In Vespro – Where Silence Used to Sleep Review
In a week where I was forced to bail on my half of a double review of Warning’s…
Lorn – Searing Blood Review
Nearly a decade has passed since Italian black metal project Lorn last graced these halls. Arrayed Claws greatly…
Ignobleth – Manor of Primitive Anticreation Review
You may note that I haven’t published a full review in more than a week. You may also…
The Great Observer – Loss of Transcendence Review
There are few concepts in the Western tradition as misunderstood as that of “the death of God.” It…
Vanderlust – The Human Farm Review
Aliens offer to take you away and give you a perfect—albeit short—life: do you say yes? According to…
Nefastis – Shadows at the Light of Dawn Review
When it comes to symphonic music, Italy has a rich history. From the famed Vivaldi to modern composer…
Dwellnought – Monolith of Ephemerality Review
In my hitherto short stint of indefinite indentured servitude in the hall, I’ve frequently noted the importance of…
Calvana – Sub Janus Review
Picture “black metal.” What do you see? Frigid wastelands illuminated by burning churches? Damp crypts beneath gothic cathedrals?…
Review: Ponte del Diavolo – De Venom Natura
Published by Francesco on February 13, 2026February 13, 2026 Artwork by: Francesco Dossena Style: Doom metal, post-punk, black…
Barbarian – Reek of God Review
Sometime in the 2010s, I started disliking music with too many flourishes and began seeking out stuff that…
Moon Wisdom – Let Water Flow Review
Metal Fatigue is not a moral failing: it is a physiological phenomenon, befalling even the most honorable of…
Dvm Spiro – MMXXVI – Grave Review
As is perhaps unsurprising for a doom act, Dvm Spiro appear to have a preoccupation with death. The…