Igorrr – Amen Review | Angry Metal Guy
Igorrr’s fifth full-length Amen symbolizes a logical and natural progression – a refinement of what was hinted at…
Review: Novembers Doom – Major Arcana
Published by Vince on September 20, 2025September 20, 2025 Artwork by: strxart Style: Death-Doom Metal, Doom Metal, Gothic…
Review: Sallow Moth – Mossbane Lantern
Published by Cooper on September 16, 2025September 16, 2025 Artwork by Jacob Devlin Style: brutal death metal, progressive…
Hexrot – Formless Ruin of Oblivion Review
By: Nameless_n00b_604 “What’s past and what’s to come is strew’d with husks / And formless ruin of oblivion;”…
Nuclear Dudes – Truth Paste Review
Nuclear Dudes is one step closer to living up to their moniker as they are now officially more…
Proscription – Desolate Divine Review
Last we met Finland’s Proscription, an overwhelming amount of promise was almost as intense as their blackened death…
Farseer – Portals To Cosmic Womb Review
Growing up together in the Chicago suburb of Cary, Farseer’s Brendan McCarthy (guitars/vocals), Ted Ballantine (guitar), George Burrows…
Ashen – Leave the Flesh Behind Review
Australian death metal troupe Ashen impressed me back in 2023, but not because their debut record Ritual of…
Old Machines – The Cycles of Extinction Review
Picture the scene: it’s 3 am, and the bar is about to close. the last remaining customers—a table…
Abhorrent Expanse – Enter the Misanthropocene Review
How experimental is too experimental? That’s the question Chicago’s Abhorrent Expanse posits. It’s clear from the title: Enter…
Castrator – Coronation of the Grotesque Review
With Burdizzo‘s ready, New York’s female death metal foursome Castrator are back to crush spermatic cords and eviscerate…
Theurgion – All Under Heaven Review
I’ll give it to the folks at Profound Lore’s PR department. As I processed the All Under Heaven…