{"id":270765,"date":"2026-02-06T14:16:10","date_gmt":"2026-02-06T14:16:10","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/270765\/"},"modified":"2026-02-06T14:16:10","modified_gmt":"2026-02-06T14:16:10","slug":"uae-art-guide-15-museum-and-gallery-exhibitions-to-see-including-a-student-curated-show-in-sharjah","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/270765\/","title":{"rendered":"UAE art guide: 15 museum and gallery exhibitions to see, including a student-curated show in Sharjah"},"content":{"rendered":"

This week\u2019s exhibitions include the last chance to see the solo show in Dubai by Wissam Shawkat<\/a>, Al Wissam Script, which focuses on a calligraphic system that sits between tradition and innovation.<\/p>\n

NYU Abu Dhabi Art Gallery will host an exhibition titled All Manner of Experiments: Legacies of the Baghdad Modern Art Group. It traces a pivotal moment in Iraq\u2019s artistic \u201cgolden age\u201d and its continuing resonance.<\/p>\n

Major institutional shows across Dubai and Sharjah continue to take stock of artistic practice in the region \u2013 including reflective group exhibitions, landmark solo presentations, photography and landscape-led shows.<\/p>\n

Here are 15 exhibitions to see now in the UAE.<\/p>\n

1. Al Wissam Script at Tashkeel <\/p>\n

The solo exhibition by Shawkat surveys more than two decades of sustained experimentation and development in Arabic calligraphy.<\/p>\n

The exhibition centres on Al Wissam Script, a calligraphic system that sits between tradition and innovation. Its letter forms draw on historical styles including Eastern Kufic, Thuluth, Diwani Jali and Ottoman tughras, reworked through years of hand-led repetition, testing and refinement.<\/p>\n

Rather than emerging as a planned artistic project, Al Wissam Script developed organically from Shawkat\u2019s design practice. Beginning in 2004 as hand-drawn solutions for contemporary logo and branding work, it evolved in response to the challenge of using Arabic letter forms in modern contexts without undermining the integrity of classical scripts. <\/p>\n

Marking 22 years of continuous evolution, the exhibition presents Al Wissam Script as an ongoing practice that continues to adapt through use, observation and critical reassessment. <\/p>\n

Until February 11; 8am-10pm; Dubai<\/p>\n

2. And After at Cultural Foundation Abu Dhabi <\/p>\n

Curated by Dirwaza Curatorial Lab, And After features mixed-media works by 15 artists. The artworks explore the element of air through Arabian concepts such as sukoon, which denotes stillness; naseem, a gentle zephyr; and riyah, which refers to a turbulent gust. <\/p>\n

Exhibiting artists include Yousif Abdulsaid \u2013 The florist from nothingness, Ammar Al Attar, Moza Al Falasi, Omar Al Gurg, Mariam Al Khoori, Jawad Al Malhi, Salmah Al Mansoori, Reem Al Mubarak, Abdulla Buhijji, Zara Mahmood, Iman Shaggag, Leila Shirazi, Mohammed Kazem, Ayman Zedani and Razan Al Sarraf. Together, their work invites visitors to reconsider their natural surroundings, particularly the subtle shifts that underline each season.<\/p>\n

Until February 22; Saturday to Thursday, 9am-8pm; Friday, 2pm to 8pm; Abu Dhabi<\/p>\n

3. Self-portrait with a cat I don\u2019t have at Jameel Arts Centre<\/p>\n

In his debut institutional solo exhibition in the UAE, Bady Dalloul presents an autobiography that touches upon collective memory. <\/p>\n

The French-Syrian artist uses books, board games, matchboxes and magazines to create layered works, narrative epics that challenge Eurocentric perspectives and definitions of art. <\/p>\n

A highlight of the show, and one made specifically for the exhibition, is Age of Empires. The series of 50 works on paper draws from a 19th-century Japanese astrology manual to reflect upon the rise and demise of imperial power. The exhibition also features a recreation of Dalloul\u2019s home studio in Dubai, featuring works that shed light on his itinerant life and practice that have led to travels across France, Japan and the UAE. <\/p>\n

