consistently rewarding.<\/p>\n Release date: November 7, 2025.\u00a0<\/p>\n \n HONORABLE MENTIONS:\n <\/p>\n Danny Brown – Stardust <\/p>\n Danny Brown is reborn in chaos on Stardust. His first album made fully sober, it trades the grey introspection of Quaranta for bright, manic experimentation. The Detroit rapper links with a new wave of hyperpop and digicore producers\u2014underscores, Frost Children, Quadeca, 8485, Jane Remover\u2014and bends their digital noise to his will.<\/p>\n \u201cBook of Daniel\u201d opens on glimmering synths and Quadeca\u2019s hopeful refrain, with Brown rapping about survival through his new alter ego, Dusty Star. From there, the album fractures into unpredictable color. \u201cStardust\u201d and \u201cCopycats\u201d erupt in synth crunch and glitchy percussion; Brown\u2019s voice\u2014still nasal, sharp, and funny\u2014cuts through the commotion like static. \u201cBaby\u201d channels early grime with its double claps and rubbery bass, while \u201cFlowers\u201d with 8485 turns house pop into something grimy and strange.<\/p>\n Even when the production drifts into shiny electro-pop\u2014sounds we might not usually gravitate toward\u2014Brown keeps it gripping. He can make even the most chaotic beat feel like home. Tracks like \u201c1999\u201d with JOHNNASCUS and \u201c1L0v3myl1f3!\u201d with Femtanyl push toward sonic overload, while \u201cLift You Up\u201d and \u201cWhat You See\u201d pull back, showing new restraint and empathy.<\/p>\n \u201cThe End,\u201d an eight-minute centerpiece with Zheani and ta Ukrainka, swings from quiet reflection to breakcore frenzy. Brown\u2019s voice fights through layers of distortion, a vivid metaphor for his recovery. The closer \u201cAll4U,\u201d with Jane Remover, offers gratitude instead of ego\u2014rare tenderness from an artist once defined by self-destruction.<\/p>\n Not every track lands; some pop choruses miss the mark. But Brown\u2019s energy and curiosity make Stardust impossible to dismiss. His XXX\u2013Old\u2013Atrocity Exhibition run will always be the core of his legacy, but this is another daring, quality record\u2014proof that Danny Brown can grow older, get clean, and still sound like no one else.<\/p>\n Release date: November 7, 2025.<\/p>\n The Still Brothers & Vermin The Villain – Radiovision<\/p>\n Radiovision draws from warm, live instrumentation and sharp cuts to craft a sound that feels tactile and rich in detail. The Still Brothers lay down rich basslines, loose drum work, and bright guitar runs that feel pulled from a dusty reel, while Vermin The Villain cuts through the mix with tight, basement-bred rhyming that locks into the grooves without getting swallowed by them. That contrast gives the record its identity, especially on tracks where the scratches flare up or the guitars drift into more unusual territory. Slug\u2019s appearance adds another texture without taking over the room. At 33 minutes, it\u2019s over quickly, but the tone is distinct enough to separate it from a lot of the more routine Hip Hop drops this month, making it one worth seeking out. If you only listen to one album from these honorable mentions you might otherwise have missed, make it this one\u2014you won\u2019t be sorry.<\/p>\n Release date: November 14, 2025.\u00a0<\/p>\n Pink Siifu – Onyx\u2019!<\/p>\n Onyx\u2019! is Pink Siifu in full pressure-cooker mode, pushing the ideas of BLACK!ANTIQUE into a louder, hazier place. The Birmingham-born artist pulls noise, trap, and warped R&B into one unstable mix, shifting from blown-out distortion to woozy melodies without warning. The opening stretch is rough and jagged, almost like he\u2019s clearing space before the record settles into its trippy, ambient trap core.<\/p>\n The production is the anchor. Beats from Kal Banx, HiTech, evilgiane, Conquest Tony Phillips, Jason Wool, and others swing from industrial crunch to grainy soul fragments. Nothing sits still. Tracks bend around synth smears, sticky bass, and fractured percussion, creating a mood that drifts between tension and dazed calm.