{"id":252808,"date":"2026-01-26T18:08:07","date_gmt":"2026-01-26T18:08:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/252808\/"},"modified":"2026-01-26T18:08:07","modified_gmt":"2026-01-26T18:08:07","slug":"invictus-nocturnal-visions-review","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/252808\/","title":{"rendered":"Invictus – Nocturnal Visions Review"},"content":{"rendered":"

\"\"Five years ago, I highlighted Invictus\u2019 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature<\/a>. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity<\/a>, and jumping just ahead of another highly anticipated salvo from Eximperitus<\/a>, Invictus\u2019 upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat. But if anybody has the chops and the balls to do it, it\u2019s Invictus.<\/p>\n

Having only one previous album and a few scattered demos\/singles to their name, Invictus haven\u2019t messed with their formula very much since their inception. Boasting a killer combo of Demolition Hammer nastiness and Consuming Impulse-era Pestilence<\/a> attack, Nocturnal Visions pushes 35 minutes of pure adrenaline. Nary a second faffs about with filler, fluffy atmosphere, or anything else that could be construed as something other than devout reverence to The Almighty Riff\u2122. With each twist of phrase or shift in movement, guitarist\/vocalist Takehitopsy Seki tears through an unrelenting assault of intense grooves, speedy thrashes, and writhing rhythms that don\u2019t just open up pits, but rather rip open dimensional rifts straight to hell itself (\u201cAltar of Devoted Slaughter,\u201d \u201cWandering Ashdream\u201d). Instead of relying on blasts for intensity, Haruki Tokutake\u2019s percussive strategy focuses on machine-gun double-bass runs and thrashy skanks so brutally exacted upon my spine that I needed a back brace and headgear just to approach the second half\u2014accommodations which in no way deterred my summary bodily encrushment (\u201cPersecution Madness\u201d). Bassist Toshihiro Seki clunks and clangs beneath the surface with a violent, hammering tone that, while not always as audible as it ought to be, nonetheless deepens the tonal quality of the record\u2019s warm, slightly swampy production (\u201cNocturnal Visions\u201d). Unlike many of those acts from whom Invictus draws inspiration, Seki\u2019s vocals operate squarely inside the Incantation<\/a>\/Tomb Mold<\/a> school of subterranean monstrosity. Counterintuitively, this sets the trio apart from their influences by hiding in plain sight with their contemporaries.<\/p>\n

Nocturnal Visions by Invictus<\/a><\/p>\n

Regardless of where you fall in the greater scope of metallic fandom, Nocturnal Visions is a magnificent showcase of energetic songwriting and devastating hookcraft. While the formula opener proper \u201cAbyssal Earth Eradicates\u201d utilizes feels and sounds familiar, Invictus executes it with a youthfulness, voracity, and dare I say exuberance that makes me forget for a moment the entirety of death metal\u2019s history. As Nocturnal Visions progresses through its early movements, boasting killer tracks in \u201cAltar of Devoted Slaughter,\u201d \u201cLucid Dream Trauma,\u201d and \u201cPersecution Madness,\u201d my ability to care about anything other than banging my head, grimacing like a gargoyle, and stomping my poor abused feet against the floor vanishes. What\u2019s left is a mind-broken sponge reduced to primal instincts, with a vocabulary of one word, \u201cFuck!\u201d exclaimed exclusively with each new swaggering groove or pummeling riff. Even after several dozen spins, pit monsters \u201cPersecution Madness,\u201d \u201cDragged Beneath the Grave,\u201d and later highlight \u201cWandering Ashdream\u201d received such frequent and aggressive verbal confirmation of their sheer awesomeness and perpetual energy that my coworker had to perform a wellness check. Even the daunting eight-minute closer \u201cNocturnal Visions\u201d earns its keep here, switching up themes and reprising refrains just enough to keep my interest up and my engagement high.<\/p>\n

\"\"<\/p>\n

That doesn\u2019t leave much room for negatives, and indeed, few found purchase in my evaluation. Obviously, Nocturnal Visions exhibits nothing new or innovative; it\u2019s simply doing classic death metal far better than most. Consequently, Invictus left some creativity and novelty on the table. They could easily pick up bits and bobs from that stack of potential ideas and bring an extra dimension to future efforts without sacrificing their core sound. Additionally, pacing Nocturnal Visions at such a blistering rate of speed so consistently across 35 minutes leaves a little to be desired in the way of songwriting dynamics. Tokutake in particular makes the most of his arsenal of patterns, fills, and tumbles to alleviate this condition, but not quite enough to cure it\u2014see the otherwise ripping \u201cFrozen Tomb.\u201d Seki\u2019s somewhat one-note vocal approach doesn\u2019t always help matters in that respect, but his performance is rock-solid and dependable enough not to hurt either.<\/p>\n

Of course, these critiques amount to mere nitpicks in the truest sense of the term. Nocturnal Visions is, simply put, a staggering monument to old-school death molded for the modern era. Invictus blasted my skull apart with their debut, but this sophomore effort is more than a worthy successor. Hear it!<\/p>\n

Rating: Great!
DR: 5 | Format Reviewed: 320 kb\/s mp3
Label: Me Saco Un Ojo Records<\/a>
Websites: invictus3.bandcamp.com<\/a> | facebook.com\/Invictus<\/a>
Releases Worldwide: January 26th, 2026<\/p>\n

\n\tGive in to Your Anger:<\/p>\n","protected":false},"excerpt":{"rendered":"Five years ago, I highlighted Invictus\u2019 2020 debut LP Catacombs of Fear as part of our year-end death…\n","protected":false},"author":2,"featured_media":252809,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[2246,18328,848,146559,100156,156,19809,146560,133935,112945,146561,157,111,139,146562,69,53424,762,763,146563],"class_list":{"0":"post-252808","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-2246","9":"tag-4-0","10":"tag-death-metal","11":"tag-demolition-hammer","12":"tag-depravity","13":"tag-entertainment","14":"tag-incantation","15":"tag-invictus","16":"tag-jan26","17":"tag-japanese-metal","18":"tag-me-saco-un-ojo-records","19":"tag-music","20":"tag-new-zealand","21":"tag-newzealand","22":"tag-nocturnal-visions","23":"tag-nz","24":"tag-pestilence","25":"tag-review","26":"tag-reviews","27":"tag-tomb-mold"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/252808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=252808"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/252808\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/252809"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=252808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=252808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=252808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}