{"id":632157,"date":"2026-10-16T06:52:12","date_gmt":"2026-10-16T06:52:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/nz\/632157\/"},"modified":"2026-10-16T06:52:12","modified_gmt":"2026-10-16T06:52:12","slug":"objects-with-narratives-presents-design-that-looks-found-rather-than-fabricated","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/nz\/632157\/","title":{"rendered":"Objects with Narratives presents design that looks &#8220;found rather than fabricated&#8221;"},"content":{"rendered":"<p>Belgian gallery <a href=\"https:\/\/www.dezeen.com\/tag\/objects-with-narratives\/\" rel=\"nofollow noopener\" target=\"_blank\">Objects with Narratives<\/a> has curated a texture-heavy <a href=\"https:\/\/www.dezeen.com\/tag\/exhibitions-tag\/\" rel=\"nofollow noopener\" target=\"_blank\">exhibition<\/a> at PAD London called What Remains?, featuring pieces from <a href=\"https:\/\/www.dezeen.com\/tag\/ben-storms\/\" rel=\"nofollow noopener\" target=\"_blank\">Ben Storms<\/a> and <a href=\"https:\/\/www.dezeen.com\/tag\/paul-cocksedge\/\" rel=\"nofollow noopener\" target=\"_blank\">Paul Cocksedge<\/a>.<\/p>\n<p>What Remains? marks the second show that Brussels platform <a href=\"https:\/\/objectswithnarratives.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Objects with Narratives<\/a> has presented at design fair <a href=\"https:\/\/www.dezeen.com\/eventsguide\/2026\/10\/pad-london-2026\/\" rel=\"nofollow noopener\" target=\"_blank\">PAD London<\/a>, which takes place annually in Mayfair&#8217;s Berkley Square.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2374210 size-full\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/10\/pad-london-objects-with-narratives-collectible-design-show_dezeen_2364_col_21-852x1277.jpg\" alt=\"What Remains? at PAD London\" width=\"1577\" height=\"2364\"   loading=\"lazy\"\/>Objects with Narratives has curated a PAD London exhibition called What Remains?<\/p>\n<p>The emerging Brussels gallery&#8217;s exhibition brings together a series of textured pieces united by amorphous shapes and patinated surfaces.<\/p>\n<p>&#8220;Every piece was crafted in the present, yet many carry a sense of the past, as though found rather than fabricated,&#8221; said Objects with Narratives.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2374211 size-full\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/10\/pad-london-objects-with-narratives-collectible-design-show_dezeen_2364_col_20-852x568.jpg\" alt=\"Collectible design at PAD London\" width=\"2364\" height=\"1577\"   loading=\"lazy\"\/>The show features pieces by Ben Storms and Paul Cocksedge<\/p>\n<p>Among the exhibitors is Belgian designer <a href=\"https:\/\/www.benstorms.be\/\" rel=\"nofollow noopener\" target=\"_blank\">Ben Storms<\/a>, who is known for his <a href=\"https:\/\/www.dezeen.com\/2018\/03\/18\/ben-storms\/\" rel=\"nofollow noopener\" target=\"_blank\">rough-hewn furniture that looks like jumbo pillows<\/a>. Storms is presenting his most recent design, a cushion-like coffee table called Ex Hale, crafted from veiny red Mexican onyx decorated with mosaic veneer.<\/p>\n<p>To create the piece, the designer used a hydroforming technique to blow up two pieces of metal sheet that were welded together and 3D-scanned to form a cushion shape.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2374213 size-full\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/10\/pad-london-objects-with-narratives-collectible-design-show_dezeen_2364_col_12-852x1277.jpg\" alt=\"Gleaming crimson credenza\" width=\"1577\" height=\"2364\"   loading=\"lazy\"\/>Sofie Middernacht is showing gleaming crimson furniture<\/p>\n<p>After this, Storms used a CNC machine to mill the same shape from a block of stone.<\/p>\n<p>&#8220;Ex Hale plays with our common notions of materiality,&#8221; said the gallery. &#8220;The hard stone looks soft instead, an impression that is further enhanced by the delicate surface treatment.&#8221;<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2374214 size-full\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/10\/pad-london-objects-with-narratives-collectible-design-show_dezeen_2364_col_30-852x1277.jpg\" alt=\"Glazed vessel by Jojo Corv\u00e4i\u00e1\" width=\"1577\" height=\"2364\"   loading=\"lazy\"\/>Also on display are Jojo Corv\u00e4i\u00e1&#8217;s glazed vessels crafted from volcanic clay<\/p>\n<p>Also on display is Critical Mass, a handmade Corten steel standing shelf by British designer <a href=\"https:\/\/www.paulcocksedgestudio.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Paul Cocksedge<\/a>.<\/p>\n<p>A trio of metal components were arranged to support three metal shelves, forming a piece that looks familiar to <a href=\"https:\/\/www.dezeen.com\/2025\/09\/12\/what-nelson-sees-paul-cocksedge-london-design-festival\/\" rel=\"nofollow noopener\" target=\"_blank\">What Nelson Sees<\/a>, a weathering steel installation by Cocksedge that was placed in Trafalgar Square for last year&#8217;s London Design Festival.<\/p>\n<p>&#8220;The Critical Mass series holds an energy, something on the edge of collapse or explosion,&#8221; said Objects with Narratives.