Bergfried – Romantik III Review
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023, Austrian-Hungarian duo Bergfried rides…
Përl – Architecture du Vertige Review
One of the cool things about post-metal is the virtually infinite leeway artists have to be as light…
Soulfly – Chama Review | Angry Metal Guy
Max Cavalera casts one hell of a shadow in metal, with a wide swath of bands he’s either…
Tuesday the Sky – Indoor Enthusiast Review
Jim Matheos is not the kind of artist to sit still in one place for long. Best known…
Sanguisugabogg – Hideous Aftermath Review
This review almost didn’t happen. As the recently demoted were scraping the last bit of slime off the…
Biohazard – Divided We Fall Review
Biohazard are one of those bands that held my interest and affection, but only for a small window…
Tombs – Feral Darkness Review
This is my first time reviewing Brooklyn’s Tombs, but it’s not my first time experiencing them. Each year…
Heads for the Dead – Never Ending Night of Terror Review
Death metal “supergroup” Heads for the Dead left enough carnage in their wake over 3 full-length albums to…
Testament – Para Bellum Review
The greats of the original American thrash scene have fallen on hard times of late. Metallica dropped a…
Hooded Menace – Lachrymose Monuments of Obscuration Review
I’ve been hot and cold on Finnish doom-death act Hooded Menace over the years. I enjoyed the heavy,…
Biolence – Violent Obliteration Review
Prior to my initiation ritual and early in my tenure as a volunteer whipping post, one of my…
Last Retch – Abject Cruelty Review
Despite the core ingredient being completely the same, not all steaks are created equal. Marbleization, marination, seasonings, sauces,…