Vandampire – Hope Scars Review
Post- historically implies an evolution of or successor to a previous idea (modernism, rock, structuralism, punk, hardcore, colonialism,…
Bergfried – Romantik III Review
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023, Austrian-Hungarian duo Bergfried rides…
Bastard Cröss – Crossripper Review
As a massive fan of anything that creeps, crawls, horrifies, or shocks, I enjoy no season more than…
Heraldic Blaze – Monument of Will Review
Those of you who know the difference between a trebuchet vs a catapult, gather round as we return…
Gazpacho – Magic 8 Ball Review
Norway may always be most well known for its black metal history, but I’ve come to love the…
Aquilla – Sentinels of New Dawn Review
The Polish metal scene is much better known around these parts for its bludgeoning death metal than for…
Cemican – U k’u’uk’ankil Mayakaaj Review
Hailing from Guadalajara, Mexico, folk-death septet Cemican caught my attention way back in 2019 with their third record,…
Serpent God – Denial Review
The digital era, where a band can release singles or EPs at a whim, seems to have tossed…
Black Soul Horde – Symphony of Chaos Review
Has it really been 4 years since Horrors from the Void dropped? The third full-length from Greek trve…
Përl – Architecture du Vertige Review
One of the cool things about post-metal is the virtually infinite leeway artists have to be as light…
Nils Patrik Johansson – War and Peace Review
Nils Patrik Johansson has sung in metal bands for almost as long as I’ve done anything on this…
Dwelling Below – Wearisome Guardians Review
The boys in Dwelling Below get a lot of facetime here at AMG. We’ve reviewed Hierarchies’ debut (Jared…