<\/p>\n Siifu\u2019s vocals hover inside that swirl\u2014half-murmured, half-chanted, sometimes sliding into a loose melody. Instead of dominating the tracks, he blends into them, letting tone carry meaning as much as words. The writing moves through paranoia, community pressure, and personal grounding, but the delivery stays conversational and smoky.<\/p>\n Guests drop quick flashes of color. Valee enters with his clipped cool, Turich Benjy brings sharp rhythm, and Woo Da Savage adds a punchier edge. Ss.Sylver, Sprng4evr, Fullbodydurag, Ojivolta, and Kal Banx stretch the album\u2019s texture without breaking its strange coherence.<\/p>\n Onyx\u2019! is uneven in places, but the inconsistency gives it personality. Some songs drift by with loose structure, others hit like blunt impact, and the shift between those modes keeps the record alert. It expands the ideas of BLACK!ANTIQUE rather than rewriting them, pushing Siifu\u2019s experimental instincts into a more unified\u2014though still chaotic\u2014shape.<\/p>\n The album runs just under 45 minutes, but it carries a dense atmosphere, full of grit, signal decay, and sudden beauty. It won\u2019t convert anyone who avoids Siifu\u2019s abrasive side, but for listeners already tuned into his world, Onyx\u2019! is another strange, ambitious release from one of avant garde Hip Hop<\/a>\u2019s most restless voices.<\/p>\n Release date: November 28, 2025.<\/p>\n Oh No – Nodega<\/p>\n Oh No is full architect mode on Nodega, building a tight, grimy 42-minute world that moves with the rhythm of a corner store always humming, always shifting. The Oxnard producer\u2014long respected for his deep digging and sharp ear\u2014anchors the album with thick drums, rugged loops, and short blasts of melody that slide in and out like passing cars. He keeps the mic time light, giving the roster of veterans and regular collaborators room to shape the store\u2019s daily chaos.<\/p>\n The record opens with a busted-speaker intro before dropping straight into \u201cNo\u2019s One Stop,\u201d where dusty drums and clipped samples set the project\u2019s pace. \u201cCommunity Trenches\u201d rolls in with Kazi, MED, Blu, and Roc C trading tight, street-level snapshots over a bruised rhythm. Rah Digga and Talib Kweli bring a harder edge on \u201cAround Here,\u201d attacking the beat with a steady, unhurried drive. The mood shifts again on \u201cRooftop Shottas,\u201d where Ghostface Killah, Aloe Blacc, and TriState move through a tense piano loop that swings like a slow camera pan across a rooftop standoff.<\/p>\n Interludes cut through the record like flickering radio ads, reinforcing the corner-store framing without slowing the momentum. \u201cGutter Streams\u201d reconnects Oh No with The Alchemist, pulling in a warped, needle-burning groove, while \u201cGrounding Stars\u201d brings Guilty Simpson, Vic Spencer, and Montage One into a heavier, low-lit pocket. The back half of the album stays wide with voices: Crimeapple on the tight snap of \u201cHow Crime Works,\u201d Logic riding the icy bounce of \u201cNo Parking Zone,\u201d and Esoteric tearing through the explosive \u201cCzarnobyl Torture.\u201d<\/p>\n By the final stretch\u2014including the smoky \u201cLikwit Smoke,\u201d the rowdy \u201cICU with Bottle Service,\u201d and the closing \u201cCorner Goons\u201d\u2014Nodega feels like a full cycle through Oh No\u2019s imagined storefront. The album is compact, rugged, and loaded with character. Oh No\u2019s production carries a gritty warmth, and the guests fill the shelves with stories, energy, and sharp writing. The concept is simple and effective, and the music hits with the clarity of a veteran producer fully in control of his space.<\/p>\n Release date: November 14, 2025.