Mumford & Sons: Prizefighter Album Review
Mumford & Sons have achieved massive success, but they’re still desperate for respect. They’ve drawn from classic literature,…
Hilary Duff: Luck… or Something Album Review
Thankfully, both Duff and Koma have moved on from the thumping theatrics of the mid-2010s. luck… is less…
Angel Du$t: COLD 2 THE TOUCH Album Review
For years, Angel Du$t was Justice Tripp’s balmy reprieve from Trapped Under Ice. When he fronted the Baltimore…
Danny L Harle: Cerulean Album Review
Whatever else hyperpop was—rambunctious, pleasure-forward, sonically inventive in tech and tempo, buzzy in all senses—it was never earnest.…
Dirt Buyer: Dirt Buyer III Album Review
Getting forced to play little league baseball is about as emo as youthful tribulations get. I imagine Joe…
Mayhem: Liturgy of Death Album Review
Death stalked Mayhem from the womb. Founded near Oslo in 1984, the black metal band cycled through a…
破地獄 / Scattered Purgatory: 波地獄 / Post Purgatory Album Review
In January 2021, unassuming clubbers looking for a Saturday night out at Taipei’s FINAL might’ve been surprised to…
Joyce Manor: I Used to Go to This Bar Album Review
Almost a decade and a half after they took basements and Tumblrs across America by storm with a…
Dialect: Full Serpent EP | Pitchfork
Past and future blur together in the slipstream of British experimentalist Andrew PM Hunt’s music as Dialect. Since…
Searows: Death in the Business of Whaling Album Review
Portland, Oregon singer-songwriter Alec Duckart, who performs as Searows, broke through at the height of the post-Boygenius singer-songwriter…
Lucinda Williams: World’s Gone Wrong Album Review
World’s Gone Wrong is an album title suited to the times, one that suggests Lucinda Williams is seeking…
Megadeth: Megadeth Album Review | Pitchfork
It’s been 43 years, 17 albums, and 32 member changes since Dave Mustaine was kicked out of Metallica,…