{"id":628547,"date":"2026-10-12T18:42:12","date_gmt":"2026-10-12T18:42:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/628547\/"},"modified":"2026-10-12T18:42:12","modified_gmt":"2026-10-12T18:42:12","slug":"fondazione-querini-stampalia-in-venice-the-history-of-the-museum-from-carlo-scarpa-to-mario-botta","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/628547\/","title":{"rendered":"Fondazione Querini Stampalia in Venice: the history of the museum from Carlo Scarpa to Mario Botta"},"content":{"rendered":"

<\/p>\n

A distinguished art historian, she has directed the Foundation since September 2024 and came to Venice<\/a> with a CV few in Italy can rival. Appointed to head MAN in Nuoro at just 27, she later directed the National Gallery of Modern and Contemporary Art in Rome and MART in Trento and Rovereto, curated more than 200 exhibitions and served on international juries, including that of the Venice Biennale.<\/p>\n

She has done it all with a strong sense of public service and, above all, a disarming smile.\u00a0Her first move was to define what the Foundation refuses to be. Not just a museum, not just a library, not just a home. She calls it a \u201cspace of complex coexistence\u201d, where different languages produce unexpected encounters.\u00a0<\/p>\n

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