Until February 22; Saturday to Monday, Wednesday and Thursday, 10am-8pm; Friday, noon-8pm; Dubai<\/p>\n

4. Two Clouds in the Night Sky at Cultural Foundation Abu Dhabi<\/p>\n

Two Clouds in the Night Sky delves into the work and practice of Mohamed Ahmed Ibrahim<\/a>, a pioneering Emirati artist with a singular process and aesthetic. <\/p>\n

Much of his work is inspired by the geography and colour palette of his native Khor Fakkan. The city’s cliffs and coral reefs feature in his art as allusions, or through their patterns and textures in paintings. In sculptures such as Fresh and Salt, they are used as a medium in themselves. In Between Sunrise and Sunset \u2013 the work he presented at the 2022 Venice Biennale \u2013 he reflects upon the changes in colour between dawn and dusk. <\/p>\n

Until February 22; Saturday to Thursday, 9am-8pm; Friday, 2pm to 8pm; Abu Dhabi<\/p>\n

5. Past Through Here at Maraya Art Centre<\/p>\n

Past Through Here brings together works from the Barjeel Art Foundation\u2019s collection of modern and contemporary Arab art. Developed through a term-long Arts Practicum, the exhibition was curated by students from across the American University of Sharjah, working under the guidance of Sheikh Sultan Sooud Al Qassemi and Barjeel director Suheyla Takesh.<\/p>\n

Featuring paintings, photographs, sculptures and installations, the show explores themes of memory, movement and transformation, and how personal and collective histories are shaped by experience. Drawing on the students\u2019 interdisciplinary backgrounds, the exhibition examines how meaning emerges not only through artworks, but through spatial design, storytelling and audience engagement. Entry is free. <\/p>\n

Until March 20; Saturday to Thursday, 10am-7pm, Friday, 4pm-7pm, Sharjah. <\/p>\n

6. Qadera at Fann A Porter<\/p>\n

The solo show by emerging Egyptian artist Abdelwahab Hawam marks his debut in the UAE. Qadera presents new works shaped by Hawam\u2019s upbringing in El-Mahalla El-Kubra, in Egypt\u2019s Gharbia Governorate, with its countryside, colour and close-knit community informing his visual language. Women sit at the centre of his surreal, narrative paintings, where exaggerated feminine forms are rendered as symbols of energy and imagination.<\/p>\n

Hawam studied graphic arts at Helwan University\u2019s Faculty of Fine Arts and has exhibited widely in Egypt and Lebanon since 2010. <\/p>\n

February 7 to March 30; 9am-8pm; Dubai<\/p>\n

7. Home, Again at FN Designs<\/p>\n

Home, Again is a deeply personal exhibition by Sahar Ghavami, presented by FN Designs at Alserkal Avenue. Rooted in memory, imagination and emotional resilience, the show reflects on love and loss through fantastical, childlike worlds where fantasy and reality blur.<\/p>\n

Drawing on her upbringing in the UAE and her early bond with rescued animals, Ghavami\u2019s work responds to the loss of that closeness following a severe autoimmune illness. Inspired by the Superflat movement, the exhibition combines flattened forms and bold colour with an immersive installation that recreates elements of the artist’s childhood space, turning personal memory into a shared emotional experience.<\/p>\n

Until March; Monday to Friday, 10am-6pm, Dubai. <\/p>\n

8. Rays, Ripples, Residue at 421 Arts Campus <\/p>\n

This exhibition marks the 10th anniversary of 421 Arts Campus, offering an opportunity to reflect on the practices that have emerged in this time, while also looking towards the future. <\/p>\n

The works displayed in Rays, Ripples, Residue are diverse, encompassing video, performance, installations and multimedia. The works promote discussions on \u201cwhat it means to produce art in the UAE today\u201d, the exhibition literature reads, highlighting perspectives of emerging creatives, collectives and grassroots initiatives, while also nodding to the role of cultural institutions that have promoted these practices. <\/p>\n

Rays, Ripples, Residue can be considered as three exhibitions that overlap and inform one another. <\/p>\n

