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Perhaps the most celebrated and charismatic body of work in the history of Japanese art is shown in its entirety.
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Dulwich Picture Gallery, London, 20 October to 17 January<\/a><\/p>\n
Also showing<\/p>\n
Pre-Raphaelites: Art and Poetry Michael Landy Middlesex Hospital Blues Ancient Landscape, Modern Times Image of the week Tarek Atoui\u2019s entrancing Turbine Hall installation at Tate Modern is an interconnected musical machine you can lose yourself in for hours. The artist teases you and boggles your mind with how his musical instruments relate to the sounds you hear \u2013 managing to do something new and beautiful with sound and vision. Read the five-star review<\/a>.<\/p>\n skip past newsletter promotion<\/a><\/p>\n Sign up to Art Weekly<\/p>\n Your weekly art world round-up, sketching out all the biggest stories, scandals and exhibitions<\/p>\n after newsletter promotion<\/p>\n Masterpiece of the week Photograph: \u00a9 The National Gallery, London.<\/p>\n The Virgin and Child in a Landscape, 1520s, by Albert Cornelis and Associates Sign up to the Art Weekly newsletter<\/p>\n If you don\u2019t already receive our regular roundup of art and design news via email, please sign up here<\/a>.<\/p>\n Get in Touch<\/p>\n
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The woozy visions of Millais, Rossetti and the rest are profoundly literary, shows this exhibition of the ever-popular Victorian art movement.
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Laing Art Gallery, Newcastle, 17 October to 13 February<\/a><\/p>\n
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Landy\u2019s drawings are painfully and beautifully honest. Here he muses on the nature of ruin.
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Soane Museum, London, until 17 January<\/a><\/p>\n
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Derek Jarman\u2019s Blue and its revolutionary meditation on illness are explored by Tilda Swinton and others.
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Fitzrovia Chapel, London, until 18 November<\/a><\/p>\n
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Rolling hills and chalk horses were evocatively depicted in early 20th century British art, this exhibition claims.
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Holburne Museum, Bath, until 10 January<\/a><\/p>\n![\"Tarek](\"https:\/\/www.newsbeep.com\/nz\/wp-content\/uploads\/2026\/10\/Tarek_Atoui_at_the_Tate_Modern--2b9f773b-c7b3-4728-b351-efbfcaca6bc7-4.0.0000000.jpg\")
Tarek Atoui at the Tate Modern<\/p>\n
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Behind the melancholic Madonna and lively Christ child in this Renaissance painting is a fantasy version of the city of Bruges in a blue landscape that is nothing like the Flemish city\u2019s actual setting. The city\u2019s towers are depictions of the real towers of Bruges, the medieval powerhouse of industry and commerce where Albert Cornelis worked. But he or a helper have turned Bruges into a twinkling, dreamlike place beside a vast, placid sea inlet, loomed over by huge mountains: an imagined, alluring landscape inspired by the science-fiction utopias of Hieronymus Bosch, as well as the surreal vistas of Joachim Patinir. It may even owe something to the melting blue mountains and seas in Leonardo da Vinci\u2019s altarpieces, for this painting was apparently made for the Italian market and has the name of an early Italian owner on the back. It\u2019s a lovely, little known example of the way 16th-century artists could combine religious imagery with romantic, bizarre musings in their freely painted landscapes.
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National Gallery, London<\/a><\/p>\n