Salisbury-based Carlton Brunton turned his attention to wildlife films in April 2024, with his first wildlife film exploring the breeding season of the peregrine falcons that have nested on the spire of Salisbury Cathedral.
Initially a commercial filmmaker, Mr Brunton had little experience in wildlife productions.
He approached the project as a blank canvas, using it as an opportunity to learn.
The process taught him valuable wildlife observation skills and highlighted just how different wildlife filmmaking is from commercial production.
Unlike commercial work, wildlife filmmaking requires patience and long periods of observation, and, over time, an ability to recognise and anticipate certain patterns, and an understanding of when behaviour is likely to occur.
The first film was completed in July 2024, shortly after the falcon chicks fledged.
While the project was successful, in hindsight, Mr Brunton felt as if this could be improved.
This reflection led him to revisit the project in early 2026.
Over the past two years, Mr Brunton has continued building his wildlife portfolio alongside his usual commercial work.
Salisbury Cathedral’s Peregrine Falcons return (Image: Carlton Brunton)
He explored various locations across the UK, gaining more experience in nature shooting.
These new competencies will enhance his approach to the 2026 peregrine falcon season, allowing him to approach the subject with greater understanding, intent, and patience.
His new film focuses on capturing falcon behaviour at each stage of the season, from courtship through to fledging where possible.
You can watch the first instalment here: https://youtu.be/79rfYB9IGZE
Alongside highlighting the vital moments, the film aims to show the quieter, everyday aspects of a peregrine falcon’s life in Salisbury.
Again, the majority of the footage will be shot from ground level.
There will also be some establishing sequences of Salisbury Cathedral.
To ensure the birds’ safety, these shots will be captured from a safe distance using a small drone to avoid disturbing them.
The opening sequences are intentionally quiet and observational, setting the tone for a project that will continue to unfold over the coming months.