Bergfried – Romantik III Review
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023, Austrian-Hungarian duo Bergfried rides…
Aquilla – Sentinels of New Dawn Review
The Polish metal scene is much better known around these parts for its bludgeoning death metal than for…
Cemican – U k’u’uk’ankil Mayakaaj Review
Hailing from Guadalajara, Mexico, folk-death septet Cemican caught my attention way back in 2019 with their third record,…
Black Soul Horde – Symphony of Chaos Review
Has it really been 4 years since Horrors from the Void dropped? The third full-length from Greek trve…
Nils Patrik Johansson – War and Peace Review
Nils Patrik Johansson has sung in metal bands for almost as long as I’ve done anything on this…
Blizaro – Light and Desolation Review
What do you get when you combine old school doom with older school horror movie soundtracks? John Gallo…
Soulfly – Chama Review | Angry Metal Guy
Max Cavalera casts one hell of a shadow in metal, with a wide swath of bands he’s either…
Battle Beast – Steelbound Review
Steelbound, Battle Beast’s seventh full-length album, struts forth boasting bubblegum choruses and sticky refrains that, upon contact, are…
Castle Rat – The Bestiary Review
New York’s Castle Rat generated buzz off the back of their impressive slab of fantasy-inspired doom rock featured…
Sölicitör – Enemy in Mirrors Review
Sölicitör’s 2020 debut made quite the splash ’round these parts when 4.Öldeneye heaped glorious praise all over it.…
VOID – Forbidden Morals Review
Pinpointing a band’s style of metal is becoming an increasingly difficult task these days. Amidst the sub-sub genres…
Gibson revives its first signature pickup, the Tony Iommi signature humbucker
The sound that helped define heavy metal is back. Gibson has revived the Tony Iommi Signature Humbucker, the…