<\/p>\n Akai Solo – No Control, No Glory<\/p>\n No Control, No Glory is another dense, quick-moving dispatch from one of the most interesting artists in the avant-garde Hip Hop<\/a> niche. Akai Solo pulls his ideas into tight, pressurized bursts, moving through tangled thoughts with a clipped delivery that lands like a steady drumroll. The Brooklyn MC keeps the focus on internal storms and relationship fallout, letting flashes of frustration and restraint surface inside his knotty phrasing.<\/p>\n The production lineup is wide\u2014August Fanon, Wavy Bagels, Lonesword, Shungu, groundskeepr, Stability, and others\u2014and the shifts are constant. Some tracks run on muffled drums and warped soul fragments; others lean into fractured electronic textures. The Wavy Bagels and Fanon cuts hit with the most definition, giving Akai a strong base for his sharper lines, while a few beats feel less shaped. Even then, the unevenness has a certain pull, like pages from the same notebook scattered across a table.<\/p>\n Akai\u2019s writing stays intricate, direct, and restless. He circles discipline, self-control, and the strange quiet that follows emotional collapse, building each track around tight bursts of language rather than clear hooks. The album moves quickly, almost like a series of dispatches rather than a sculpted arc, but the tone holds together through his voice alone.<\/p>\n No Control, No Glory may not be his most definitive statement, but it is another strong Akai Solo project\u2014dense, idiosyncratic, and driven by a mind that stays in motion even when the world tilts.<\/p>\n Release date: November 14, 2025.<\/p>\n Kendall Spencer & August Fanon – L.O.S.S.E.S.<\/p>\n L.O.S.S.E.S. is a dense, gripping record anchored by Kendall Spencer\u2019s blunt self-examination and August Fanon\u2019s intricate production. Spencer channels the aftermath of a near-fatal 2022 electrical accident that cost him his left arm, navigating hospitalization, depression, and financial collapse. His baritone moves through anger, fatigue, and determination, giving the album a steady emotional weight.<\/p>\n Fanon\u2019s beats provide a shadowed, atmospheric backdrop, blending jazz-inflected chords, brittle drums, and uneasy textures reminiscent of early-2000s underground Hip Hop. Soft horns drift under tense patterns, plucked guitars slice through foggy loops, and wavering keys evoke a gospel-like depth. Tracks unfold deliberately\u2014\u201cThe Triumph\u201d sets a grim foundation, while \u201cWhere Do I Begin\u201d and \u201cBuilt Like This\u201d explore survival and self-definition. The closing sequence\u2014\u201cCount Your Sinz,\u201d \u201cBloodlines and Blueprints,\u201d and \u201cSolider\u201d\u2014pulls toward resolution without softening the intensity.<\/p>\n The album demands attention, pairing raw honesty with dark, precise production, creating a space where trauma and endurance are confronted directly, without embellishment.<\/p>\n Release date: November 14, 2025.<\/p>\n Neru Thee Fourth Fugee – 4th Chamber<\/p>\n Neru Thee Fourth Fugee\u2019s Afrofuturist vision is pulled into sharp focus on 4th Chamber. The beats drift between trippy drums, ambient haze, and warm neo-soul textures, giving her voice space to move from chant-like cadences to tight, controlled verses. Each track feels like an inner room with its own temperature\u2014some calm and meditative, others thick with tension or cosmic reach.<\/p>\n Killah Priest\u2019s presence deepens the Wu-Tang lineage behind the concept, and long-time fans of his work\u2014like us\u2014will lock into the album\u2019s mystical tone immediately. BbyMutha, Snypa B, Sekou Tha MaddMann, and Crip Jesus add different shades without breaking the flow. The production often leans on swirling guitars and stretched synths, creating a humid atmosphere that pulls the listener inward.<\/p>\n Neru ties those sounds to themes of discipline, ancestry, and self-knowledge. The writing feels rooted in Baltimore\u2019s energy while reaching toward something spiritual and expansive. The structure is tight and intentional, moving from ritual-like openings to more grounded reflections.