{"id":346897,"date":"2026-03-25T10:42:11","date_gmt":"2026-03-25T10:42:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/346897\/"},"modified":"2026-03-25T10:42:11","modified_gmt":"2026-03-25T10:42:11","slug":"rose-wylie-91-on-painting-nicole-kidman-and-her-big-london-show","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/346897\/","title":{"rendered":"Rose Wylie, 91, on painting Nicole Kidman and her big London show"},"content":{"rendered":"<p>Wylie, 91, was born in Hythe, Kent. She studied at Folkestone and Dover School of Art and later the Royal College of Art. She is known for her bold, large-scale works on canvas that draw on popular culture, ancient civilisations and her own memories. She was married to the artist Roy Oxlade until his death in 2014. Wylie lives near Faversham with her cat, Pete.<\/p>\n<p>I get up late because I often paint until 3am and sleep for eight hours. I don\u2019t paint every day \u2014 you can\u2019t, you\u2019ve got to have space in between. But while a painting\u2019s going I paint excessively and feel exhilarated when it\u2019s finished.<\/p>\n<p>The first thing I do when I wake is feed the cat. I\u2019ve had cats all my life but Pete is exceptional, he\u2019s like a human and a terrific companion. Breakfast is porridge and tea, and on Sundays, signifying the end of the week, a croissant and coffee. I take cod liver oil \u2014 in capsules because I can\u2019t bear the taste or smell. They\u2019re rather beautiful yellow blobs.<\/p>\n<p>Then I walk round the garden 12 times, three minutes a lap, looking at tulips and snowdrops. I mostly stay home as that\u2019s where I work. I used to go to London often, but rarely since Covid. When I go now, someone kindly sends a car.<\/p>\n<p>Lunch is basic and fitted around what time I start work, usually at 12 or 1pm, or I\u2019ll keep painting and have a late lunch.\u00a0<\/p>\n<p>I\u2019m the first female painter to have an exhibition in the main galleries at the Royal Academy, which is unbelievable and just weird, considering it has been going since 1768. But it\u2019s amazing to be there and I love the building, the Annenberg Courtyard and the location, right off Piccadilly. It\u2019s run by artists and adored by the public.\u00a0<\/p>\n<p>I often choose irreverent titles, like Quack Quack for my show at the Serpentine in 2017, because of the ducks I first saw there aged five. I called this show The Picture Comes First because people often read print before looking at images properly. They think it\u2019s more authentic and informative. I\u2019d like to reverse that; I think the picture is more important than the print.<\/p>\n<p>The exhibition is a kind of diary of what\u2019s going on around me. I do drawings first. All you need is a pencil and an old envelope to note down what you see before you lose it. I\u2019ll do more drawings and it develops organically.\u00a0<\/p>\n<p>I was 80 when I won the John Moores painting prize, which gave my profile a major jump. It has also brought fun opportunities, like modelling for Loewe last year for the fashion designer Jonathan Anderson\u2019s penultimate collection. When nobody is looking at or buying your work it\u2019s really tough and Jonathan bought a big painting from me a long time ago, which was such a help.<\/p>\n<p>For dinner I\u2019ll often make a stew, with carrots, leeks and garlic, adding wine. I don\u2019t go to the cinema any more but I like watching films on television. I recently watched Babygirl as I\u2019ve painted Nicole Kidman, so I thought I should see what she is doing. My son, Luke John, was watching with me and about halfway through he said he didn\u2019t think it was family viewing. I paint portraits from films and don\u2019t do commissions \u2014 if they don\u2019t like it, you feel constrained.<\/p>\n<p>My working practices haven\u2019t changed since losing Roy. He rarely came into my studio because he\u2019d always get paint on his clothes and only saw the finished product. He once said he thought the worst thing would be to be married to a woman whose work he didn\u2019t like, but he liked mine so I was happy. He was very picky.<\/p>\n<p>The work goes on and doesn\u2019t stop. I\u2019m preparing for a solo show in Paris in April. While working on a piece for it I repainted the view from my garden featuring a new view that suddenly appeared when the trees were cut down. I liked the seclusion of the garden and I dealt with that loss by creating a painting. My work has always been triggered by what I see and if it\u2019s visually exciting I like to make a record of it.<br \/>Rose Wylie: The Picture Comes First is at the Royal Academy of Arts, London W1, until April 19; royalacademy.org.uk<\/p>\n<p>Words of wisdom<\/p>\n<p>Best advice I was given\u00a0<br \/>When I\u2019d get caught up wondering why I was painting, saying my work was crap and I couldn\u2019t do it, Roy would simply say, \u201cYou\u2019ll manage\u201d<\/p>\n<p>Advice I\u2019d give\u00a0<br \/>Keep going<\/p>\n<p>What I wish I\u2019d known\u00a0<br \/>That rabbit-skin glue \u2014 a traditional preservative that keeps canvas from rotting under paint \u2014 can be quickly made by double-boiling\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\"   height=\"7762\" width=\"5177\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/03\/b8bb0d11-cec0-4d66-ae9a-96d4d066e169.jpg\" alt=\"A person views two large paintings, each a diptych, by Rose Wylie from The Picture Comes First exhibition at the Royal Academy of Arts.\" class=\"wp-image-21106807\"\/>Rose Wylie, The Picture Comes First exhibition at the Royal Academy of Arts, LondonDavid Parry\/Royal Academy of Arts<\/p>\n<p><img loading=\"lazy\" decoding=\"async\"   height=\"5433\" width=\"8145\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/03\/8fb4838c-4e48-4019-8a52-e41f7c2f031b.jpg\" alt=\"Visitors viewing Rose Wylie's paintings &quot;Airraid Talbot Road Bayswater London 1940&quot; and &quot;Calais to London (A Doodle Bug 1944)&quot; at the Royal Academy of Arts.\" class=\"wp-image-21106806\"\/>Rose Wylie, The Picture Comes First exhibition at the Royal Academy of Arts, LondonDavid Parry\/Royal Academy of Arts<\/p>\n<p><img loading=\"lazy\" decoding=\"async\"   height=\"5464\" width=\"8192\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/03\/05e10027-113f-4aad-8123-bba309fff6ed.jpg\" alt=\"A woman views &quot;The Picture Comes First,&quot; an exhibition by Rose Wylie at the Royal Academy of Arts, London.\" class=\"wp-image-21106804\"\/>Rose Wylie, The Picture Comes First exhibition at the Royal Academy of Arts, LondonDavid Parry\/Royal Academy of Arts<\/p>\n<p><img loading=\"lazy\" decoding=\"async\"   height=\"7668\" width=\"5115\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/03\/f8a1e204-01f7-4a2d-b14c-18b6fd8570ec.jpg\" alt=\"Two people view Rose Wylie's painting &quot;The Picture Comes First,&quot; which depicts airplanes, a building, and dogs.\" class=\"wp-image-21106805\"\/>Rose Wylie, The Picture Comes First exhibition at the Royal Academy of Arts, LondonDavid Parry\/Royal Academy of Arts<\/p>\n","protected":false},"excerpt":{"rendered":"Wylie, 91, was born in Hythe, Kent. She studied at Folkestone and Dover School of Art and later&hellip;\n","protected":false},"author":2,"featured_media":346898,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[442,498,499,500,501,156,111,139,69],"class_list":["post-346897","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-entertainment","tag-new-zealand","tag-newzealand","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/346897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=346897"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/346897\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/346898"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=346897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=346897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=346897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}