Cnoc An Tursa – A Cry for the Slain Review
For years, Scottish outfit Cnoc An Tursa lurked along the periphery of my awareness. I liked the few…
Aversio Humanitatis – To Become the Endless Static Review
The thing I am most afraid of is losing my mind. The progressive destruction dementia wreaks upon a…
Review: Scimitar – Scimitarium II
Published by Justin on 2026/04/212026/04/21 Logo and illustration by Jack Sabbat, Ornaments by Joos Melander Style: Heavy Metal,…
Northern Graves – Derelict Heart Review
I don’t know exactly what it is, but the Canadian prairies seem to just do something to its…
Graufar – Via Necropolis Review
Without question, Friday is my favorite day of the week. Even more tantalizing than the conclusion to an…
Non Est Deus – Blessings and Curses Review
To receive the honor of reviewing duties for Noise’s latest as a superfan of his output is an…
Astral Spectre – Cosmic Mirage Review
Read it in the stars: an Astral Spectre is upon us. German multi-instrumentalist Tenebros has spent the past…
EP/Split/Single Roundup of 2025, Part 2
It’s me again! This will ideally be posted on a much tighter schedule following Part 1, which is…
Këkht Aräkh – Morning Star Review
Somehow, Këkht Aräkh is one of the most popular black metal artists in the game right now. Since…
The Silver – Looking Glass of Hymnal Blue Review
Comprising members of Horrendous and Crypt Sermon, back in ye strange times of 2021, Philadelphia’s The Silver dropped…
Antrisch – Expedition III: Renitenzpfad Review
In 1560, Lope de Aguirre, a Spaniard who would deem himself the “Wrath of God,” joined Pedro de…
Review: Feversea – Wormwood in the Veins of the World
Published by Vince on March 25, 2026March 25, 2026 No artist credited Style: Post-Metal, Progressive Metal, Black Metal,…