\u00a0The 4th Chamber is ambitious, cohesive, and easy to immerse yourself in.<\/p>\n Release date: November 7, 2025.<\/p>\n Awich & RZA – Okinawan Wuman<\/p>\n Okinawan Wuman pairs Awich\u2019s sharp writing with RZA\u2019s production in a way that feels grounded in place and history. The beats carry his signature grit\u2014dusty drums, rough-edged soul fragments, and a measured tension that never loosens. Awich moves through that space with control, switching between English, Japanese, and Okinawan dialect with a tone that stays direct and emotionally clear. Her verses touch on identity, loss, and the weight of Okinawa\u2019s past, while also pulling in the energy of modern Hip Hop.<\/p>\n The album\u2019s structure mixes short skits with full songs, giving the record a steady rhythm from start to finish. Tracks like \u201cFear Us,\u201d \u201cWax On Wax Off,\u201d and \u201cHold It Down\u201d use the guests well; they slide into RZA\u2019s production without breaking the album\u2019s shape. Awich holds the center, and her delivery brings the themes into sharp focus.<\/p>\n The collaboration feels natural\u2014Awich\u2019s personal history and Okinawan roots fit easily into RZA\u2019s martial-arts-driven sensibility. The result is a smooth, atmospheric record that links two creative worlds without forcing the connection.<\/p>\n Release date: November 21, 2025.<\/p>\n Junclassic – Music To My Eyes<\/p>\n Music To My Eyes is dense and stirring, shaped by Junclassic\u2019s gravel-toned delivery and Uncommon Nasa\u2019s heavy, industrial production. A veteran of the Monsta Island Czars and a longtime force in the New York underground, Junclassic brings the same sharp focus he carried through decades of work. The beats hit with metallic weight and wide echo, giving tracks like \u201c1nce B4,\u201d \u201cGlitches,\u201d and \u201cRoots and Culture\u201d a sense of pressure and momentum. Guest spots from Short Fuze, Guillotine Crowns, Furious P, and Pastense slide naturally into the record\u2019s tense mood. Released days after his passing, the album lands with heartbreaking clarity, showing an artist pushing forward until the very end. RIP Junclassic.<\/p>\n Release date: November 7, 2025.<\/p>\n A-F-R-O & Stu Bangas – The Bad And The Ugly Chapter 2<\/p>\n The Bad And The Ugly Chapter 2 hits hard from the jump, built on Stu Bangas\u2019 pounding drums, murky samples, and tightly coiled rhythms. His production keeps the record tense and heavy, giving A-F-R-O a rugged framework to unload his fast, intricate rhyme patterns. A-F-R-O\u2019s control and technical instinct remain striking; few MCs can twist language at this pace while keeping everything clear and grounded.<\/p>\n The album brings in a wide range of underground talent\u2014Wordsworth, One Be Lo, Blaq Poet, MotionPlus, Elena Charis, and others\u2014and each appearance adds texture to the record. Features feel chosen for energy rather than name value, giving the project a cypher-like grit.<\/p>\n A-F-R-O is one of the most naturally gifted MCs of his generation, and we still wait for the album that fully reflects the depth of his skill. This might not be that leap, but it is strong, focused, and sharp enough to hold us over. Stu Bangas stays locked in, delivering the kind of rugged production he excels at, and together they shape another tough, unrelenting batch of underground Hip Hop.<\/p>\n Release date: November 28, 2025.\u00a0<\/p>\n Zilla Rocca & Disco Vietnam – Fast Eddie<\/p>\n Fast Eddie is a grimy, late-night ride through Zilla Rocca\u2019s world, driven by Disco Vietnam\u2019s dusty drums and eerie soul chops. The beats feel smoky and tight, giving Zilla room to spill sharp lines about cracked streets, oddball hustles, and worn-down pride. Guest verses from regular collaborators like PremRock and Defcee fold naturally into the album\u2019s clipped, noir-heavy mood. We usually like everything from this camp, and this is another quality Zilla Rocca release\u2014easy to lose in a stacked month, but absolutely worth your time.