{"id":437879,"date":"2026-05-21T05:51:11","date_gmt":"2026-05-21T05:51:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/437879\/"},"modified":"2026-05-21T05:51:11","modified_gmt":"2026-05-21T05:51:11","slug":"ng-eng-teng-sculpture-exhibition-at-nus-museum","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/437879\/","title":{"rendered":"Ng Eng Teng sculpture exhibition at NUS Museum"},"content":{"rendered":"<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">No one teases out the jocularity of the human body quite like the late grandfather of Singapore sculpture Ng Eng Teng.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">Consider Ng\u2019s headless nude Torso-to-Face (1997), where the male pectorals are rendered as a bulbous pair of eyes, belly folds are warped into a corpulent nose and the male member is a lolling tongue flanked by an overgrown moustache.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">The humorous coloured pencil drawing is on show at the NUS Museum\u2019s new show The Evocative Head: Fragmentation As Language In Ng Eng Teng\u2019s Works, which opened to the public on May 19.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">Artgoers will recall Ng\u2019s more classical and stoic back-facing nude Jim (1992) in the <a href=\"https:\/\/www.straitstimes.com\/life\/arts\/no-photos-please-national-gallery-singapore-stages-first-r18-show-on-south-east-asian-erotic-art?ref=inline-article\" rel=\"noopener nofollow\" class=\"gap-x-04 items-center inline text-primary-60 select-auto\" aria-label=\"link\" target=\"_blank\" data-testid=\"custom-link\">National Gallery Singapore\u2019s first R18 show Passion Is Volcanic, Desire In Southeast Asian Art, <\/a>but the drawing in the NUS Museum is naughtier and funnier. Also, no one will stop you from snapping a photograph.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">As the NUS Museum prepares its long-term exhibition Ng Eng Teng: 1+1=1 for its first major revamp since it opened in 2016, visitors can consider this show a modest appetiser for the main course to come. Curated by trained sculptor Ling Jia Le, the exhibition proposes a way of looking at Ng through the lens of fragmentation and is aptly placed within the Archaeology Library housing pottery shards.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">And so there is Ng\u2019s giant burgundy head with a little bundle of clay plopping out playfully titled Red Ponytail (1994). There is also a possibly unusable 1962 pink teapot shaped like a head and with its elongated white tongue of a spout \u2013 on it balances what looks like a raspberry \u2013 emerging from pouty lips. Then there is Blue Violet (1973), a leaf with a face as if petrified by Medusa.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">It is a fruitful tour of what Ng has done to queer the human form, creating a vocabulary for bodily desire beyond its usual physical forms.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">There are surprises, too, from an undated campy portrait painting of a woman as a flame of the forest tree to a decorated plate with a photo-lithograph of a friend from Spain that the curator says harks back to Ng\u2019s training in industrial ceramics.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">If you have not yet seen the current iteration of the permanent exhibition, the time to make the trek to the National University of Singapore to see both shows is now.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">The current show will close by the end of 2026 at a yet-to-be-decided date. NUS Museum has a collection of over 1,200 of Ng\u2019s works, of which more than 300 are on display \u2013 so see it before the next rotation, which will be up in early 2027.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">Where: NUS Museum, 50 Kent Ridge Crescent  <br \/>MRT: Clementi\/Kent Ridge  <br \/>When: Till May 29, 2027; 10am to 6pm (Tuesdays to Saturdays)  <br \/>Admission: Free  <br \/>Info: <a href=\"https:\/\/museum.nus.edu.sg\/whats-on\/exhibition-the-evocative-head-fragmentation-as-language-in-ng-eng-tengs-works\/?ref=inline-article\" rel=\"noopener nofollow\" class=\"gap-x-04 items-center inline text-primary-60 select-auto\" aria-label=\"link\" target=\"_blank\" data-testid=\"custom-link\">str.sg\/ByCg<\/a><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/05\/8581c7657ff8e2325b4c77e7fd7b769f285229147cb97ed1ffe502292d57be58.webp\" alt=\"\" class=\"aspect-landscape flex items-start shrink-0 object-cover landscape article-landscape mobile:w-auto tablet:w-auto\" data-testid=\"image-test-id\" loading=\"lazy\"\/><\/p>\n<p class=\"font-eyebrow-baseline-regular text-secondary\" data-testid=\"inline-media-caption-test-id\">A Simple Space by Australian circus company Gravity &amp; Other Myths will showcase its no-frills, all-thrills acrobatics at Esplanade&#8217;s Flipside festival.<\/p>\n<p class=\"font-eyebrow-baseline-regular text-placeholder\" data-testid=\"inline-media-credit-test-id\">PHOTO: ANDY PHILLIPSON<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">Esplanade\u2019s annual playful arts festival is back from May 29 to June 7 and spans the whole gamut of fun from plain daft to downright absurd.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">Lovers of acrobatic stunts will want to catch A Simple Space by Australia\u2019s Gravity &amp; Other Myths from May 29 to 31. Since premiering at the Adelaide Fringe Festival in 2013, the thrilling circus company has taken its stripped-down circus of handstands and backflips to 34 countries. It is no frills, all thrills for kids (six and above) and adults.