“Imagine a world based on a different logic; a universe comprised of the absurd and paradoxes,” prompts Bruno Pontiroli, whose paintings explore the sometimes grotesque tension between the familiar and the uncanny.
The artist is known for his absurdist paintings of animals with overly long legs, contorted bodies, or myriad mutant-like heads or limbs. They’re often set amid woodlands or meadows evocative of 18th- and 19th-century academic landscape paintings or depictions of formal hunts. Instead, both domesticated and wild animals graze as normally as they would without dozens of heads or udders attached in unnatural places around their bodies.
“De mal en pis” (2025), 70 x 80 centimeters
There’s something inherently disturbing about an elephant with a body cloaked in trunks or a giraffe with multiple heads and limbs jutting out in all directions. Despite their bucolic settings and generally calm or curious demeanors, as if nothing is amiss, Pontiroli’s paintings evoke a slight sense of dread. What have we done to cause this?
See more on the Pontiroli’s Instagram.
“Les cous montés” (2025), 130 x 97 centimeters
“Le trotteur” (2025), 80 x 70 centimeters
“Il trompe son monde” (2025), 130 x 162 centimeters
“Jo” (2025), 100 x 81 centimeters
“L’un dans l’autre” (2025), 130 x 97 centimeters
“Copains comme cochons #2” (2025), 60 x 50 centimeters
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