No/Más – No Peace Review
DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length…
Exhumed – Red Asphalt Review
Unfortunately, the mighty Relapse stable now floats down the shitty stream for promos. As such, we are slow…
Post Luctum – Timor Lucis Review
Even with someone as infinitely absorbent as this sponge, things slip through the cracks sometimes. In 2019, I…
Night of the Vampire – The Enchanting Winds of the Dreamweaving Masquerade Review
I love black metal, but it certainly has a reputation for taking itself too seriously. Now and then,…
Profane Elegy – Herezjarcha Review
Herezjarcha—Arch-Heretic—is the sophomore of Pennsylvania-based Profane Elegy, who are determined to escape genre boundaries. Following the trajectory set…
Ritual Arcana – Ritual Arcana Review
I’m a tad slow out of the blocks to kick off the new year. Though in reviewing terms,…
AMG Goes Ranking – Megadeth
The life of the unpaid, overworked metal reviewer is not an easy one. The reviewing collective at AMG…
Architectural Genocide – Malignant Cognition Review
It’s gotta be tough being inspired by genre giants. For bands like Incantation or Autopsy, it can be…
Ov Sulfur – Endless Review
Blackened deathcore has truly run its course. This is simultaneously a hopeful sentiment, as it may encourage bands…
Redivider – Sounds of Malice Review
I’ve always wondered why there aren’t more bands that use palindromes as names. Think of the perfect symmetry…
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Sallow Moth – Mossbane Lantern [Things You Might Have Missed 2025]
I don’t know if Garry Brents is the busiest person in metal, but he’s active enough that I…
House by the Cemetary – Disturbing the Cenotaph Review
From Imperial Doom to The Passage of Existence, Monstrosity has one of the most solid death metal discographies…