{"id":243286,"date":"2026-01-20T22:42:17","date_gmt":"2026-01-20T22:42:17","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/243286\/"},"modified":"2026-01-20T22:42:17","modified_gmt":"2026-01-20T22:42:17","slug":"if-the-views-from-inside-this-off-grid-home-in-mexico-arent-enough-head-up-to-the-roof","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/243286\/","title":{"rendered":"If the Views From Inside This Off-Grid Home in Mexico Aren\u2019t Enough, Head Up to the Roof"},"content":{"rendered":"<p>Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders, and homeowners. Have one to share? <a href=\"http:\/\/dwell.com\/addhome\" rel=\"nofollow noopener\" target=\"_blank\">Post it here.<\/a><\/p>\n<p>Project Details:<\/p>\n<p>Location: La Reserva Pe\u00f1itas, Mexico<\/p>\n<p>From the Designer: &#8220;House 720 Degrees is a geometric and optical device, doubling the 360-degree track of normal vision. The design originates from a central patio and from the ways in which the inner and outer worlds might interact with one another. Conceived as a solar clock that registers the passing of time, this off-the-grid house is many houses in one: during the day it frames a mountain and a volcano, opening up toward the varied views along the external perimeter of the circle; at night, it turns inward around a circular courtyard.<\/p>\n<p>&#8220;The project comprises three different volumes: the main circular house, a detached studio\/guest room, and a rectangular volume with a patio that contains additional bedrooms, storage, and services. The division into separate volumes responds to the accentuated topography and preserves the existing vegetation. Designed for two families, it includes spaces for extended relatives and guests.\u00a0The house unfolds across two levels, one on the ground floor and another as an open roof terrace. Its circular plan holds rectangular bedrooms, bathrooms, closets, and a kitchen. The curved walls are left for circulation, extending as terraces toward the courtyard and as gardens toward the exterior. The scheme uses flexible openings\u2014privacy screens, large fold-away windows, and framed views\u2014allowing the interior spaces to transform and remain connected to the environment.<\/p>\n<p>&#8220;Located in a secluded valley three hours from Mexico City, the house addresses two apparently contradictory conditions: seclusion and aperture. It shelters against radical weather\u2014temperatures can vary by 86 degrees Fahrenheit\u00a0 in a single day and rain dominates half the year\u2014yet opens as much as possible to the surrounding landscape. Its walls act as membranes between two temperate zones (forest and prairie), two seasons (dry and wet), and three spatial conditions (center, inside, and outside).\u00a0The house is earthbound, nestling into the ground from which its materials emerge. To make the large-scale construction blend into the untouched scenery, it was proposed as a low single-level design, using local soil mixed with concrete to achieve a natural finish that echoes the landscape. Most of the lamps and furniture were produced on site with local materials and craftspeople. The house harvests rainwater, generates its own electricity through solar panels, and incorporates hydronic radiant floors in the bedrooms. The solar system also heats water used throughout the house. Every space benefits from natural cross-ventilation and opens to two or three different orientations.<\/p>\n<p>&#8220;The priority was easy and economical maintenance: durable materials that withstand the weather without painting or cladding, becoming part of the natural landscape. Built with the soil and color of the land, the house changes subtly with the seasons\u2014a living structure that adapts, blends, and breathes with its environment.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"Houses We Love: Every day we feature a remarkable space submitted by our community of architects, designers, builders,&hellip;\n","protected":false},"author":2,"featured_media":243287,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[442,498,499,500,501,156,111,139,69],"class_list":{"0":"post-243286","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-artsdesign","12":"tag-design","13":"tag-entertainment","14":"tag-new-zealand","15":"tag-newzealand","16":"tag-nz"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/243286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=243286"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/243286\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/243287"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=243286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=243286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=243286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}