<\/p>\n Release date: November 28, 2025.<\/p>\n Ca$ablanca & Cap Chino – Chicken x Chopsticks II<\/p>\n Chicken x Chopsticks II is tight, dark, and straight to the point. Ca$ablanca\u2019s voice cuts through Cap Chino\u2019s rugged loops, which lean on sharp chops, dry drums, and a steady VHS-era chill. The record moves quickly, shifting from \u201cLopan\u2019s Revenge\u201d to \u201cX-Files\u201d to \u201cFurya\u201d with a clear sense of pacing. Features from Meph Luciano, O The Great, Kincee, and others add extra texture. It\u2019s a focused slab of underground Hip Hop built on grit, tension, and a unified rhythm that never drifts.<\/p>\n Release date: November 1, 2025.<\/p>\n Mickey Factz & AWSME J – One Above All<\/p>\n Mickey Factz and AWSME J\u2019s One Above All delivers lyrically dense Hip Hop over cinematic, boom-bap production. AWSME J lays down polished, atmospheric beats that give Factz room for intricate rhyme patterns and sharp wordplay. Tracks like \u201c98 Hov\u201d and \u201cThe American People\u201d highlight his command of flow and reference-heavy bars, while guest appearances from Daylyt, Shareef Keyes, and London Moon add focused energy. The album maintains a steady, disciplined mood, favoring craft and clarity over flashy experimentation, making it a solid listen for fans of technical, East Coast\u2013inspired lyricism. But why is that old Royce diss track on here?<\/p>\n Release date: November 7, 2025.<\/p>\n Domo Genesis & Graymatter – SCRAM!<\/p>\n Domo Genesis and Graymatter\u2019s SCRAM! is a tightly focused record that leans on moody, soulful production. Graymatter\u2019s beats are warm, jazzy, and often drum-light, giving Domo space to deliver introspective, measured verses. Tracks like \u201cSheddingweight\u201d and \u201cPlainface\u201d highlight his dense lyricism, while \u201cClocking2U\u201d and \u201cEverythingImNot\u201d benefit from strong guest turns by Evidence and 3waySlim. The album maintains a consistent, intimate tone, with subtle textures and loops that create cohesion, though the similar sonic palette can blur individual tracks. SCRAM! rewards attentive listening and emphasizes craft over flash.<\/p>\n Release date: November 7, 2025.<\/p>\n Shungu – Faith In The Unknown<\/p>\n Shungu\u2019s Faith In The Unknown delivers a focused, immersive listen, blending jazz-inflected Hip Hop with slightly left-field production. The beats are textured, warm, and unpredictable, shifting from dusty lo-fi grooves to cinematic, soulful arrangements. Featured artists like Pink Siifu, Navy Blue, Fly Anakin, Liv.e, Chester Watson, Maxo, and Goya Gumbani bring introspection, grit, and melodic nuance, each adding distinct energy to Shungu\u2019s layered sound. Tracks like \u201cWritten Down,\u201d \u201cSerti Dial,\u201d and \u201cFaith in the Unknown\u201d highlight tight lyricism against unconventional rhythms, while the atmospheric instrumentation keeps the mood contemplative yet engaging. The album unfolds carefully, rewarding patient listening without relying on obvious hooks, and frames a rich, exploratory approach to modern Hip Hop.<\/p>\n Release date: November 7, 2025.<\/p>\n Bun B & Cory Mo – Way Mo Trill<\/p>\n Bun B and Cory Mo\u2019s Way Mo Trill leans into the legacy of UGK<\/a> while forging its own path in today\u2019s Southern Hip Hop<\/a>. Bun B\u2019s authoritative flow rides Cory Mo\u2019s warm, funky production with confidence, recalling the chemistry of his duo days. A posthumous Pimp C hook on \u201cEverywhere We Go\u201d ties the album to UGK history. Features from Juicy J, 8Ball & MJG<\/a>, and Monaleo bring variety, while the beats remain soulful and the verses precise. The record delivers solid, enjoyable Southern rap from seasoned artists.<\/p>\n Release date: November 7, 2025.