Munira Al Sayegh\u2019s Leading to the Middle, for instance, celebrates the contributions of key instigators, from Mohamed Ahmed Ibrahim to Lamya Gargash, Khaled Esguerra and Bait15, showing how their works have had a ripple effect on the local arts scene. <\/p>\n

Where Al Sayegh unpacks a seminal moment in the earlier moment of the country\u2019s contemporary arts landscape, Nadine Khalil considers what it was like to enter the scene after this trailblazing moment from the early 2000s to the 2010s. Her Ghosts of Arrival shows, as the exhibition literature reads, \u201cthe quieter structures that continue to shape the present\u201d. Artists and collectives featured here include Tarek Al-Ghoussein, Mona Ayyash, Nadine Ghandour, Bait Juma, Hashel Lamki, Sara Naim and Isaac Sullivan.<\/p>\n

Finally, Murtaza Vali\u2019s SUN\u2122 takes its cue from the sun, not only as a source of life, but also through the way it governs rhythms of daily routine. Symbolically, it reflects \u201cthe growing complexity and maturity of artistic practice and discourse in the UAE\u201d, reads the literature. \u201cThe diverse conceptual, material and process-based approaches on display are pitched between the sun\u2019s eternal beauty and increasingly urgent critiques of consumption and climate change, revealing the contradictions embedded in narratives of modernity and progress.\u201d<\/p>\n

Artists included in this section are Charbel-Joseph H. Boutros, Khalid Jauffer, Raja’a Khalid, Nima Nabavi and Pratchaya Phinthong. <\/p>\n

Until April 26; Tuesday to Sunday, 10am-8pm; Abu Dhabi<\/p>\n

9. Image Keepers at Photography Gallery<\/p>\n

The inaugural show at Sharjah Art Foundation’s new venue in Al Manakh brings together works by 17 artists and collectives. The photographs are all drawn from the foundation\u2019s collection and encompass studio portraits and multimedia installations.<\/p>\n

Highlights include The Bride is Beautiful but She is Married to Another Man, a 2017 portrait series by Rula Halawani that depicts Palestinians just before the checks at the border crossing. Sunil Gupta\u2019s Black Experience delves into the everyday lives of South Asian communities in the UK in the 1980s. Susan Hefuna\u2019s Landscape\/Cityscape shows Cairo and the Nile Delta through a pinhole camera. Mohammed Kazem\u2019s Window shows the rapid urban development in the UAE, documenting the rise of a new building and the experiences of the workers constructing the structure. <\/p>\n

Until April 26; Saturday to Thursday, 9am-9pm; Friday, 4pm-9pm; Sharjah<\/p>\n

10. Hard Like Tears, Soft Like Glass at MiZa<\/p>\n

Iris Projects is organising the first solo exhibition by Shamsa Al Omaira, a multidisciplinary artist and designer based in Abu Dhabi.<\/p>\n

Hosted at MiZa at Port Zayed, the exhibition focuses on Al Omaira\u2019s exploration of duality, drawing on images of childhood comfort and security. Familiar references such as bedding and jello desserts are reimagined as soft-looking sculptural works embedded with elements of risk, including ceramic and glass shards.<\/p>\n

The show is presented as part of Iris’s wider programme and follows a year-long mentorship with curator and art critic Nadine Khalil. The process supported the development of Al Omaira\u2019s practice and encouraged experimentation with new materials and formats, including woodwork, stitching and installation-based works.<\/p>\n

Until April 30; Monday to Thursday, 9am-5pm; Friday, 9am-1pm; Abu Dhabi<\/p>\n

11. Picasso, The Figure at Louvre Abu Dhabi<\/p>\n

Picasso, The Figure<\/a> offers a focused examination of how Pablo Picasso transformed representations of the human body in modern art.<\/p>\n

Drawn largely from the collection of the Musee National Picasso\u2013Paris, the exhibition traces Picasso\u2019s engagement with the figure across seven decades, shaped by formal experimentation, political upheaval and personal experience. It advances a central argument that Picasso remained fundamentally committed to the human figure, even when his work appeared to dismantle representation.<\/p>\n

