Elliot McGucken
These photos of 70-foot-tall light cones shimmering over the Californian desert may look beautiful, but scratch the surface and they actually represent fascinating theories about the space-time continuum.
Dr. Elliot McGucken is a well-known landscape photographer and a Ph.D. physicist. He likes to combine his two passions, which he believes perfectly complement each other.
“The legendary Renaissance painter Rembrandt van Rijn advised aspiring artists to ‘choose only one master: nature’,” McGucken notes in his paper on light cones. “Einstein also looked towards nature for enlightenment, advising scientists to, ‘Look deep into nature, and then you will understand everything better’.”
“All too much of modern art and science has lost touch with nature’s truth and beauty,” he adds. “And so it is that I created my Light Cone Spacetime Sculptures upon nature’s exalted easel.”




McGucken captures the light cones via three-minute exposures, during which time a drone is released to paint the massive spirals that are about 40 feet wide. Each light painting looks like an hourglass, and that’s because it is actually two cones on top of each other, with the narrower end of each cone meeting in the middle.
The photographer-come-physicist uses GPS to guide the drone via a pre-programmed route. McGucken usually needs multiple attempts — sometimes over numerous nights — because the wind can push the drone off its path, particularly when shooting in a desert where there is often a blowing gust.


Sometimes McGucken creates just a single cone, instead of two.


To the casual observer, McGucken’s light cones are just a pretty curiosity — an aesthetically pleasing spiral over stunning nighttime landscapes. But there’s more than meets the eye.
PetaPixel does not usually get into the weeds of the theory of relativity, but McGucken’s light cones actually represent Albert Einstein’s equation relating light, time, and dimension: x4=ict.
In an article from 2023, Smithsonian writer Will Sullivan explains that the cones represent how light moves through the space-time continuum, a model first theorized by German mathematician Hermann Minkowski.
Imagine a light bulb turning on. To the human eye, light fills the room instantaneously, but that’s not what happens. A fraction of a second after the light bulb turns on, a small sphere is illuminated around the bulb. When another fraction of a second passes, the light travels a little further, forming a bigger sphere.
The Smithsonian explains that “light cones track the spread of light in two-dimensional space, emanating out in wider and wider circles around a central point.”
Sullivan asks the reader to think of it like a stone that’s been dropped in a still pond: “As time passes, ripples spread farther and farther across the surface of the water. In two dimensions, light from a bulb will fill increasingly larger circles as time goes by,” he explains.
Therefore, the narrowest part of McGucken’s cones represents light from the recent past that is located nearby, while the wider parts of the cones represent light that has come from much farther away.





“The first thing you have to accomplish is a sense of beauty,” McGucken tells Smithsonian. “You owe that to the viewer before you start giving them any sort of physics lecture. I want people to see the desert landscape at night, and then see the light cone, and then start wondering, ‘What is that? What does it mean?’”
To read more about the science behind McGucken’s light cones, head to his Medium page, where there is a fuller explanation. More of his work can be found on Instagram and his website.
Image credits: Photographs by Elliot McGucken