{"id":438745,"date":"2026-05-21T18:37:14","date_gmt":"2026-05-21T18:37:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/438745\/"},"modified":"2026-05-21T18:37:14","modified_gmt":"2026-05-21T18:37:14","slug":"roma-elastica-review-marion-cotillard-in-kitschy-psychodrama","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/438745\/","title":{"rendered":"&#8216;Roma Elastica&#8217; Review: Marion Cotillard in Kitschy Psychodrama"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tItalian giallo horror flicks, American slasher flicks, Andrzej Zulawski\u2019s Possession, Fellini\u2019s Satyricon and a film-within-a-film described as \u201cAntonioni meets Escape from N.Y.\u201d are some, but clearly not all, of the works referenced in French director Bertrand Mandico\u2019s delirious homage to cinema and the \u201980s, Roma Elastica.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tClearly destined for hardcore movie buffs and\/or lovers of extreme kitsch, this behind-the-scenes psychodrama stars <a href=\"https:\/\/www.hollywoodreporter.com\/t\/marion-cotillard\/\" id=\"auto-tag_marion-cotillard\" data-tag=\"marion-cotillard\" rel=\"nofollow noopener\" target=\"_blank\">Marion Cotillard<\/a> as a deathly ill scream queen who arrives in Rome in 1982 to shoot a sci-fi movie with artsy pretentions, only to learn that stranger things are happening off-camera and perhaps in her own mind.<\/p>\n<p>\t\t\t\t\tRoma Elastica\t\t<\/p>\n<p>\n\t\t\t\t\tThe Bottom Line<\/p>\n<p>\tNostalgic kitsch for movie cultists.<\/p>\n<p>\t\t\t\t\t\t\tVenue: Cannes Film Festival (Midnight Screenings)<br \/>Cast: Marion Cotillard, No\u00e9mie Merlant, Martina Scrinzi, Agnese Claisse, Isabella Ferrari, Maurizio Lombardi, Ornella Muti, Franco Nero<br \/>Director, screenwriter: Bertrand Mandico<br \/>\n\t\t\t\t\t\t\t\t1 hour 47 minutes\n\t\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSplattered in blood, dusted in coke, spewing vomit, and, in one standout scene, growing a second head out of the back of her own, Cotillard carries a film that\u2019s a take-it-or-leave-it proposition: Either you thrive in its excesses and cinematic references, or, like this critic, eventually grow weary of a guilty pleasure without much substance.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAfter making a slew of shorts and videos, Mandico burst onto the cult scene in 2017 with his transgressive teenage fantasy flick, The Wild Boys. He followed that up with a pair of fever dream features (After Blue (Dirty Paradise), She Is Conann) that revealed hints of Lynch, Cronenberg, Guy Maddin and other boundary-pushing directors.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tRoma Elastica is very much Mandico\u2019s 8 \u00bd, reveling in the highs and lows of filmmaking, particularly for the kinds of B-movies that have inspired some of his work. Cotillard plays Eddie, a screen diva who we first encounter on a schlocky horror shoot in the U.S., where she stabs an old pervert to death and delivers a monologue that blows everyone on set away.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe sequence is deliberately over-the-top, but that\u2019s very much Mandico\u2019s style: everything is outr\u00e9 \u2014 sometimes gorgeously so \u2014 from the sets (courtesy of Toma Baqueni) and costumes (Pauline Jacquard) to a scenario that\u2019s mostly a pretext for indulging in \u201880s-era nostalgia of the trashier kind.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAfter a fatal doctor\u2019s visit reveals that Eddie has terminal brain cancer, she decides to go ahead with her next, and probably last, starring role, arriving in Rome with her makeup artist-bodyguard-confidant, Valentina (No\u00e9mie Merlant, <a data-id=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/portrait-a-lady-fire-review-1212091\/\" data-type=\"link\" href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/portrait-a-lady-fire-review-1212091\/\" rel=\"nofollow noopener\" target=\"_blank\">Portrait of a Lady on Fire<\/a>). The two are accosted by paparazzi and lots of self-important Italians at the airport, which, like most of the movie\u2019s locations, resembles a Cinecitta set made by people who\u2019ve been experimenting with way too many hard drugs.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIndeed, Eddie soon finds herself holed up in a dilapidated Roman apartment that looks like a squat for filthy rich heroin addicts \u2014 a fact confirmed when she meets her neighbors, who are employed on her movie as special effects artists (a reference is made to the great Carlo Rambaldi, who won Oscars for his work on Alien and E.T.). Soon enough, they\u2019re all having a drug-fueled orgy that includes the famous octopus creature from Possession, leaving Eddie in an even worse state than when she arrived.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAfter appearing on a zany Italian talk show in which the live audience wear distorted ape masks, Eddie finally makes it to set to play Rowina, \u201cthe rock star of the art world\u201d in a futuristic Rome circa 2026. A few nods to our troubled times (including President Donald Trump) are made in that movie-within-a-movie, though it\u2019s hard to understand much of what\u2019s happening beyond the crazy vibe, which Mandico captures in high-contrast black-and-white, employing superimpositions and other classic effects.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tRoma Elastica works better when it centers on Eddie\u2019s frenzied state and fading health, whether mental or physical. Hidden behind aviator glasses whenever she\u2019s off set and sporting creepy contact lenses whenever Eddie steps in front of the camera, Cotillard is the perfect vehicle for Mandico\u2019s twisted look at the agony and ecstasy of stardom \u2014 or rather, cultish stardom of the Z-grade variety. Actresses-losing-their-shit flicks like Opening Night and Sunset Boulevard come to mind at times, although this film is less invested in psychology than in both psychodrama and psychedelics.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThat can be fun for a stretch, but the non-stop antics become exhausting for anyone searching for something deeper, or perhaps tamer. Mandico makes no concessions with his latest feature, which will probably please his loyal fan base more than anyone else. Like his heroine, who claims she dies in every film she stars in, the director takes his cinema to the limit here, going out in a blaze of glory and gore.<\/p>\n","protected":false},"excerpt":{"rendered":"Italian giallo horror flicks, American slasher flicks, Andrzej Zulawski\u2019s Possession, Fellini\u2019s Satyricon and a film-within-a-film described as \u201cAntonioni&hellip;\n","protected":false},"author":2,"featured_media":438746,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[194121,14400,156,53855,409,111,139,224276,69],"class_list":["post-438745","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-cannes-2026","tag-cannes-film-festival","tag-entertainment","tag-marion-cotillard","tag-movies","tag-new-zealand","tag-newzealand","tag-noemie-merlant","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/438745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=438745"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/438745\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/438746"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=438745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=438745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=438745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}