<\/p>\n Termanology & Nef – Shut Up And Write<\/p>\n Termanology\u2019s Shut Up And Write delivers steady boom-bap with tight drums and crisp, atmospheric production by Nef. The album stays in the classic East Coast lane, with dense lyricism and polished flows, but Termanology\u2019s constant output leaves it feeling familiar rather than urgent. A couple of tracks slap, yet the overall experience passes quickly without lingering. It\u2019s competently executed, but hard to remember amidst Termanology\u2019s extensive discography.<\/p>\n Release date: November 7, 2025.<\/p>\n The Musalini & $moove – Eye Candy<\/p>\n The Musalini does the same every time\u2014and does it right. Eye Candy delivers chilled-out vibes and pimped-out rhymes over $moove\u2019s smooth, jazzy boom-bap. At just 31 minutes, it\u2019s too short to leave a lasting mark, but every track hits with relaxed confidence and a sleek, late-night energy.<\/p>\n Release date: November 14, 2025.<\/p>\n Jus-P & Luey The 4th – Take Everything: Lo-Life Meets Wu-Tang<\/p>\n Take Everything: Lo-Life Meets Wu-Tang is produced entirely by Luey the 4th, crafting dark, cinematic boom-bap with dusty samples, heavy drums, and brooding loops. And even if he isn\u2019t the best rapper you\u2019ve ever heard, Jus-P delivers sharp, grounded bars full of street-level insight and steady flow. Guest appearances from Timbo King, Buddha Monk, Thirstin Howl the 3rd, and others bring additional voices to the project. The production emphasizes grit and minimalism, giving each track weight and focus while maintaining cohesion across the album\u2019s runtime. The project isn\u2019t flawless, but its raw character and underground attitude give it a compelling charm.<\/p>\n Release date: November 21, 2025.<\/p>\n Supreme Cerebral & Banish Habitual – Omega Red vs Deadpool<\/p>\n Omega Red vs Deadpool delivers hard-hitting West Coast underground Hip Hop with dark, cinematic production and commanding lyricism. Supreme Cerebral\u2019s dense, pop culture-laced verses slice through Banish Habitual\u2019s heavy drums and moody loops, creating a tense, focused energy that rarely lets up. The album unfolds like a series of compact battles, each track balancing intricate wordplay with a sense of theatrical grit. Sparse piano lines, subtle strings, and eerie samples accentuate the combat-ready mood, giving the beats a cinematic weight. At just under 40 minutes, it\u2019s tight, intense, and relentless\u2014a direct hit for listeners who value technical skill and commanding presence.<\/p>\n Release date: November 28, 2025.<\/p>\n Vic Spencer – Show & Prove, Not Back & Forth<\/p>\n Show & Prove, Not Back & Forth runs on grainy drums, eerie soul loops, and a narrow, shadowy atmosphere that fits Vic Spencer\u2019s voice. His delivery lands in a steady, conversational pattern, stacking wry lines, loose anecdotes, and sharp swings at weak competition. The beats stay stripped-down and slightly crooked, giving the album a dry, nocturnal mood. Guest moments from Panamera P, GQ Tha Teacha, and Hunnaloe appear as brief detours inside that framework. The record is tight, direct, and shaped around Spencer\u2019s distinct tone and rhythm. Another dope, albeit brief, Vic Spencer project.<\/p>\n Release date: November 28, 2025.\u00a0<\/p>\n Funky DL – The Boom Bap Specialist<\/p>\n The Boom Bap Specialist is Funky DL back in full MC mode, working over his own drum-heavy production with the confidence of someone who has shaped UK Hip Hop for decades. The record runs on crisp snares, warm chords, and tight loops that hit with a \u201990s pulse without drifting into nostalgia. DL\u2019s delivery stays sharp and controlled, and he builds each track with clean structure and a steady swing. E1EVENSHAY, Abioseh, and DJ 279 drop in with focused contributions that fit the album\u2019s rhythm. At 44 minutes, it runs with purpose and keeps its momentum from front to back. It\u2019s a reminder of how steady DL is when he\u2019s on the mic and behind the boards. A must-listen for fans of jazz-infused, 90s-centric, boom-bap.