Rather than following a chronological structure, the exhibition is organised around recurring approaches that defined his treatment of the body, including schematisation, hybridisation, petrification and stylisation. These themes chart the evolution of his figures from early Cubist symbols to the monumental bodies of the 1920s, the hybrid forms of Surrealism and the fractured, urgent figures of his later years.<\/p>\n

Until May 31; Tuesday to Thursday, 10am-6:30pm; Friday to Sunday, 10am-8:30pm; Abu Dhabi<\/p>\n

12. Urdu Worlds at Ishara Art Foundation <\/p>\n

Urdu Worlds is the UAE\u2019s first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the exhibition stages a visual and conceptual dialogue between the late Indian-American printmaker Zarina and Pakistani artist Ali Kazim.<\/p>\n

It marks the first comprehensive presentation of Kazim\u2019s work in the Gulf and brings his practice into conversation with Zarina\u2019s long-standing engagement with language, memory and abstraction.<\/p>\n

Although shaped by different generations and geographies, both artists draw deeply on Urdu literature and thought. Zarina frequently incorporated Urdu poetry and text into her prints, while Kazim\u2019s paintings are informed by Urdu fiction and verse, shaping his reflections on landscape, history and everyday life. <\/p>\n

Until May 31; Monday to Saturday, 10am-7pm; Dubai<\/p>\n

13. Of Land and Water at Kalba Ice Factory <\/p>\n

Of Land and Water marks the first presentation of works from the Sharjah Art Foundation Collection in the emirate’s east coast. <\/p>\n

The exhibition presents large-scale works by nine international artists and collectives. The works ponder upon how borders sever stretches of open land and sea, dividing inhabitants and impacting their daily lives. <\/p>\n

Until May 31; Saturday to Thursday, 9am-9pm; Friday, 4pm-9pm; Sharjah <\/p>\n

14. Spectra of the Beautiful Past at Bait Sheikh Saeed bin Hamad Al Qasimi<\/p>\n

Taking place in the heritage house in Kalba, Sharjah, the exhibition brings together works by prominent Emirati artists including Abdulrahim Salem and Najat Makki<\/a>. The work on display is meant to evoke nostalgia and an appreciation for a bygone era.<\/p>\n

The exhibition\u2019s venue underscores its themes. Constructed at the turn of the 20th century, it was built by and named after the ruler of Kalba, Saeed bin Hamad Al Qasimi.<\/p>\n

Until May 31; Saturday to Thursday, 8am-8pm; Friday, 4pm-8pm; Sharjah<\/p>\n

15. All Manner of Experiments: Legacies of the Baghdad Modern Art Group at NYU Abu Dhabi Art Gallery <\/p>\n

Curated by Nada Shabout, the exhibition explores the Baghdad Modern Art Group, founded in 1951 by Jewad Selim and Shakir Hassan Al Said, and its artistic significance in mid-20th century Iraq.<\/p>\n

Working in the aftermath of independence, these artists sought a new visual language that balanced global modernism with Iraq\u2019s deep cultural and historical roots. The exhibition brings together key figures in this important chapter of Arab modern art and later generations they influenced.<\/p>\n

12 February to June 7; Tuesday to Sunday, 12pm-8pm, Abu Dhabi. <\/p>\n","protected":false},"excerpt":{"rendered":"This week\u2019s exhibitions include the last chance to see the solo show in Dubai by Wissam Shawkat, Al…\n","protected":false},"author":2,"featured_media":270766,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[1228,132418,19141,442,98771,498,499,500,501,156,111,139,69,1177,427],"class_list":{"0":"post-270765","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-art","9":"tag-art-exhibitions","10":"tag-art-galleries","11":"tag-arts","12":"tag-arts-culture-team","13":"tag-arts-and-design","14":"tag-artsanddesign","15":"tag-artsdesign","16":"tag-design","17":"tag-entertainment","18":"tag-new-zealand","19":"tag-newzealand","20":"tag-nz","21":"tag-standard","22":"tag-story"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/270765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=270765"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/270765\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/270766"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=270765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=270765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=270765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}