{"id":417646,"date":"2026-05-08T08:00:10","date_gmt":"2026-05-08T08:00:10","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/417646\/"},"modified":"2026-05-08T08:00:10","modified_gmt":"2026-05-08T08:00:10","slug":"gallery-twenty-twenty-vogue-australia","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/417646\/","title":{"rendered":"Gallery Twenty Twenty | Vogue Australia"},"content":{"rendered":"<p>Rick resin chair, $35,731 by Joris Poggioli.<\/p>\n<p>With a line-up featuring exhibitions, as well as limited-edition pieces by Australian and international designers including Michael Anastassiades, Linde Freya Tangelder, Gio Ponti, Gaetano Pesce, Joe Colombo, Marc Newson, Ettore Sottsass and Shiro Kuramata, Gallery Twenty Twenty\u2019s future offerings are set to be equally impressive. \u201cOne of the primary challenges was maintaining a clear curatorial direction,\u201d Fazzari admits. \u201cThere is no shortage of talented artists interested in entering the Australian market, but for us it was never about scale, it was about alignment: building a roster that reflects the gallery\u2019s identity required discipline. Every artist and every work needed to contribute to a broader narrative, rather than simply expanding a catalogue.\u201d Bringing together these visionary practices under one highly considered roof, the gallery positions itself not only as an exhibition space, but perhaps also as a catalyst for redefining how we see, value, engage with and understand design within Australia. \u201cUltimately, it creates the right conditions for collectible design to be experienced with the same depth and seriousness as fine art,\u201d Fazzari says. \u201cFor us, it marks the beginning of a platform that will continue to grow, evolve and build its own cultural dialogue over time, [hopefully becoming] a point of reference for collectors, designers and the wider cultural community.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Rick resin chair, $35,731 by Joris Poggioli. With a line-up featuring exhibitions, as well as limited-edition pieces by&hellip;\n","protected":false},"author":2,"featured_media":417647,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[442,498,499,500,501,156,214679,214680,111,139,69],"class_list":["post-417646","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-entertainment","tag-gallery-twenty-twenty","tag-mobilia","tag-new-zealand","tag-newzealand","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/417646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=417646"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/417646\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/417647"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=417646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=417646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=417646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}