{"id":295662,"date":"2026-02-21T20:35:11","date_gmt":"2026-02-21T20:35:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/295662\/"},"modified":"2026-02-21T20:35:11","modified_gmt":"2026-02-21T20:35:11","slug":"the-best-supporting-actor-youll-never-see","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/295662\/","title":{"rendered":"The Best Supporting Actor You\u2019ll Never See"},"content":{"rendered":"<p>Every Oscars season, Hollywood celebrates \u201chuman artistry\u201d while quietly adopting whatever tech makes the deadline less terrifying. This year, artificial intelligence (AI) is the newest crew member: it doesn\u2019t need a trailer, and it definitely won\u2019t complain about craft-services hummus. The only catch? Nobody wants it walking the red carpet.<\/p>\n<p>The Academy\u2019s Neutrality Is a Choice<\/p>\n<p>In a report from The Ankler, Erik Barmack <a href=\"https:\/\/theankler.com\/p\/the-oscars-ai-lie-dont-ask-dont-tell\" rel=\"nofollow noopener\" target=\"_blank\">argues<\/a> the Academy has picked a carefully agnostic line: generative AI and other digital tools \u201cneither help nor harm\u201d a film\u2019s Oscar chances, and branches will judge the work while considering \u201cthe degree to which a human was at the heart of the creative authorship.\u201d (That same <a href=\"https:\/\/press.oscars.org\/news\/awards-rules-and-campaign-promotional-regulations-approved-98th-oscarsr#:~:text=the%20degree%20to%20which%20a%20human%20was%20at%20the%20heart%20of%20the%20creative%20authorship\" target=\"_blank\" rel=\"noopener nofollow\">language<\/a> appears in the Academy\u2019s own rules update.)<\/p>\n<p>The tension, Barmack noted, is that productions aren\u2019t compelled to disclose AI workflows\u2014and that silence becomes the de facto policy. Films can rack up nominations without voters being asked to factor in machine assistance; campaigns decide what to volunteer. It becomes a case of \u201cdon\u2019t ask, don\u2019t tell.\u201d<\/p>\n<p>The least controversial AI is the unsexy kind: dialogue cleanup, automated sound balancing, stabilization and other post-production (or \u201cpost\u201d) efficiencies that save time without changing intent.<\/p>\n<p>That\u2019s AI as productivity\u2014more output, fewer machine learning tools used for face replacement, facial performance modification and de-aging within an artist-driven workflow. It\u2019s notable because \u201cAI in films\u201d often <a href=\"https:\/\/www.rsp.com.au\/news\/rsps-revize-leading-the-way-in-machine-learning\/\" rel=\"nofollow noopener\" target=\"_blank\">means<\/a> machine learning inside the pipeline, quietly helping humans iterate.<\/p>\n<p>Best (until it isn\u2019t): AI Used to Fine-Tune Performances<\/p>\n<p>\u201cThe Brutalist\u201d\u00a0became a <a href=\"https:\/\/ew.com\/the-brutalist-director-brady-corbet-addresses-ai-use-on-stars-dialogue-8777432\" rel=\"nofollow noopener\" target=\"_blank\">flashpoint<\/a> after an editor for the film noted that AI voice tech was used to fine-tune Hungarian pronunciations in post. Filmmakers emphasized it didn\u2019t replace performances wholesale. This example is notable because once AI touches vocal or facial performances, audiences and voters start asking who authored the result.<\/p>\n<p style=\"text-align:center\">Advertisement: Scroll to Continue<\/p>\n<p>\u201cEmilia P\u00e9rez\u201d is another example, where awards season coverage <a href=\"https:\/\/www.theguardian.com\/film\/2025\/jan\/20\/the-brutalist-and-emilia-perezs-voice-cloning-controversies-make-ai-the-new-awards-season-battleground\" rel=\"nofollow noopener\" target=\"_blank\">described<\/a> AI blending vocals to broaden a performer\u2019s singing range. The use of AI enhancement sits in the same moral neighborhood as auto-tune: accepted by many, but disclosure-sensitive.<\/p>\n<p>    <img decoding=\"async\" src=\"https:\/\/www.pymnts.com\/wp-content\/uploads\/2026\/02\/Google-PYMNTS-blackbox.svg\" alt=\"Preferred Source\" class=\"img-fluid\"\/><\/p>\n<p>We\u2019d love to be your <a href=\"https:\/\/www.google.com\/preferences\/source?q=pymnts.com\" target=\"_blank\" rel=\"noopener nofollow\">preferred source for news<\/a>.<\/p>\n<p>Please add us to your preferred sources list so our news, data and interviews show up in your feed. Thanks!