{"id":469441,"date":"2026-06-10T02:33:12","date_gmt":"2026-06-10T02:33:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/469441\/"},"modified":"2026-06-10T02:33:12","modified_gmt":"2026-06-10T02:33:12","slug":"breathing-two-billion-year-old-air-monas-hard-core-is-an-artistic-journey-through-deep-time","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/469441\/","title":{"rendered":"Breathing two-billion-year old air: MONA\u2019s Hard Core is an artistic journey through deep time"},"content":{"rendered":"

The structure of the Museum of Old and New Art (MONA) is cut directly into Hobart\u2019s Berriedale Peninsula \u2013 walls carved from<\/a> roughly 250-million-year-old sandstone that formed when Tasmania was still part of the supercontinent Gondwana.<\/p>\n

It\u2019s the perfect setting for Berlin-based French-Swiss artist Julian Charri\u00e8re\u2019s latest exhibit, Hard Core<\/a>. This is not just an exhibition about rocks. It is about how we humans fit into deep time, and how we dig up, reshape and use rocks that took millions of years to form. <\/p>\n

Viewed through an earth scientist\u2019s eyes, Charri\u00e8re\u2019s<\/a> sprawling exhibition feels like an abstract field trip, moving between ancient rocks, glacial boulders, volcanic products, and the materials that underpin modern life. <\/p>\n

\"Portrait<\/p>\n

Portrait of Julian Charri\u00e8re.
\n Museum of Old and New Art\/flickr<\/a>, CC BY<\/a><\/p>\n

Humans as a geological force<\/p>\n

Many of Charri\u00e8re\u2019s works explore a simple but powerful idea: the things we consume are bound to deep time. The rocks, minerals and metals underpinning modern life took thousands to millions of years to form, yet we extract them in an instant.<\/p>\n

The first work is Not All Who Wander Are Lost<\/a> (2019). It shows four glacial erratics<\/a>: boulders carried by glacial ice and deposited far away from where they formed. The name derives from the latin errare, which means \u201cto wander\u201d.<\/p>\n

The boulders, roughly waist to chest high, were all collected from the same Swiss valley (though each one began its journey from a different source).<\/p>\n

\"Large<\/p>\n

Not All Who Wander Are Lost is a 2019 work made of four \u2018glacial erratics\u2019.
\n Museum of Old and New Art\/flickr<\/a>, CC BY<\/a><\/p>\n

The erratic rocks sit atop a row of \u201cdrill cores\u201d, long cylinders of rock usually extracted from deep underground. Like flipping through the pages of a book, scientists can study drill cores to get clues into the Earth\u2019s history and resources.<\/p>\n

Charri\u00e8re has broken the cylinders and repaired them with metals such as brass, aluminium and stainless steel \u2014 materials that come from rocks themselves. <\/p>\n

The contrast is uncomfortable. While geological processes moved these rocks over thousands of years, humans now shift them across the world, cut into them and remake them into modern materials. <\/p>\n

This work isn\u2019t simply about glaciation<\/a> or mining; it\u2019s about humanity\u2019s growing role as a geological force. <\/p>\n

Breathing two-billion-year-old air<\/p>\n

Charri\u00e8re\u2019s fascination with the natural world is clearest in Breathe<\/a> (2026), a permanent installation that opened with Hard Core. It draws on the ancient rocks of the Pilbara in Western Australia, home to some of the world\u2019s largest banded iron formations<\/a>. <\/p>\n

These began forming around 2.4 billion years ago during the Great Oxidation Event<\/a>, when photosynthesising microbes began releasing oxygen into Earth\u2019s oceans and atmosphere<\/a>. Without this oxygen, complex life, including humans, may have never evolved. <\/p>\n

Charri\u00e8re describes Breathe as a kind of time machine. A reactor and electrolyser (developed with scientists) releases oxygen locked in the rocks into a circular chamber visitors enter one at a time.<\/p>\n

