{"id":427969,"date":"2026-05-14T22:13:11","date_gmt":"2026-05-14T22:13:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/427969\/"},"modified":"2026-05-14T22:13:11","modified_gmt":"2026-05-14T22:13:11","slug":"tangles-review-julia-louis-dreyfus-leads-animated-look-at-dementia","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/427969\/","title":{"rendered":"&#8216;Tangles&#8217; Review: Julia Louis-Dreyfus Leads Animated Look at Dementia"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tDementia has been palpably rendered on film a number of times this century, in varying tones and cadences. Michael Haneke\u2019s wrenching Amour handles the subject with austere dispassion. Gaspar No\u00e9\u2019s <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/review-vortex-cannes-2021-1234981174\/\" rel=\"nofollow noopener\" target=\"_blank\">Vortex<\/a> amps up the stress to contrast the quiet and emptiness left in death\u2019s wake. Florian Zeller <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/father-review-1273990\/\" rel=\"nofollow noopener\" target=\"_blank\">artfully renders<\/a> the near horror-movie disorientation of an afflicted man in The Father. And now the topic is addressed in an animated film, Tangles, about a daughter putting romance and career on pause to tend to her Alzheimer\u2019s-stricken mother.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAdapted from Sarah Leavitt\u2019s 2010 graphic memoir, Tangles tells the story of Leavitt\u2019s burgeoning life as a twenty-something in San Francisco \u2014 she has a promising illustrator job at a hip, queer alt-weekly and a sexy new love interest \u2014 suddenly interrupted by bad news from home. On a visit back to Maine, Sarah notices that her mother, Midge, is acting strangely. She\u2019s moody, erratic, unfocused. Sarah\u2019s family assumes it\u2019s the onset of menopause, but Sarah suspects something far worse might be to blame.\u00a0<\/p>\n<p>\t\t\t\t\tTangles\t\t<\/p>\n<p>\n\t\t\t\t\tThe Bottom Line<\/p>\n<p>\tA lovingly rendered family story.<\/p>\n<p>\t\t\t\t\t\t\tVenue: Cannes Film Festival (Special Screenings)<br \/>Cast: Julia Louis-Dreyfus, Abbi Jacobson, Bryan Cranston, Seth Rogen, Sarah Silverman, Bowen Yang, Wanda Sykes, Beanie Feldstein, Samira Wiley<br \/>Director: Leah Nelson<br \/>Writers: Leah Nelson, Sarah Leavitt, Trev Renney<br \/>\n\t\t\t\t\t\t\t\t1 hour 42 minutes\n\t\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe film follows that dawning realization to an eventual diagnosis, and then wanders through the years after, as Midge slowly deteriorates and Sarah is torn between her obligations at home and the independent adulthood she had just begun fashioning for herself out West. That is a tension with which many audience members will be painfully familiar, the clash of duty and aspiration that gradually comes to inform many, if not most, filial relationships.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tTangles is the feature debut of director Leah Nelson, who has the tricky task of balancing the film\u2019s humor and sorrow. She tends to favor the lighter side; Tangles maintains its perky mien even as things for the Leavitt family get particularly difficult. Maybe I am just overly conditioned by the bleakness of past dementia dramas, but I craved a little more grit, some deeper pathos from this airy, amiable movie.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBecause this is a family-tragedy memoir based on a lesbian\u2019s graphic memoir, it is hard not to compare Tangles to Alison Bechdel\u2019s gorgeous, shattering Fun Home, which was adapted into a Tony-winning Broadway musical. Bechdel found achingly specific ways to capture the struggles she had with her father, and those he had with his sexuality. There\u2019s an offbeat and yet plainspoken poetry to Bechdel\u2019s depiction of how memories of life\u2019s quotidian detail can register just as potently as significant, course-altering events. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tTangles, on the other hand, stays more surface-level. It hits the appropriate notes \u2014 of grief, of devotion, of gratitude in the face of loss \u2014 but it all feels almost theoretical, as if we are presented with the idea of those emotions rather than the emotions themselves. The film has a whiff of the generic, despite being so closely based on Leavitt\u2019s actual experiences. The comedy, meanwhile, is amusing in a soft way, never quite laugh-out-loud funny but certainly never grating. It is not without its clich\u00e9, though, moments when the story could use a finer, more articulated texture.