{"id":177353,"date":"2025-12-10T14:26:07","date_gmt":"2025-12-10T14:26:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/177353\/"},"modified":"2025-12-10T14:26:07","modified_gmt":"2025-12-10T14:26:07","slug":"a-portrait-of-stuart-scott-delivers-nostalgia-intimacy-and-tragedy","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/177353\/","title":{"rendered":"A Portrait of Stuart Scott&#8217; delivers nostalgia, intimacy, and tragedy"},"content":{"rendered":"<p>Director: Andre Gaines<\/p>\n<p>Length: 79 minutes without commercials (airing in a 90-minute window with commercials)<\/p>\n<p>Airs: Tuesday, December 10, 2025, at 9:00 p.m. ET on ESPN. Streaming on the ESPN app<\/p>\n<p>Most Similar To: Run Ricky Run, Mike and the Mad Dog<\/p>\n<p>Grade\/Ranking: Among the Top 40 out of 134 installments to date, which I\u2019d give a B+\u00a0 on my 30 for 30 grading curve.<\/p>\n<p>Review:\u00a0 From time to time, 30 for 30 has been unafraid to turn its focus away from actual sports to instead focus inward on sports media.\u00a0 Bill Walton, Mike Francesa, Chris Russo, Jimmy the Greek, and the rise and fall of the XFL all scratch an itch that we very much enjoy over here. It\u2019s been a bit odd to see those installments under the 30 for 30 brand. At the same time, documentaries about Lee Corso and Dick Vitale have not been included in the 30 for 30 universe, but that\u2019s another conversation.<\/p>\n<p>This sports media-centric installment rises above most 30 for 30s and is potentially the best to date, with a very even-keeled storytelling approach that leans into nostalgia, intimacy, and tragedy.<\/p>\n<p>With Scott\u2019s passing in 2015, \u2018Boo-Yah\u2019 benefits greatly from access to an extensive amount of home videos Scott took of himself and his family. Older sports fans will remember Scott and his pioneering, energetic, and unique style on ESPN, one that ruffled many feathers throughout his time at the network.<\/p>\n<p>Scott\u2019s home videos peel back a layer of intimacy behind the familiar face many of us grew up with and connected with on television. The creative decision to end the film with a self-recorded clip of Scott talking to the camera decades before his passing is deliberate and will evoke tears for many. Hard to watch, the message is clear: Scott died too soon, had much more to give, and his early death was simply tragic and unfair.<\/p>\n<p><a href=\"https:\/\/awfulannouncing.com\/espn\/filmmaker-andre-gaines-stuart-scott-30-for.html\" rel=\"nofollow noopener\" target=\"_blank\">Director Andre Gaines did a great job<\/a> balancing archival footage of Scott on-air, the aforementioned home footage, and extensive new interviews with his family, friends, and coworkers.<\/p>\n<p>The film touches on Scott\u2019s struggles with being accepted for approaching his job as his authentic self, rather than contorting himself into the preexisting style and delivery that his bosses and a segment of viewers were more comfortable with.\u00a0\u2018Boo-Yah\u2019 indeed tells that story, one that includes hate mail, slurs, and bosses who clearly didn\u2019t feel Scott was a fit with what ESPN was doing, or was comfortable with at the time.<\/p>\n<p>A minor nitpick is that Gaines and\/or ESPN seemed to lean away from specificity on this issue, something an <a href=\"https:\/\/www.theringer.com\/2020\/01\/15\/media\/stuart-scott-espn-sportscenter-career-death-broadcaster\" rel=\"nofollow noopener\" target=\"_blank\">oral history on The Ringer<\/a> was less touchy about.<\/p>\n<p>Mary Frances Bonvini:\u00a0I don\u2019t remember exactly which executive it was. But I remember standing in the hallway with [Stuart] and the executive was telling him, \u201cI don\u2019t understand what you\u2019re doing and I don\u2019t understand what you\u2019re trying to express. I don\u2019t even really understand some of the\u00a0words\u00a0you\u2019re saying.\u201d<\/p>\n<p>\u2026<\/p>\n<p>John Skipper, former ESPN executive:\u00a0You\u2019ll find that everybody will tell you they were on the side of encouraging Stuart to do what he did. Half of \u2019em are lying.<\/p>\n<p class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\" data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\">Susan Scott:\u00a0Norby [Williamson] wrote him up. He challenged his scripts. It was awful. People really don\u2019t know how awful it was. \u2026 Stuart was desperately frustrated.<\/p>\n<p class=\"motion-safe:ui-transition-colors ui-text-black motion-safe:transition-colors\" data-sentry-element=\"Text\" data-sentry-component=\"Component\" data-sentry-source-file=\"paragraph.tsx\">Norby Williamson, ESPN executive:\u00a0Stuart Scott is a top-five on-air talent in ESPN history and I was honored and grateful to call him a friend and colleague. \u2026 We challenged each other, encouraged each other, and learned from each other. Like millions of sports fans, I miss him.<\/p>\n<p>Ultimately, Scott persevered and rose to the highest peaks at ESPN, which we learn came at the cost of his personal life. Gaines chronicles his final chapters well as Scott tries to find peace, health, and balance in his final years.<\/p>\n<p>Scott\u2019s unique story and tragic passing are an authentic human story, one devoid of team or league PR meant to further bond fans with a team or sport, to juice ratings, or to sell tickets and merchandise. It\u2019s a throwback to 30 for 30\u2019s origins, when stories were king, storytelling was paramount, and people would seek out these installments and discuss them with importance and reliability.<\/p>\n<p>Like Stuart Scott himself, \u2018Boo-Yah\u2019, shines bright and makes us nostalgic for a particular time in sports media, which can serve as Scott\u2019s career at ESPN, or perhaps when 30 for 30 released more than three installments a year, many of which were as rich with storytelling and emotion as this installment.<\/p>\n","protected":false},"excerpt":{"rendered":"Director: Andre Gaines Length: 79 minutes without commercials (airing in a 90-minute window with commercials) Airs: Tuesday, December&hellip;\n","protected":false},"author":2,"featured_media":177354,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[113552,113553,2794,156,157,111,139,69,113554,113555],"class_list":["post-177353","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-30-for-30","tag-boo-yah-a-portrait-of-stuart-scott","tag-documentaries","tag-entertainment","tag-music","tag-new-zealand","tag-newzealand","tag-nz","tag-sports-documentaries","tag-stuart-scott"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/177353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=177353"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/177353\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/177354"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=177353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=177353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=177353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}