\"Artist<\/p>\n

Julian Charri\u00e8re beside the Hofmann apparatus in Breathe (2026), which releases oxygen extracted from ancient rocks.
\n Museum of Old and New Art\/flickr<\/a>, CC BY<\/a><\/p>\n

For a brief moment, they are the only person on Earth breathing air that has been trapped in rock for more than two billion years. Geological history usually feels remote, but Breathe removes that distance. <\/p>\n

Inside the volcano<\/p>\n

As a volcanologist, I was drawn to a cavernous space Charri\u00e8re described as the \u201ccore\u201d of his Hard Core exhibition. Surrounded by mirrored walls, this space rumbles, vibrates and flashes with light, creating an unsettling sensation of standing inside a volcano. <\/p>\n

The space brings together several separate but interconnected works. <\/p>\n

A Stone Dream of You (2024) features sculptures made from real volcanic lava bombs (lumps of molten rock flung from a volcano) and polished obsidian spheres (volcanic glass), while Thickens, pools, flows, rushes, slows (2020) is a striking sculpture made from shards of obsidian.<\/p>\n

\"Installation<\/p>\n

The \u2018core\u2019 of the ehxibit is a cavernous mirrored room, featuring sculptural works alongside an immersive sound installation.
\n Museum of Old and New Art\/flickr<\/a>, CC BY<\/a><\/p>\n

Both of these sit alongside Stone Speakers, a 4D sound installation playing recordings from five different active volcanoes around the world. Though distinct, the works are arranged together to create the atmosphere of a volcanic caldera<\/a>.<\/p>\n

Visitors can lie down and feel the seismic data resonating through the floor and their body \u2014 Earth\u2019s restless pulse made physical.<\/p>\n

A few other pieces kept me thinking after I left. In Atlas (2025), a Precambrian<\/a> stromatolite<\/a> is slowly polished into a sphere by rotating grinders. It was mesmerising, though I felt uneasy watching such an ancient object wear away. <\/p>\n

\"Ancient<\/p>\n

Atlas is a kinetic work in which an ancient stromatolite fossil is slowly ground into a sphere.
\n Museum of Old and New Art\/flickr<\/a>, CC BY<\/a><\/p>\n

Another work, Soothsayer (2021), is a large lump of coal held at eye level, in a steel scaffold, with a cavity that\u2019s big enough for a human head. Visitors are invited to stick their head in and breathe the air. <\/p>\n

This piece flips the idea of burying your head in the sand. It asks you to sit for a moment with the coal\u2019s deep past, and the fossilised life it\u2019s made from. <\/p>\n

\"Large<\/p>\n

In Soothsayer, visitors can stick their head into a large, hollowed out piece of coal.
\n Museum of Old and New Art\/flickr<\/a>, CC BY<\/a><\/p>\n

Rocks as storytellers<\/p>\n

Hard Core reminded me why I became a geologist. I love telling the stories of the extraordinary journeys rocks have been on \u2013 fragments of Earth\u2019s deep history preserved beneath our feet. <\/p>\n

Charri\u00e8re goes one step further with this exhibition. His work highlights how humans are now part of those stories. We aren\u2019t separate from the geological world, but are actively reshaping it. <\/p>\n

Charri\u00e8re invites us to see rocks differently: not as scenery, resources, or museum objects, but as storytellers carrying the history of the planet, and increasingly, our own. <\/p>\n

Hard Core is showing at MONA until March 29, 2027.<\/p>\n","protected":false},"excerpt":{"rendered":"The structure of the Museum of Old and New Art (MONA) is cut directly into Hobart\u2019s Berriedale Peninsula…\n","protected":false},"author":2,"featured_media":469442,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[442,498,499,500,501,156,111,139,69],"class_list":["post-469441","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-entertainment","tag-new-zealand","tag-newzealand","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/469441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=469441"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/469441\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/469442"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=469441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=469441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=469441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}