{"id":503795,"date":"2026-07-01T03:06:10","date_gmt":"2026-07-01T03:06:10","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/503795\/"},"modified":"2026-07-01T03:06:10","modified_gmt":"2026-07-01T03:06:10","slug":"noir-generator-dctl-for-davinci-resolve","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/503795\/","title":{"rendered":"NOIR Generator DCTL for DaVinci Resolve"},"content":{"rendered":"

The NOIR Generator DCTL for DaVinci Resolve<\/a>, which was made by colorist Sven Hegen, has been updated. The DCTL is a versatile, free tool used for generating video patterns that help with color grading and signal testing.<\/p>\n

\"Screenshot<\/p>\n

This utility DCTL provides a collection of patterns that are not only useful for testing purposes. Besides the classic ramps, you get patches for 0%, 18% grey, 50% grey, and 100% white. The Cube patch is able to create every color possible in the current working color space and can be used for stress testing LUTs as well as other color grades in combination with the vectorscope. A really useful test pattern for analysing spatial effects in your color grade is the Frequency Ramp that generates low, mid, and high frequency detail.<\/p>\n

While some of the patterns are already available with Resolve\u2019s native generator tools, this DCTL allows you to place them anywhere in the node tree and also comes with a few additional patches like the\u00a0Hue Ramp\u00a0and the\u00a0Vector Boundaries. All the patches also adapt to the timeline resolution, so you will always see the full patch without letterboxing or cropping.<\/p>\n

New Updates & Features<\/p>\n

Pattern Improvements<\/p>\n

The\u00a0Four-color Gradient\u00a0and\u00a0Vector Boundaries\u00a0(which now correctly show 50% intensity) both gain support for the\u00a0stepped ramp mode.Ramp and Exposure Patches:\u00a0This feature received a major overhaul, now displaying multiple patches simultaneously for various intensities (e.g., 18% mid-gray, 100% white, up to 10,000 nits) to help with curve anchoring and exposure reference.Color Exposure Patches:\u00a0A brand-new pattern based on primary colors, useful for evaluating how a Display Rendering Transform (DRT) handles saturated colors at different brightness levels.<\/p>\n

Adjustments & New Patterns<\/p>\n

The\u00a0Frequency Ramp\u00a0now defaults to five rows instead of eight.Hue Ramp\u00a0now features a horizontal rotation slider and improved pre-post gamma functionality.Hue Borders:\u00a0A new pattern split into three saturation levels to help visualize edge cases in color spaces.Elizabeth:\u00a0A composite patch combining grayscale, skin tones, and primary color ramps for testing LUT behavior on skin.Checkerboard:\u00a0A new tool for testing spatial effects like grain and blur.<\/p>\n

Workflow Enhancements:\u00a0The \u201cShow on Top\u201d feature now allows users to overlay these patterns onto their actual footage for easier analysis.<\/p>\n

\"Image<\/p>\n


\n By Matthew Allard ACS
\n <\/a><\/p>\n

Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with over 35 years’ of experience working in more than 50 countries around the world.<\/p>\n

He is the Editor of Newsshooter.com and has been writing on the site since 2010.<\/p>\n

Matthew has won 51 ACS Awards, including six prestigious Golden Tripods. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards.<\/p>\n

Matthew is available to hire as a DP in Japan or for work anywhere else in the world.<\/p>\n

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