<\/p>\n<p>\t\t\t\t\t\t<a href=\"https:\/\/www.dezeen.com\/2026\/10\/14\/armadillo-furniture-reused-shingles-friendly-monsters\/\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t<img decoding=\"async\" width=\"191\" height=\"191\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/10\/Lukas-Wegwerth-Corinna-Dehn-companions_dezeen_2364_col_sq1-191x191.jpg\" class=\"excludeLightbox wp-post-image\" alt=\"Companions shingled furniture\" data-pin-nopin=\"true\"   loading=\"lazy\"\/><\/p>\n<p> Armadillo furniture is clad in reused shingles to resemble &#8220;friendly monsters&#8221;\n\t\t\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t<\/a><\/p>\n<p>Belgian designer <a href=\"https:\/\/sofiemiddernacht.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Sofie Middernacht<\/a> is showing a steel credenza, bench and duo of stools clad in gleaming crimson resin.<\/p>\n<p>Middernacht works with discarded industrial materials to create her furniture, which is purposefully formed like archaeological artefacts.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2374215 size-full\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/10\/pad-london-objects-with-narratives-collectible-design-show_dezeen_2364_col_22-852x1277.jpg\" alt=\"What Remains? at PAD London\" width=\"1577\" height=\"2364\"   loading=\"lazy\"\/>Patchwork copper lighting by Karl Monies is included in the show<\/p>\n<p>Venezuelan artist <a href=\"https:\/\/jojocorvaia.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Jojo Corv\u00e4i\u00e1<\/a> is presenting a trio of glazed vessels crafted from volcanic clay, a material central to his practice.<\/p>\n<p>A host of other materials feature in the show, from shaggy mohair and wool lamps by Belgian practice <a href=\"https:\/\/www.krjststudio.com\/?utm_source=ig&amp;utm_medium=social&amp;utm_content=link_in_bio&amp;fbclid=PAZXh0bgNhZW0CMTEAcGRvZgJzcnRjBmFwcF9pZA85MzY2MTk3NDMzOTI0NTkAAadb4vPE_C0S_9GfHl-YR1Jo8vh427NuU_hZa21IQmyvC0DY90ic1gDCr0KLgA_aem_FQIclcxCrKnIelOmprYRGQ\" rel=\"nofollow noopener\" target=\"_blank\">KRJST Studio<\/a> to lighting by Danish designer <a href=\"https:\/\/www.instagram.com\/karl_monies\/?hl=en\" rel=\"nofollow noopener\" target=\"_blank\">Karl Monies<\/a> formed from patchwork slabs of copper.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2374216 size-full\" src=\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/10\/pad-london-objects-with-narratives-collectible-design-show_dezeen_2364_col_13-852x568.jpg\" alt=\"PAD London\" width=\"2364\" height=\"1577\"   loading=\"lazy\"\/>What Remains? runs until 18 October<\/p>\n<p>&#8220;What Remains? asks what gives an object the sense that it might outlive the moment of its making: the material, the craft, or simply the possibility that some objects belong to no single time at all,&#8221; Objects with Narratives concluded.<\/p>\n<p>Objects with Narratives was founded by Nik and Robbe Vandewyngaerde and Oskar Eryatmaz, who opened their <a href=\"https:\/\/www.dezeen.com\/2024\/03\/20\/objects-with-narratives-grand-sablon-40-gallery-brussels\/\" rel=\"nofollow noopener\" target=\"_blank\">first permanent brick-and-mortar gallery<\/a> inside a historic 1920s fur atelier in Brussels in 2023.<\/p>\n<p>What Remains? is on until 18 October.<\/p>\n<p>The photography is courtesy of Objects with Narratives.<\/p>\n<p><a href=\"https:\/\/www.dezeen.com\/eventsguide\/2026\/10\/pad-london-2026\/\" rel=\"nofollow noopener\" target=\"_blank\">PAD London 2026<\/a> takes place from 14 to 19 October 2026 at Berkeley Square, London W1J 6EN, UK. See <a href=\"https:\/\/www.dezeen.com\/eventsguide\/2024\/02\/stockholm-furniture-fair-2024\/\" rel=\"nofollow noopener\" target=\"_blank\">Dezeen Events Guide<\/a>\u00a0for more architecture and design events around the world.<\/p>\n<p>            <script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"Belgian gallery Objects with Narratives has curated a texture-heavy exhibition at PAD London called What Remains?, featuring pieces&hellip;\n","protected":false},"author":2,"featured_media":632158,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[442,498,499,500,309965,29196,501,1634,156,3427,6803,1619,111,139,69,309964,309963,1613],"class_list":["post-632157","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-ben-storms","tag-collectible-design","tag-design","tag-england","tag-entertainment","tag-exhibitions","tag-furniture","tag-london","tag-new-zealand","tag-newzealand","tag-nz","tag-objects-with-narratives","tag-paul-cocksedge","tag-uk"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/632157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/comments?post=632157"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/posts\/632157\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media\/632158"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/media?parent=632157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/categories?post=632157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/nz\/wp-json\/wp\/v2\/tags?post=632157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}