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tStill, there is ample value to be found in this earnest, good-natured film. Midge is voiced by <a href=\"https:\/\/www.hollywoodreporter.com\/t\/julia-louis-dreyfus\/\" id=\"auto-tag_julia-louis-dreyfus\" data-tag=\"julia-louis-dreyfus\" rel=\"nofollow noopener\" target=\"_blank\">Julia Louis-Dreyfus<\/a>, who has a real forte for voice acting (well, acting in general, really). She\u2019s terrific in the recent release <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/the-sheep-detectives-review-hugh-jackman-emma-thompson-1236574806\/\" rel=\"nofollow noopener\" target=\"_blank\">The Sheep Detectives<\/a>, and here endears us to Midge\u2019s spunk and intellect and warmth, making it all the harder to watch her slip away. <a href=\"https:\/\/www.hollywoodreporter.com\/t\/abbi-jacobson\/\" id=\"auto-tag_abbi-jacobson\" data-tag=\"abbi-jacobson\" rel=\"nofollow noopener\" target=\"_blank\">Abbi Jacobson<\/a> is lively and empathetic as Sarah, while <a href=\"https:\/\/www.hollywoodreporter.com\/t\/bryan-cranston\/\" id=\"auto-tag_bryan-cranston\" data-tag=\"bryan-cranston\" rel=\"nofollow noopener\" target=\"_blank\">Bryan Cranston<\/a> does his best dad work since Malcolm in the Middle. The production has attracted an impressive array of supporting talent, too: <a href=\"https:\/\/www.hollywoodreporter.com\/t\/seth-rogen\/\" id=\"auto-tag_seth-rogen\" data-tag=\"seth-rogen\" rel=\"nofollow noopener\" target=\"_blank\">Seth Rogen<\/a> (whose company co-produced the film), Sarah Silverman, Bowen Yang, Pamela Adlon, Beanie Feldstein, Wanda Sykes and Samira Wiley all lend their bright, distinctive voices to the film.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tNelson and her team have thoughtfully given motion to what were once static images; the film looks lovely, its black-and-white pictures alternately cozy and forlorn. The film serves as a nice reminder that animation need not always be of the gleaming, plastic-y Pixar or Illumination varietals. Tangles is more bespoke and individual, though its animation is significantly altered \u2014 in scale and detail and shading \u2014 from what is found in Leavitt\u2019s memoir. Perhaps that was the only way to make the film commercially viable, to place its visuals closer to what is commonly released in theaters. Still, Nelson has maintained at least some of the idiosyncratic spirit of Leavitt\u2019s work.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIt is hard to recommend a movie about Alzheimer\u2019s, something so sad and frightening to confront. But I would imagine that Tangles will prove cathartic to plenty of viewers who have lived through something similar, the film acting as a hand held out in support, comfort and understanding. Which is a perfectly worthy way for a film to exist, even if it does leave one wanting slightly bolder storytelling. I hope the movie finds the people who will be most receptive to its consoling kindness, those who perhaps don\u2019t need a Euro auteur\u2019s grand vision of what is, for so many, an everyday, entirely un-cinematic struggle.<\/p>\n","protected":false},"excerpt":{"rendered":"Dementia has been palpably rendered on film a number of times this century, in varying tones and cadences.&hellip;\n","protected":false},"author":2,"featured_media":427970,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[219378,122122,35493,194121,14400,219379,156,83986,409,111,139,69,10693],"class_list":["post-427969","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-abbi-jacobson","tag-bryan-cranston","tag-cannes","tag-cannes-2026","tag-cannes-film-festival","tag-cannes-film-festival-reviews","tag-entertainment","tag-julia-louis-dreyfus","tag-movies","tag-new-zealand","tag-newzealand","tag-nz","tag-seth-rogen"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/427969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=427969"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/427969\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/427970"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=427969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=427969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=427969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}