{"id":396452,"date":"2026-04-25T03:39:26","date_gmt":"2026-04-25T03:39:26","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/396452\/"},"modified":"2026-04-25T03:39:26","modified_gmt":"2026-04-25T03:39:26","slug":"the-business-world-is-competitive-but-art-is-brutal","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/396452\/","title":{"rendered":"The business world is competitive, but art is &#8216;brutal&#8217;"},"content":{"rendered":"<p>Scott Perkins chairs two of Australia\u2019s biggest companies, Woolworths and Origin energy. Combined they have a market value on the ASX of $97 billion.\u00a0Woolworths is also the largest employer in Australia with 200,000 employees. Additionally, Perkins is board chair of the Garvan Institute of Medical Research in Sydney with more than 700 scientists working on genetic treatments for diseases like cancer.\u00a0Since he moved to Sydney 25 years ago, Perkins has enjoyed a stellar career.\u00a0Now he is winning acclaim in a different field \u2013 art photography.\u00a0<\/p>\n<p>Respected art historian and critic, Mary Kisler, said in a review that one of Perkins\u2019 photographs featuring a waterfall cascading down a mountainside into a fiord reminded her of a work by Colin McCahon, New Zealand\u2019s most influential modern painter.<\/p>\n<p>Perkins, backed by the leading Australian gallery, Michael Reid, clearly doesn\u2019t depend on his art for an income but says he feels \u201cthrilled and deeply anxious\u201d about his solo show at Aotearoa Art Fair.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"780\" height=\"520\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/04\/scott-perkins-waterfall-fiord-photograph.jpg\" alt=\"Black-and-white landscape photograph of a waterfall descending into a dark fiord by Scott Perkins.\" class=\"wp-image-455878\"  \/>Scott Perkins, Untitled 17, 2026. Pigment print on Hahnemule metallic paper, 100 x 150 cm, edition of 8 + 2AP<\/p>\n<p>\u201cI think it\u2019s old-fashioned performance anxiety. It doesn\u2019t matter what else I do, when the exhibition is on, I\u2019m purely judged against awesome competition and awesome other artists. I\u2019m purely judged for my individual contribution to the genre and the works hanging on the wall.<\/p>\n<p>\u201cYou know, people might think the business world is hyper competitive, which it is, and you rise and fall on a bunch of customer and financial metrics and what have you, but the art world is brutally competitive and direct as well. I mean, you get to the end of an exhibition and you\u2019re either full of red dots (sold stickers) on the wall or not much is sold and you\u2019re looking at the floor. The art world can be, you know, be quite brutal in its judgment.\u201d<\/p>\n<p>Perkins\u2019 photographs have been described as \u201cabstracted landscapes steeped in moody atmospheres shot in remote corners of Australia, New Zealand, Europe and beyond\u201d. He uses timber-framed light boxes to house the dramatic images printed on metallic or handmade Japanese paper.\u00a0 Perkins says he tries to bring a feeling of \u201cmystery\u201d to the final image.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"1024\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/04\/scott-perkins-untitled-19-forest-water-photograph.jpg\" alt=\"Black-and-white photograph of dense riverside forest reflected above still water by Scott Perkins.\" class=\"wp-image-455881\" style=\"width:732px;height:auto\"  \/>Scott Perkins, Untitled 20, 2026. Pigment print on Hahnemule metallic paper, 150 x 100 cm, edition of 8 + 2AP<\/p>\n<p>\u201cWhat sustains an image that takes it beyond the decorative to something that you\u2019ll live with for a long period of time and justify spending the money on?\u00a0I think it has to have something that is less obvious. Where does the less obvious come from? It might be some explicit storytelling in the work. It might be the look on somebody\u2019s face, but there is some embedded mystery or something that\u2019s not obvious. And so, abstraction ends up being a mechanism, I think, to release that non-obvious in the work \u2026 you almost create a new message and reveal something that\u2019s embedded in nature that may not be so obvious.\u201d<\/p>\n<p>While it might not always stay this way Perkins says his photographs currently don\u2019t feature people or any built structures.<\/p>\n<p>\u201cI have tried to stay well clear of hyper-realistic photography, which is so well done, and try and find my own voice, something unique and something different, an abstraction of photography, whilst it\u2019s certainly not new there\u2019s not too much else out there that looks like what I do.\u201d<\/p>\n<p>Most of the \u201craw material\u201d Perkins looks for in his photographs is captured in remote places near, or surrounded by, water and if he needs to position himself in that lake or sea he\u2019ll use his kayak.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"1024\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/04\/scott-perkins-portrait-photographer-new-zealand-landscape.jpg\" alt=\"Scott Perkins standing in a rugged lakeside landscape with a camera, photographed in black and white.\" class=\"wp-image-455879\"  \/>Scott Perkins. Image supplied.<\/p>\n<p>\u201cI try to go to places with inherent potential. They are all remote in most senses of the word, a bunch of images taken in Dusky Sound, I was on a kayak in Palau, on the island of Palau, and off the north coast of Sicily, among some islands there.<\/p>\n<p>\u201cI\u2019m sort of drawn to the physical environment and the sense of adventure it can be combined with. I quite like the fact that you might have to work quite hard to get there \u2026 and it\u2019s quite amusing but really rewarding when people come up to me and say they know exactly where I have taken a photo and they\u2019re 10,000 kilometres away from the place, and it is nowhere near where they think it is.\u201d<\/p>\n<p>Perkins says growing up in New Zealand\u2019s rugged landscape has strongly influenced his work.<\/p>\n<p>\u201cI draw a lot of energy by being in very remote places, and the camera just captures that. Maybe my New Zealand roots in relation to the natural environment and the fact that it\u2019s at our back doorstep in New Zealand. And once you\u2019ve grown up with it, you never really lose it, it is part of who you are.\u201d<\/p>\n<p>There are other personal and professional reasons Perkins remains closely tied to New Zealand.\u00a0<\/p>\n<p>\u201cI sort of consider myself lucky enough to have two homes, and New Zealand remains a deep part of me. I founded, with two or three other colleagues, the New Zealand Institute that\u2019s become the New Zealand Initiative, which, after 14 years, I just retired from, and I\u2019m a fellow of the Auckland University, because I worked with them for 14 years to help them try and commercialise their IP.\u201d<\/p>\n<p>Perkins\u2019 first wife Louise, an avid art collector, died in 2004 from breast cancer at the age of 39.\u00a0At the time, Perkins was chief executive of Deutsche Bank New Zealand.<\/p>\n<p>\u201cAfter Louise passed away, I set up Sweet Louise, which is this phenomenal charity that cares for women with incurable breast cancer. So, one way or the other, all these things have kept me coming back to New Zealand. It\u2019s a joy to do that, and I feel like I think many New Zealanders do, and this does segue into photography, I feel just such a strong connection to this overpowering landscape that is New Zealand.\u201d<\/p>\n<p>Aotearoa Art Fair 30 April \u2013 3 May 2026, Viaduct Events Centre, Auckland<\/p>\n","protected":false},"excerpt":{"rendered":"Scott Perkins chairs two of Australia\u2019s biggest companies, Woolworths and Origin energy. Combined they have a market value&hellip;\n","protected":false},"author":2,"featured_media":396453,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[442,498,499,500,501,156,111,43,139,69],"class_list":["post-396452","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-entertainment","tag-new-zealand","tag-news","tag-newzealand","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/396452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=396452"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/396452\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/396453"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=396452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=396452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=396452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}