The Noctambulant – Revival Review
Did you know that black metal could be fun? Southern Florida’s The Noctambulant believe so, and on their…
Sworn – Null Crowned the Infinite Review
At the end of his TYMHM for Sworn’s A Journey Told Through Fire, Carcharodon proclaimed it the best…
Aucausal Intrusion – Vomit Meditations Review
In an act of unconscious serendipity, shortly before beginning this review, I re-read Jean-Paul Sartre’s Nausea. The serendipity…
Hanternoz – A Hed an Noz, a Noz, a Noz Review
One of the things I enjoy most about folk metal is that I never know exactly what I’m…
Sigh – Goh-Ka Review | Angry Metal Guy
Great records offer something deeper than what glimmers on the surface, whether conceptual, musical, emotional or otherwise. Without…
Viande – Monument aux morts Review
As I snatch their sophomore, Monument aux morts from the jaws of the dormant Shark, the irony of…
Review: Nostalghia – Departure – The Progressive Subway
Published by Vince on 2026/07/182026/07/18 Artwork by: Gabriel Ferrier (Soir, 1911) Style: Avant-Garde Metal, Progressive Metal, Atmospheric Black…
Emptiness – Nowhere Speaks Review
Emptiness, nothingness, absence, non-being: such evocations of negation abound in extreme metal, often justifiably given the visceral analogy…
Saidan – Fangdriller: Scars Beneath Memory’s Wrist Review
Saidan’s Fangdriller: Scars Beneath Memory’s Wrist wasn’t an album I’d initially planned to review, but when my Dear…
Serpent Lord – The Once Forgotten Ways of Old Review
After reviewing Crotaline in April and Dimmu Borgir’s Grand Serpent Rising earlier this month, 2026 is shaping up…
Crocell – Swarm of Insects Review
Spawned in 2007, Danish quintet Crocell started life as a humble, but prolifically productive melodic death metal troupe,…
Astral Alchemy – Weaving Chilling Magical Dreamworlds Review
Like those programmers who insist on rebuilding every line of code in Python, New York’s black metal woodland-walkers…