Æl-Fierlen – All Is Far Away Review
Like a specter emerging from the mist, Æl-Fierlen is a brand new post-black metal act that materialized in…
Autumn Tears – Crown of the Clairvoyant Review
One of the interesting things about writing for a heavy metal blog is the quantity—and quality—of non-metal recommendations…
Castle Rat – The Bestiary Review
New York’s Castle Rat generated buzz off the back of their impressive slab of fantasy-inspired doom rock featured…
Burning Sun – Retribution Review
By: Nameless_n00b_607 It has been a much slower year for power metal than I would like. There have…
Regina – Liminal Space Review
At the end of each year, Angry Metal Guy likes to boast of the diverse coalition of readers…
Ancient Torment – Follow the Echo of Curses Review
“Between grief and nothing, I will take grief.” –William Faulkner, The Wild Palms How do you grieve? Do…
VOID – Forbidden Morals Review
Pinpointing a band’s style of metal is becoming an increasingly difficult task these days. Amidst the sub-sub genres…
Burden of Ymir – The Long Winter Review
Joe Caswell of Sudbury, Canada first caught the attention of this blog in 2023, as the sole member…
Desaster – Kill All Idols Review
Every 4 years or so, Germany’s rabid blackened thrash slime eaters Desaster drop a new album on the…
Vindicator – Whispers of Death Review
New thrash doesn’t hit my ears as much as it used to, and more than any other metal…
Ashen – Leave the Flesh Behind Review
Australian death metal troupe Ashen impressed me back in 2023, but not because their debut record Ritual of…
Sad Serenity – Tiny Miracles Review
Written By: Nameless_n00b_606 Perhaps more than any other subgenre of metal, prog requires work. Prog metal’s penchant for…