{"id":623287,"date":"2026-10-07T12:32:13","date_gmt":"2026-10-07T12:32:13","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/623287\/"},"modified":"2026-10-07T12:32:13","modified_gmt":"2026-10-07T12:32:13","slug":"rivalry-is-our-last-name-chicago-and-detroit-battle-on-the-dancefloor","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/623287\/","title":{"rendered":"\u2018Rivalry is our last name:\u2019 Chicago and Detroit battle on the dancefloor"},"content":{"rendered":"

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\n WBEZ\u2019s Curious City answers questions from listeners about Chicago and the region. We include the public in our storytelling, making journalism more transparent and interconnected.\n <\/p>\n

Memorial Day weekend 2000: Bill Clinton was in his second presidential term, the Sony Playstation II had just been released and Eminem had just dropped the fastest-selling rap album of all time. But that weekend, Detroit experienced another pivotal moment in music history: the inaugural Detroit Electronic Music Festival.<\/p>\n

Chris Gerben fondly remembers working at that first festival. The music was \u201ca soundtrack of early adolescence.\u201d He went to underground raves in Detroit and nearby Windsor, Ontario.<\/p>\n

Almost a million techno heads from across the world converged on Hart Plaza for the free, three-day event, which was the first of its kind in the Midwest.<\/p>\n

DJs of Chicago house and Detroit techno alike say DEMF was a major sign that their homegrown, fast-paced dance music had taken the world by storm.<\/p>\n

For the last eight years, Gerben has been living in Chicago, where he\u2019s gotten to appreciate how important house music was in shaping electronic dance music too.<\/p>\n

This got him wondering about the parallel origins of Detroit techno and Chicago house. Is there a rivalry between the two?<\/p>\n

By the 1990s, both musical genres became the soundtrack to each city\u2019s signature footwork dance style, important to the culture in Chicago and Detroit. At the very least, there was a perceived rivalry in the music and the dance, and it all started with a death.<\/p>\n

Disco dies in Chicago<\/p>\n

In 1979, after Game 1 of a doubleheader between the Chicago White Sox and the Detroit Tigers at Chicago\u2019s Comiskey Park, the Sox hosted a \u201cDisco Demolition<\/a>\u201d event. Local DJ Steve Dahl detonated a crate of disco records in center field. Fans rushed onto the field and the night ended in a riot. Disco was declared dead.<\/p>\n

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\"Police<\/p>\n

POLICE SWEEP THE FIELD WHILE A FIRE BURNS IN CENTER FIELD. THIS WAS THE SCENE AT DISCO DEMOLITION NIGHT AT COMISKEY PARK IN 1979.<\/p>\n

Jack Lenahan\/Chicago Sun-Times<\/p>\n

But out of the ashes, DJs created something new. In Detroit, it was techno; in Chicago, it was house.<\/p>\n

The late Frankie Knuckles is considered \u201cthe godfather\u201d of Chicago house music, an upbeat, soulful blend of electronic drum machine beats and lyrical disco samples. He was instrumental in developing and popularizing this new sound in the late 1970s at the Warehouse Club<\/a>, a prominent dance venue where DJs remixed disco, funk and post-punk music into long, continuous tracks. At the time, it was just called \u201cdance music.\u201d<\/p>\n

\u201cWhen we found electronic instruments like the rolling drum machines and the sonic samplers \u2026 all of those tools allowed us to continue and to expand our creativity,\u201d said Chicago House DJ Chip Eberhart, known as \u201cChip E.\u201d<\/p>\n

Unlike Disco, it wasn\u2019t played on the radio. People mainly heard it during DJ sets at the Warehouse, which some people called \u201cthe House.\u201d Some say this shorthand is where the genre\u2019s name originated.<\/p>\n

The DJs who recorded their sets sold them at shops, like Imports Etc. in Chicago\u2019s Printers Row, where a young Chip E. happened to work.<\/p>\n

\u201cWe found that if we put a sign next to a record that said \u2018As Heard at the House,\u2019 people would instantly flock to that section,\u201d he said. \u201cSo I decided I\u2019m gonna use that term.\u201d<\/p>\n

Chip E. said he and his crew \u2014 Kurt Landrum, Joe Smooth and Eric \u201cE.T.\u201d Taylor \u2014 were intentional about branding the genre. He said they created the first house music EP, \u201cJack Trax,\u201d and a song on that record was called simply \u201cIt\u2019s House.\u201d<\/p>\n

\u201cI made that specifically because I want to tell people this is something new, and I wanted it to be highly memorable,\u201d he said.<\/p>\n

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\"Chip<\/p>\n

Chicago DJ Chip E. playing at the Chicago Track Studio, 1986<\/p>\n

Courtesy of Chip Eberhart<\/p>\n

\u201cTechno! The New Dance Sound of Detroit\u201d<\/p>\n

At the same time, another disco derivative was born in metro Detroit. Techno was a futuristic, machine-driven blend of synthesizer pop, funk and disco with few lyrics, if any.<\/p>\n

In the 1970s, DJs Juan Atkins, Kevin Saunderson and Derek May met in Belleville, roughly 30 miles west of Detroit. They formed a group called the Belleville Three and created some of the first techno tracks, including Juan Atkins\u2019 pioneering single \u201cNo UFOs.\u201d<\/p>\n

At the time, techno was often referred to as \u201cprogressive music\u201d and \u201cDetroit house.\u201d People mainly listened to it at clubs, warehouse raves and underground parties.<\/p>\n

