The event is part of the Constable Ambisonic project, as part of which sound artist Stuart Bowditch has been making 360º spatial audio recordings of the locations of 20 paintings by Constable.
Wilson, who works with a wide range of media, said she had been more drawn towards working with sound over the last 25 years.
“I’m fascinated by what sound can tell us about a place, different conditions, different processes of change.”
Her research was informed by Susan Owens’s book Constable’s Year.
“When his dad died, he inherited his money, and he was now able to marry his love, went on honeymoon, stayed with his friend, who was a vicar, and then went out and did lots of drawings in Osmington,” Wilson said.
“It hard not to look at it and think about this obviously very happy artist.”
But she added Constable “never came back to Osmington”.