<\/p>\n<p>Worst: Generative AI that Reads like a Shortcut<\/p>\n<p>Marvel\u2019s \u201cSecret Invasion\u201d\u00a0drew <a href=\"https:\/\/www.theverge.com\/policy\/2023\/6\/22\/23770319\/secret-invasion-ai-credits-method-studios-statement\" rel=\"nofollow noopener\" target=\"_blank\">backlash<\/a> for AI-generated opening credits, with critics reading it as automation of artists rather than a creative necessity. The criticism highlighted reputational risk: audiences may tolerate invisible AI, but they react fast to \u201cAI aesthetics.\u201d<\/p>\n<p>Indie horror film \u201cLate Night With the Devil\u201d also took heat following <a href=\"https:\/\/variety.com\/2024\/film\/news\/late-night-with-the-devil-ai-images-clarification-1235947599\/\" rel=\"nofollow noopener\" target=\"_blank\">reports<\/a> that it included AI-generated imagery, prompting clarifications from the filmmakers. Even limited generative imagery can become headline news.<\/p>\n<p>The Ethical Third Rail: Synthetic Voices in Nonfiction<\/p>\n<p>The Anthony Bourdain documentary \u201cRoadrunner\u201d\u00a0drew <a href=\"https:\/\/www.newyorker.com\/culture\/annals-of-gastronomy\/the-ethics-of-a-deepfake-anthony-bourdain-voice\" rel=\"nofollow noopener\" target=\"_blank\">criticism<\/a> after it emerged that AI recreated Bourdain\u2019s voice for a few lines, raising questions about consent and viewer trust. Since documentaries are billed as an authentic creation, synthetic audio can disrupt credibility.<\/p>\n<p>Will the Oscars Telecast Include Any AI Applications?<\/p>\n<p>There\u2019s no public sign that the show will feature generative AI on air. But it\u2019s hard to imagine a modern live broadcast without some machine learning in the plumbing, especially around accessibility and rapid clip distribution.<\/p>\n<p>The Academy <a href=\"https:\/\/www.oscars.org\/about\/accessibility\" rel=\"nofollow noopener\" target=\"_blank\">highlights<\/a> live captions, live audio description and an ASL livestream on YouTube for the Oscars. And the captioning industry itself is <a href=\"https:\/\/vitac.com\/webinar-registration\/future-of-captioning\/\" rel=\"nofollow noopener\" target=\"_blank\">evolving<\/a> from purely human stenography toward advanced AI supported by human input. So even if the telecast never says \u201cAI,\u201d there\u2019s a decent chance the technology is already helping viewers experience the show\u2014just in the least glamorous ways imaginable.<\/p>\n<p>For now, the Academy\u2019s stance turns AI into Hollywood\u2019s newest open secret: everywhere in the workflow, nowhere in the speech. The best uses so far keep humans at the center and the tech in the toolbox. The worst uses treat creativity like a cost center\u2014or trust like an optional feature.<\/p>\n<p>If AI wins anything this year, it\u2019ll be Best Supporting Tool: always there, never thanked and absolutely not invited to the after-party.<\/p>\n","protected":false},"excerpt":{"rendered":"Every Oscars season, Hollywood celebrates \u201chuman artistry\u201d while quietly adopting whatever tech makes the deadline less terrifying. This&hellip;\n","protected":false},"author":2,"featured_media":295663,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[365,363,364,156,366,7611,111,43,139,69,2584,739,7612,7613,145,7614],"class_list":{"0":"post-295662","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artificial-intelligence","8":"tag-ai","9":"tag-artificial-intelligence","10":"tag-artificialintelligence","11":"tag-entertainment","12":"tag-generative-ai","13":"tag-main-feature","14":"tag-new-zealand","15":"tag-news","16":"tag-newzealand","17":"tag-nz","18":"tag-oscars","19":"tag-pymnts-news","20":"tag-pymnts-weekender","21":"tag-saturday-feature","22":"tag-technology","23":"tag-weekender"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/295662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=295662"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/295662\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/295663"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=295662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=295662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=295662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}