Invictus – Nocturnal Visions Review
Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death…
The Ruins of Beverast – Tempelschlaf Review
The Ruins of Beverast has never released a bad album. Its architect, Nagelfar alum Alexander von Meilenwald, has…
Blut Aus Nord – Ethereal Horizons Review
Sometimes it’s all a question of perspective. Among the most prominent and influential of French black metal, the…
Depravity – Bestial Possession Review
Since the release of Evil Upheaval in early 2018, I fell head over heels for Aussie death metal…
Antinoë – The Fold Review
As the whispering winds of winter begin to blow colder through my neck of the woods, a time…
Asira – As Ink in Water Review
I get the sense that the members of Asira are particularly meticulous. The last time we heard from…
Oromet – The Sinking Isle Review
‘Tis the season. No, not the holidays. ‘Tis the season for doom and gloom, at least here in…
Gazpacho – Magic 8 Ball Review
Norway may always be most well known for its black metal history, but I’ve come to love the…
Barren Path – Grieving Review
Forged from the ashes of the mighty Gridlink, Barren Path emerge from the blistered earth, hellbent on blazing…
Igorrr – Amen Review | Angry Metal Guy
Igorrr’s fifth full-length Amen symbolizes a logical and natural progression – a refinement of what was hinted at…
Paradise Lost – Ascension Review
As a huge fan of the salad days of the “Peaceville Three,” I felt obliged to follow Paradise…
Hexrot – Formless Ruin of Oblivion Review
By: Nameless_n00b_604 “What’s past and what’s to come is strew’d with husks / And formless ruin of oblivion;”…