<\/p>\n Release date: November 21, 2025.\u00a0<\/p>\n Crimeapple – Hanzai<\/p>\n Crimeapple delivers another cold, deliberate record with Hanzai, working through tense loops and sparse drums with his usual clipped precision. The bilingual flexing, travel references, and high-stakes crime imagery hit with the same sharp edge he\u2019s built his name on, and the rotating producers keep the sound gritty and focused. RLX adds a quick shift in texture on \u201cTalmbout,\u201d but the weight of the album sits firmly on Crimeapple\u2019s tone and detail. It\u2019s a strong, fully listenable entry in his catalog, even if it doesn\u2019t rise to the level of his most striking releases.<\/p>\n Release date: November 28, 2025.<\/p>\n Asun Eastwood, Lord Juco & Jesse Green Beats – Two Birds<\/p>\n Asun Eastwood and Lord Juco lock into a gritty, low-light rhythm here, pushing through Jesse Green Beats\u2019 grimy loops with measured, heavy deliveries. The production leans on rough-cut soul and muted jazz fragments, giving the drums a dry punch that suits the rappers\u2019 clipped flows. Asun\u2019s voice cuts straight through the mix, while Juco brings a colder, more spaced cadence that deepens the album\u2019s shadowy pull.<\/p>\n Jesse Green keeps the palette tight from front to back, which builds a clear sense of cohesion even as some tracks start to blur together near the end. The features from Ashton Francis, HWY 308, and Cousin Feo add new textures to that grit\u2014each artist coming in with a distinct tone that fits naturally into the project\u2019s dark framework.<\/p>\n Two Birds is another steady release in this lane of underground Hip Hop: rugged, consistent, and easy to sink into, even if it doesn\u2019t offer anything especially memorable.<\/p>\n Release date: November 24, 2025.<\/p>\n Ferris Blusa & Observe Since 98 – Let Go And Let Gawd<\/p>\n Ferris Blusa and Observe Since 98 deliver a grounded, heavy record with Let Go And Let Gawd. Observe\u2019s production leans into dusty drums, warm soul loops, and muted gospel accents, creating a steady, reflective pulse. It isn\u2019t his sharpest batch of beats, but the atmosphere holds strong and carries the album with ease.<\/p>\n Blusa brings deep-toned, deliberate verses centered on faith, tension, and self-reckoning. His pacing is patient, almost sermon-like, giving each line weight without drifting into melodrama. The guests fit the mood, but the core appeal sits in the tight link between Blusa\u2019s writing and Observe\u2019s somber, soulful palette. A solid listen.<\/p>\n Release date: November 25, 2025.<\/p>\n Von Pea & The Other Guys – Putcha Weight On It<\/p>\n Putcha Weight On It! is warm, lived-in Hip Hop built on Von Pea\u2019s steady voice and The Other Guys\u2019 rich, jazzy production. The Washington D.C. duo lay down dusty drums, glowing keys, and soul loops that feel cut straight from late-night sessions. Von Pea flows through the tracks with relaxed clarity, focusing on daily pressure, personal pride, and the grind that shaped him from Brooklyn to the present.<\/p>\n Guests slide into the record with ease: Che Noir delivers sharp focus on \u201cRoadblock,\u201d Skyzoo and Donwill bring familiar chemistry to the title track, and Oddisee adds a grounded, reflective edge to \u201cKnew It All.\u201d<\/p>\n The album runs lean, each track built around tight grooves and clean arrangement. Nothing drags. Nothing reaches for drama. Instead, it trusts the strength of craft\u2014smart writing, crisp drums, and the kind of chemistry that comes from years of shared work.<\/p>\n Putcha Weight On It! is a smooth, engaging listen from artists who know exactly what they\u2019re doing. We only wish it ran it a bit longer than its (too) brief 32 minutes.<\/p>\n Release date: November 25, 2025.