Maltese artist Rebecca Bonaci is gearing up for her new solo exhibition entitled\u00a0Wens: Comfortable Silence.<\/p>\n
Running from 19th September to 17th October at Valletta Contemporary Gallery, the exhibition explores the immense potential of the daily mundane, finding solace in the quiet rythms of lives lived together in love and intimacy behind closed doors.\u00a0<\/p>\n
Drawing from her own experience, Bonaci turns to painting, drawing and sculpture to reveal how the most profound meaning often resides in the smallest of moments \u2013 where silence is not emptiness, but a space of connection, memory and belonging.<\/p>\n
In Joseph Aquilina\u2019s Maltese-English Dictionary, the translation of wens is given as the \u201cfeeling of peace of mind one experiences in somebody\u2019s company.\u201d<\/p>\n
In this exhibition, Bonaci looks inward, celebrating and recording the small clan of loved ones who nourish her. Rendered in loose, living colours, her painterly language adds a bodily thrum to images that depict a dreamlike world where men, women and children live together in harmony among stars, flowers and clouds.<\/p>\n
At a time when productivity is prioritised over nearly everything else, Bonaci\u2019s choice to depict moments of intimacy with no purpose beyond themselves becomes quietly radical, \u201coffering a moment of stillness in a fast-moving world,\u201d as she phrases it.\u00a0<\/p>\n
Her work claims that fulfilment arises not through the ego-driven construction of self, but through giving, fully relationality and through awareness of the other.<\/p>\n
In many regards, Wens is a sister exhibition to Bonaci\u2019s 2023 solo <\/a>\u0120uf,<\/a>\u00a0not only stylistically but also in its exploration of embodied personhood, especially as it relates to female experience. Heritage and connection to what came before \u2013 familial and societal \u2013 run through both exhibitions and the preservation of memory has become a common thread in Bonaci\u2019s work. Belonging, her images suggest, becomes possible only when we acknowledge the landscape of shared remembrance that holds us all.<\/p>\n Bonaci\u2019s images have a dreamlike longing to them. They are drawn from real inner experience but express an imaginary state of wholeness and hold onto a utopian desire for a world where a complete harmony between self and other, with family and nature, is possible. Her figures are mostly nude, without discomfort, lacking shame, because the landscape, the sea and the clouds among which they float are free from judgemental eyes.<\/p>\n In Wens, Bonaci immerses us in her tactile, silent and soft world. There is a dual energy to her work: the awareness that the world is changing and loss is inevitable but also a promise that by looking inward, slowing down and focusing on moments with people we love, existential anxiety can be replaced by a deeper sense of self, rooted in the other.<\/p>\n \u201cI hope that one day, when I look back at my drawings, they\u2019ll wrap my heart in the same comfort I felt while creating them,\u201d she writes. Implicit in her work is a hope, therefore, that the same solace might also reach us as we enter her tender, utopian world.<\/p>\n An opening reception will be held on 19th September from 7.30pm onwards at Valletta Contemporary Gallery. It is open to the general public \u2013 refreshments will be provided.<\/p>\n Tag a friend you want to attend the exhibition with!<\/p>\n","protected":false},"excerpt":{"rendered":"Maltese artist Rebecca Bonaci is gearing up for her new solo exhibition entitled\u00a0Wens: Comfortable Silence. Running from 19th…\n","protected":false},"author":2,"featured_media":34706,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[442,498,499,500,501,156,111,139,69],"class_list":["post-34705","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-entertainment","tag-new-zealand","tag-newzealand","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/34705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=34705"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/34705\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/34706"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=34705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=34705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=34705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}