Sölicitör – Enemy in Mirrors Review
Sölicitör’s 2020 debut made quite the splash ’round these parts when 4.Öldeneye heaped glorious praise all over it.…
Paradise Lost – Ascension Review
As a huge fan of the salad days of the “Peaceville Three,” I felt obliged to follow Paradise…
Green Carnation – A Dark Poem Part I: The Shores of Melancholia Review
Not gonna lie, I did a double-take when I saw that Green Carnation’s fantastic Leaves of Yesteryear came…
Proscription – Desolate Divine Review
Last we met Finland’s Proscription, an overwhelming amount of promise was almost as intense as their blackened death…
Farseer – Portals To Cosmic Womb Review
Growing up together in the Chicago suburb of Cary, Farseer’s Brendan McCarthy (guitars/vocals), Ted Ballantine (guitar), George Burrows…
Fell Omen – Caelid Dog Summer Review
Raw black metal is a tricky proposition. There’s an extremely thin line to walk between production choices designed…
Castrator – Coronation of the Grotesque Review
With Burdizzo‘s ready, New York’s female death metal foursome Castrator are back to crush spermatic cords and eviscerate…
Lord of the Lost – Opvs Noir Vol. 1
Chris Harms has been in the music business since 1999, but it wasn’t until founding Lord of the…
Anchorite – Realm of Ruin Review
2025 has not given me nearly enough epic doom. I need a lot of that stuff to offset…
Goblinsmoker – The King’s Eternal Throne Review
By: Nameless_n00b_602 Concept albums inherently have higher aspirations than the average release and therefore necessitate an elevated standard…
Floating – Hesitating Lights Review
Back in ’22, your favorite AMG staffers butted heads and said “yeehaw” in a Rodeö whose scores were…