‘If I love it, I know it’: collector and Pace Prints president Jacob Lewis on trusting first impressions – The Art Newspaper
Much like his journey at Pace Prints—starting out as an intern 25 years ago, rising to become president…
Enigmatic Iconography and Incomplete Narratives Merge in Phlegm’s Murals and Engravings — Colossal
In his characteristically illustrative, enigmatic style, Phlegm’s monochrome compositions evoke wonder, mischief, and riddles. Hybrid figures, strange interactions,…
Annalise Gratovich’s Life-Size Woodcuts Meld Nature, Memory, and Ukrainian Heritage — Colossal
In the statement for Annalise Gratovich’s solo exhibition, Carrying Things From Home, the gallery poses a couple of…
Tugboat Printshop Marks 20 Years of Making Meticulously Crafted Woodblock Prints — Colossal
When Valerie Lueth of Tugboat Printshop sets out to make a woodblock print, it’s rare that she only…
Rachel Mentzer Transforms Discarded Cartons into Dusky Collagraphs — Colossal
One of the most common sights in cities is birds perched on power lines, although it rarely elicits…
Longevity and Obsoletion Impress Upon Alexander Endrullat’s Intaglio Prints — Colossal
Leipzig, Germany-based artist Alexander Endrullat has traded traditional Intaglio printing plates for discarded laptops. His ongoing series titled…
‘Out of Print,’ a Shepard Fairey Retrospective, Delves into the Power of Protest — Colossal
From feminist activist Angela Davis to iconic symbols of peace amid political upheaval, Shepard Fairey is known for…