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">For the board-game lover, <a href=\"https:\/\/www.straitstimes.com\/life\/arts\/reading-fuels-imagination-for-theatre-practitioner-dwayne-laus-life-and-work?ref=inline-article\" rel=\"noopener nofollow\" class=\"gap-x-04 items-center inline text-primary-60 select-auto\" aria-label=\"link\" target=\"_blank\" data-testid=\"custom-link\">Singaporean actor Dwayne Lau<\/a> stages his first full-length work \u2013 a 90-minute storytelling, music and game show in Snakes And Ladders! (May 29 to 31) in which the audience rolls a die and tries to get Lau to 100.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">To satisfy your appetite for the destructive, go for Der Lauf (The Way Things Go), in which a juggler and his double compete in absurdist experiments while the audience keeps throwing balls and shouting at them. Der Lauf plays on June 6 and 7 and is performed by Belgian duo Guy Waerenburgh and Baptiste Bizien.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">There are also free programmes \u2013 four tap dancers come together as a \u201cvery serious\u201d orchestra in Chaos In Rhythm (May 29 to 31); theatremaker Miriam Cheong stages a trivia night (May 30 and 31); and theatre collective Patch And Punnet spit rhymes about Shakespeare (May 30 and 31).<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">If unadulterated spectacle is what you crave, multidisciplinary flow artist Lai Yee from Hong Kong will perform four mesmerising night shows of water spinning and fire dance (June 4 to 7).<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">Where: Various venues around Esplanade \u2013 Theatres on the Bay, 1 Esplanade Drive  <br \/>MRT: City Hall\/Esplanade  <br \/>When: May 29 to June 7, various timings  <br \/>Admission: Free and ticketed  <br \/>Info: <a href=\"https:\/\/www.esplanade.com\/whats-on\/festivals-and-series\/festivals\/2026\/flipside?ref=inline-article\" rel=\"noopener nofollow\" class=\"gap-x-04 items-center inline text-primary-60 select-auto\" aria-label=\"link\" target=\"_blank\" data-testid=\"custom-link\">str.sg\/Gnp5<\/a><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/05\/90a18c0c9eb5f55902c3f531df6fa38459348173b21df6297e22327c6c05dc89.webp\" alt=\"\" class=\"aspect-portrait flex items-start shrink-0 portrait article-portrait object-contain mobile:w-auto tablet:w-auto\" data-testid=\"image-test-id\" loading=\"lazy\"\/><\/p>\n<p class=\"font-eyebrow-baseline-regular text-secondary\" data-testid=\"inline-media-caption-test-id\">A new art exhibition by Michael Cu Fua held within contemporary dining and social space Wildcard explores the relationship between the studio and the kitchen.<\/p>\n<p class=\"font-eyebrow-baseline-regular text-placeholder\" data-testid=\"inline-media-credit-test-id\">PHOTO: WILDCARD<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">Can the kitchen be a kind of creative studio and the artist studio a place to cook up dishes? A new art exhibition by Michael Cu Fua held within contemporary dining and social space Wildcard says yes.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">They are not just metaphors \u2013 the exhibition features artworks created with pigments extracted from edible ingredients such as dragon fruit, blueberry, turmeric, butterfly pea flower, green tea and mint. Depending on how you look at them, Cu Fua\u2019s circular marks resemble sauce stains, lovely puree and even avant-garde plating.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">The artist says in a press statement: \u201cI\u2019m intrigued by how materials transform over time, and by the residues they leave behind. The same ingredient can exist in two forms: as nourishment and as a mark, as flavour and as memory.\u201d<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">The artworks are best appreciated, of course, mid-meal. Check out Wildcard\u2019s After Hours jazz evenings and Sunday Test Kitchen series, in which guest chefs concoct a special one-day-only menu.<\/p>\n<p class=\"font-body-baseline-regular text-primary\" data-testid=\"article-paragraph-annotation-test-id\">Where: Wildcard, 01-03 Furama RiverFront, 405 Havelock Road  <br \/>MRT: Havelock  <br \/>When: May 24 to July 24, 4 to midnight (Wednesdays to Fridays), 11am to midnight (weekends)  <br \/>Admission: Free, but the exhibition is presented within a restaurant space <br \/>Info: <a href=\"https:\/\/www.wildcardsg.com\/?ref=inline-article\" rel=\"noopener nofollow\" class=\"gap-x-04 items-center inline text-primary-60 select-auto\" aria-label=\"link\" target=\"_blank\" data-testid=\"custom-link\">wildcardsg.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"No one teases out the jocularity of the human body quite like the late grandfather of Singapore sculpture&hellip;\n","protected":false},"author":2,"featured_media":437880,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[442,498,499,500,501,156,111,139,69],"class_list":["post-437879","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-entertainment","tag-new-zealand","tag-newzealand","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/437879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=437879"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/437879\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/437880"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=437879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=437879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=437879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}