{"id":360673,"date":"2026-04-02T18:41:08","date_gmt":"2026-04-02T18:41:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/360673\/"},"modified":"2026-04-02T18:41:08","modified_gmt":"2026-04-02T18:41:08","slug":"people-are-exhausted-by-blackpink-and-bts-the-diy-chinese-bands-redefining-corporate-idol-pop-pop-and-rock","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/360673\/","title":{"rendered":"\u2018People are exhausted by Blackpink and BTS\u2019: the DIY Chinese bands redefining corporate \u2018idol\u2019 pop | Pop and rock"},"content":{"rendered":"<p class=\"dcr-130mj7b\">Over the past decade, \u201cidol\u201d culture has turned east Asia into a pop music powerhouse as global audiences have flocked to Japanese and especially South Korean groups. Formed and exactingly trained by big entertainment conglomerates, <a href=\"https:\/\/www.theguardian.com\/culture\/2026\/jan\/29\/bts-best-songs-ranked\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">bands such as BTS<\/a> and EXO have blown up internationally thanks to bombastic songs, sensational dance routines and marketing campaigns designed to build a parasocial relationship between performers \u2013 idols \u2013 and their fans. Their neighbour China, however, the population of which is roughly eight times that of Japan and South Korea combined, has produced few groups with similar fame.<\/p>\n<p class=\"dcr-130mj7b\">Until 2021, Chinese versions of Korean idol-training shows \u2013 think The X Factor with considerably more challenging choreography\u00a0\u2013 were gaining huge audiences. But the shows, and the fan culture they inspired, drew the ire of the Chinese government. It cracked down on \u201ctoxic\u201d fandom, an initiative that included banning idol-development shows. \u201cIt was an excuse to regulate the internet,\u201d says Emily Liu, who runs the popular idol newsletter Active Faults. The government has also unofficially prohibited Korean pop idols from performing in mainland <a href=\"https:\/\/www.theguardian.com\/world\/china\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">China<\/a> for the last decade due to geopolitical tensions.<\/p>\n<p class=\"dcr-130mj7b\">The ban on idol shows irrevocably damaged China\u2019s mainstream idols such as IXFORM and Into1, who disbanded soon after their respective shows were cancelled. While groups weren\u2019t forced to disband, they lost the exposure needed to build performing careers lucrative enough to justify the significant upfront costs of idol training. \u201cIt\u2019s like they blocked the end of the river that flows into the industry,\u201d Liu says. \u201cThey blocked opportunities for them to make a living.\u201d Many idol-show participants \u2013 such as Duan Xingxing and Tang Jiuzhou from IXFORM \u2013 moved into more lucrative fields such as acting, while other would-be idols shifted to China\u2019s livestream industry, where viewers pay to make special requests to dancers.<\/p>\n<p>\u2018Heart-moving power\u2019 \u2026 listen to Aqbi Feti by Transparent Classroom and Parallel Girls.<\/p>\n<p class=\"dcr-130mj7b\">But a scene developing within China is shifting the idea of what an idol can be. Fans and part-time performers are forming grassroots \u201calt-idol\u201d groups, in opposition to demanding, restrictive blueprints of corporate pop. \u201cPeople are exhausted by Blackpink and BTS and all these household names,\u201d says Liu. \u201cPeople want something new, especially in China.\u201d<\/p>\n<p class=\"dcr-130mj7b\">Zhao Beichen, the founder and producer of the alt-idol group Transparent Classroom and Parallel Girls, compares this movement with the arrival of alt-rock in the US in the 1980s. In <a href=\"https:\/\/www.theguardian.com\/world\/japan\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Japan<\/a>, \u201cunderground idol\u201d typically refers to idol groups training for the mainstream; Zhao calls her group \u201calternative\u201d because it centres on sincerity and artistic freedom instead of the rigid standards mainstream groups must live up to: inflexible (if unwritten) criteria around qualities such as weight, complexion and technical perfection in choreography. When she selects band members, she says: \u201cI choose people who are not what the idol industry says are suitable to become an idol.\u201d<\/p>\n<p class=\"dcr-130mj7b\">Silver, one of the six-strong group, says: \u201cWhen I was little, there was no one like me on television in China.\u201d She and another member of the group have short-cropped hair, which is rare in the idol world. Silver grew up listening to <a href=\"https:\/\/www.theguardian.com\/music\/k-pop\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">K-pop<\/a>, as well as Radiohead, and auditioned for several mainstream idol groups. On the verge of giving up, she met Zhao at a flea market where Silver was selling her guitars.<\/p>\n<p>Gothic rock \u2026 7Sins. <\/p>\n<p class=\"dcr-130mj7b\">Zhao had conceptualised her group while living in Japan, where, impressed by the underground groups\u2019 \u201cheart-moving power\u201d, she did graduate research on the scene and spent several years working for an idol producer. In 2019, she moved back to China to launch her own act, arriving at a turning point in China\u2019s pop music industry.