<\/p>\n Murkemz – The Ayatollah<\/p>\n The Ayatollah hits with tight drums, thick bass, and a steady stream of sharp, high-energy verses. Murkemz\u2019s mix of Queens grit and Phoenix edge gives the album a distinct bite, and the production leaves plenty of room for his idiosyncratic, punch-heavy delivery. Features from Inspectah Deck, Trae Tha Truth, Freeway, and others add weight without crowding him out. The beats knock, his personality cuts through, and his style separates this project from a crowded underground lane. Definitely worth a listen.<\/p>\n Release date: November 28, 2025.<\/p>\n Esham – The Golden Age<\/p>\n The Golden Age brings Detroit legend Esham back with the dark, distorted grit that shaped his legacy, pairing heavy drums with uneasy samples and his unmistakable delivery. Sharp swings on this album\u2014some tracks hit with real force while others feel looser\u2014but the draw here is Esham himself.<\/p>\n He\u2019s one of Detroit\u2019s most important Hip Hop figures, a true pioneer of horrorcore, and the mind behind Boomin\u2019 Words from Hell, the 1989 debut that set the tone for an entire region and for an entire subgenre. His influence runs deep, from his independent grind to the sound he carved out long before it was recognized on a larger scale.<\/p>\n Even if The Golden Age is uneven, it\u2019s still a must-hear because Esham remains a singular presence, carrying decades of history every time he steps to the mic.<\/p>\n Release date: November 28, 2025.<\/p>\n Daz Dillinger – Rowtation<\/p>\n Rowtation drifts into a smoother, looser zone than Daz Dillinger\u2019s earlier 2025 releases, trading in harsher G-funk edges for trap drums, light synths, and a steady run of mid-tempo grooves. The family-heavy guest list adds warmth, but the album\u2019s middle section blends together, especially from \u201cSmokin on the Best\u201d through \u201cSuperstition,\u201d where similar melodies and repeated hook styles drain momentum. Daz\u2019s history and longevity give the record weight, but the material circles familiar territory and doesn\u2019t leave much impact. Still, worth a spin, especially for G-funk fans who\u2019ve been down with Daz since his Doggpound days.<\/p>\n Release date: November 28, 2025.<\/p>\n Best EPs<\/p>\n Papoose \u2013 Bars on Wheels: A Journey to Save Hip Hop![\"De](\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2025\/11\/de-la-soul-cabin-in-th-1024x1024.webp.webp\"\/)
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<\/p>\n
\nRansom & Conductor Williams \u2013 The Uncomfortable Truth
\nBoldy James & Nicholas Craven \u2013 Criminally Attached
\n28AV & araabMUZIK \u2013 The Avatar Darko Story
\nNapsNDreds & Wordsworth \u2013 Quick Routes
\nMavi \u2013 The Pilot
\nYour Old Droog \u2013 Anything is Possible
\nRJ Payne & PA. Dre \u2013 Winning Aint Enough
\nStik Figa & Str8jakkett \u2013 Westside Alumni
\nFlee Lord & Jansport J \u2013 Halfway There
\nGrey Mouse Beats & A-F-R-O \u2013 FROMage
\nTruth & Da Beatminerz \u2013 Nostalgia ThEraPy 2
\nThe White Shadow of Norway \u2013 The Entity
\nAJ Suede, Lord Olo & Televangel \u2013 Relinquished
\nAfu-Ra \u2013 The Monk and the Wolf Italian
\nDistant Pham & Brutal Caesar \u2013 The Disdain
\nObijuan & Camoflauge Monk \u2013 Until the Sky Break<\/p>\n","protected":false},"excerpt":{"rendered":"November 2025 Round-Up: The 9 Best Hip Hop Albums Of The Month: For this piece, we selected our…\n","protected":false},"author":2,"featured_media":160590,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[156,157,111,139,69],"class_list":["post-160589","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-music","tag-new-zealand","tag-newzealand","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/160589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=160589"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/160589\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/160590"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=160589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=160589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=160589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}