Burning Sun – Retribution Review
By: Nameless_n00b_607 It has been a much slower year for power metal than I would like. There have…
Hexrot – Formless Ruin of Oblivion Review
By: Nameless_n00b_604 “What’s past and what’s to come is strew’d with husks / And formless ruin of oblivion;”…
Ancient Torment – Follow the Echo of Curses Review
“Between grief and nothing, I will take grief.” –William Faulkner, The Wild Palms How do you grieve? Do…
VOID – Forbidden Morals Review
Pinpointing a band’s style of metal is becoming an increasingly difficult task these days. Amidst the sub-sub genres…
Proscription – Desolate Divine Review
Last we met Finland’s Proscription, an overwhelming amount of promise was almost as intense as their blackened death…
Farseer – Portals To Cosmic Womb Review
Growing up together in the Chicago suburb of Cary, Farseer’s Brendan McCarthy (guitars/vocals), Ted Ballantine (guitar), George Burrows…
Vindicator – Whispers of Death Review
New thrash doesn’t hit my ears as much as it used to, and more than any other metal…
Mehrwertsteuer – Krone der Schöpfung Review
Black metal is, traditionally, an angry style of music. That’s not controversial, right? The early pioneers of the…
Ashen – Leave the Flesh Behind Review
Australian death metal troupe Ashen impressed me back in 2023, but not because their debut record Ritual of…
Abhorrent Expanse – Enter the Misanthropocene Review
How experimental is too experimental? That’s the question Chicago’s Abhorrent Expanse posits. It’s clear from the title: Enter…
LOMMI – 667788 Review | Angry Metal Guy
LOMMI first formed in 2007, but these Swedes are essentially digital ghosts. You’d think an 18-year history would…
Fell Omen – Caelid Dog Summer Review
Raw black metal is a tricky proposition. There’s an extremely thin line to walk between production choices designed…