Charles \u201cThe Electrifying Mojo\u201d Johnson brought this new sound to Detroit radio waves on his show \u201cThe Midnight Funk Association.\u201d He and local DJ Jeff \u201cThe Wizard\u201d Mills were instrumental in creating a community around it.<\/p>\n

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\"Techno-6-Norman-Anderson-still-scaled.jpg\"<\/p>\n

From left to right, back to front: Derrick May, Kevin Saunderson, Blake Baxter, Eddie Fowlkes, Juan Atkins and Santonio Echols.<\/p>\n

In 1988, British record collector Neil Rushton released the compilation \u201cTechno! The New Dance Sound of Detroit,\u201d officially stamping a label on the genre.<\/p>\n

Many have tried to pit house and techno against each other. But Chip E. said it wasn\u2019t a rivalry.<\/p>\n

\u201cIt was really more of a love fest: We loved what they did, they loved what we did,\u201d he said. \u201cWe weren\u2019t competing so that we would be the best. We were really competing for the dance floor. We were competing to make people move their bodies.\u201d<\/p>\n

There is no rivalry between the DJs, but the dance floor is a different story.<\/p>\n

Chicago footwork vs. Detroit jit<\/p>\n

House and techno became a soundtrack for Chicago footwork and Detroit jit. Both styles focus on energetic lower-body dance moves, along with arm and upper-body techniques. Creativity is key: Dancers incorporate other street dances, like ticking and hip-rolling. Chicago footwork features lightning-fast kicks, steps and turns. Detroit jit incorporates that rapid footwork, plus acrobatics and floor work, similar to breakdancing.<\/p>\n

Detroit jit began in the 1970s, where four early dance groups shaped it. The Jitterbugs (not associated with swing dance) helped coin the dance name, and they contributed basic steps and acrobatic moves. A street gang called the Errol Flynns popularized hand moves that became known as flagging. The Funketeers from the nearby town of Inkster helped integrate popping and locking. And the most influential group, the Mad Dancers, standardized the dance form and ushered it into its current era of dynamic, fast-paced moves.<\/p>\n

In 1980s Chicago, South Side house music dance crews, like House-O-Matic, were inspired by innovative moves from the West Side. Elvis \u201cBo Dollar\u201d Chatman developed a move called the \u201cHoly Ghost\u201d that featured jerky body movements reminiscent of zealous worshippers in church. House-O-Matic created its own version by adding side-to-side movements. In the 1990s, RP Boo developed music that accompanied footwork battles.<\/p>\n

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\"FOOTWORKMONTH-072525-1.jpg\"<\/p>\n

From left: Yentl Grigler, 10, Deonte Haywood, 13, Brandon Thomas, 20, and Coreion Lee, 13, perform footwork at the Cook County Building in Chicago\u2019s Loop, where officials declared August as Footworking Appreciation Month, on July 24, 2025. <\/p>\n

Pat Nabong\/Chicago Sun-Times<\/p>\n

\u201cThe beef goes back and forth,\u201d said Detroit Jit master Lamar Bryant, known as King L1.<\/p>\n

Today, an organized dance competition is where you\u2019ll see the rivalry play out. But if there is a winner in all of this, it\u2019s Chicago footwork \u2014 at least when it comes to brand recognition.<\/p>\n

Chicago dance heavyweights like Leyda \u201cLady Sol\u201d Garcia helped put this homegrown creation on the global stage. In 2007, Chicago footwork was featured in Dude \u2019n Nem\u2019s music video \u201cWatch My Feet.<\/a>\u201d The same year, the Chicago crew FootworKINGz performed internationally on Madonna\u2019s Sticky & Sweet Tour and appeared on network television, including \u201cThe Ellen Degeneres Show.\u201d Masters like Charles Lee Parks IV, known as King Charles, taught footwork to Chicago youth. His current organization, Creation Global, is a Chicago footwork dance crew with more than 100 members worldwide.<\/p>\n

Although it was created first, Detroit Jit doesn\u2019t have the same brand recognition. Jit master Mike Manson says it took Detroit dancers a little longer to strategize and get the word out.<\/p>\n

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\"Mike<\/p>\n

Detroit jit master \u201cMike Manson Datbdancin\u201d performs at Jacob\u2019s Pillow International Dance Festival in Becket, Mass.<\/p>\n

\u201cI made the conscious choice to dedicate myself to put Detroit jit on,\u201d Manson said. \u201cThe reason why Chicago is important to me and King Charles is important to me because \u2026 I saw it was possible.\u201d<\/p>\n

Manson and other legendary jitters took a page out of the Chicago playbook. They entered national competitions, booked television appearances and opened schools to teach the next generation of jitters. The danceform has since been featured on \u201cAmerica\u2019s Got Talent\u201d and other shows.<\/p>\n

Chicago and Detroit still battle on the dancefloor. The rivalry continues, and so does the culture.<\/p>\n

Curious Midwest is a limited series collaboration with Curious City, Bubbler Talk<\/a> at WUWM in Milwaukee and CuriosiD<\/a> at WDET in Detroit. It answers listener questions about the connections between the three cities.<\/p>\n","protected":false},"excerpt":{"rendered":"WBEZ\u2019s Curious City answers questions from listeners about Chicago and the region. We include the public in our…\n","protected":false},"author":2,"featured_media":623288,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[156,157,111,139,69],"class_list":["post-623287","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-music","tag-new-zealand","tag-newzealand","tag-nz"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/623287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=623287"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/623287\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/623288"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=623287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=623287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=623287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}