<\/p>\n<p class=\"dcr-130mj7b\">While mainstream pop has been decimated, the number of alt\u2011idol groups has been expanding. Although these groups retain many classic idol tropes \u2013 choreographed dancing, synchronised costumes and the cultivation of individual member personae \u2013 they are sonically and stylistically more experimental than those formed through the pressure-cooker commercial training programmes in Japan and Korea. Many are self-produced and based outside the international hubs of Shanghai and Beijing, allowing more localised scenes to flourish. Transparent Classroom are from Changsha in central China,\u00a0while fellow alt-idol group 7Sins are based in the southern city\u00a0of\u00a0Guangzhou.<\/p>\n<p>Listen to Guardian music\u2019s Chinese \u2018alt-idol\u2019 playlist \u2026 Spotify<\/p>\n<p class=\"dcr-130mj7b\">\u201cWhen we debuted in 2022, Guangzhou basically had no underground idol groups,\u201d says Kumiko from 7Sins. \u201cNow, there are idol events held in different live houses every weekend.\u201d While live houses \u2013 local music venues open to smaller acts \u2013 don\u2019t allow groups to build massive fanbases as rapidly as idol shows, they have given idol groups a platform outside the strongly regulated internet and a closer connection with fans. Ma,\u00a0a\u00a0Beijing-based fan of Transparent Classroom, says watching them in Changsha \u201cmakes me feel like I\u2019ve returned to\u00a0my spiritual home\u00a0town\u201d.<\/p>\n<p class=\"dcr-130mj7b\">7Sins and Transparent Classroom employ gothic fashion and space-explorer chic; 7Sins\u2019 songs veer towards high-octane rock, while Transparent Classroom\u2019s discography is an eclectic mix of jangle-pop, punk, house, post-rock, jazz and other influences. This experimentation became an important part of their appeal for fans such as Ma. \u201cI felt they were different from what I or most people imagine when they think of\u00a0mainstream idols, who might just wear pretty clothes and sing very sweet songs,\u201d he says.<\/p>\n<p>\u2018Our group is built on close-knit bonds between members\u2019 \u2026 7Sins performing live.<\/p>\n<p class=\"dcr-130mj7b\">The lack of supportive commercial structures means that alt-idol work is rarely a full\u2011time gig. Silver also works as an English teacher, while Kumiko is finishing her graduate studies. It can also make the scene more fragile. \u201cChanges in membership have a big impact on our image because, unlike company-formed groups, our group is built on close-knit bonds between members,\u201d Kumiko says. 7Sins recently announced they would be disbanding in June, partly because of concerns about long-term continuity in their lineup.<\/p>\n<p class=\"dcr-130mj7b\">The broader landscape is also shifting. Last year, BTS\u2019s parent company, Hybe, opened a Beijing office, signalling a potential thaw in China\u2019s de facto freeze on Korean pop culture. While Zhao is hopeful that the idol sector is large enough to allow niche scenes to thrive, she is uncertain how such changes would affect alt-idol groups. \u201cI\u00a0can\u2019t say for sure whether the future trend of this industry will squeeze this subculture, or if it will\u00a0grow along with it,\u201d she says.<\/p>\n<p class=\"dcr-130mj7b\">Kumiko has already developed an alt-rock solo project under the name Kum1k0, and when I ask Silver what her \u201cmain job\u201d is, she corrects me: \u201cMy career is music. Even though I have to spend\u00a0most of my time making money as a teacher, I am thinking about music\u00a0all the time.\u201d<\/p>\n<p class=\"dcr-130mj7b\">Silver\u2019s words reveal the truth underlying the alt\u2011idol world. Without the possibility of a future payout, the scene is sustained by the passion of its members, who are in it for little more than the joy of performing. \u201cEven if no one was watching, I would be dancing all day,\u201d says Silver. \u201cTo be able to have\u00a0audiences watching you sing and dance \u2013 that\u2019s a privilege.\u201d The very existence of China\u2019s alt-idol groups is a testament to the impossibility of tamping down a culture that speaks to its members. You can block the river, but the water will find a way through.<\/p>\n","protected":false},"excerpt":{"rendered":"Over the past decade, \u201cidol\u201d culture has turned east Asia into a pop music powerhouse as global audiences&hellip;\n","protected":false},"author":2,"featured_media":360674,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[156,157,111,139,69],"class_list":{"0":"post-360673","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-entertainment","9":"tag-music","10":"tag-new-zealand","11":"tag-newzealand","12":"tag-nz"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/360673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=360673"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/360673\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/360674"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=360673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=360673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=360673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}